{"id":89915,"date":"2023-02-15T10:59:05","date_gmt":"2023-02-15T17:59:05","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=89915"},"modified":"2023-02-15T11:01:05","modified_gmt":"2023-02-15T18:01:05","slug":"married-woman-a-1964","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=89915","title":{"rendered":"Married Woman, A (1964)"},"content":{"rendered":"<p><strong>&#8220;I love you, and maybe love is complicated.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Poster-226x300.png\" alt=\"\" width=\"226\" height=\"300\" class=\"alignleft size-medium wp-image-89916\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Poster-226x300.png 226w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Poster-97x128.png 97w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Poster-204x270.png 204w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Poster.png 705w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA self-absorbed young woman (Macha M\u00e9ril) drifts between an affair with an actor (Bernard No\u00ebl), and married life with her pilot-husband (Philippe Leroy) and his son (Christophe Bourseiller).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>French Films <\/li>\n<li>Infidelity<\/li>\n<li>Jean-Luc Godard Films<\/li>\n<li>Marital Problems<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nDespite there being very little substance to this stylized look at a shallow marriage threatened by infidelity, this film (Godard&#8217;s eighth feature) premiered to great acclaim and ended up as one of his most financially successful pictures. M\u00e9ril &#8212; perhaps best recognized as the blonde psychic who is brutally murdered on stage near the beginning of Dario Argento&#8217;s <a href=\"https:\/\/filmfanatic.org\/?p=67077\"><em>Deep Red<\/em> (1975)<\/a> &#8212; plays Charlotte, a beautiful but vapid woman who is overly concerned with her appearance and sexual appeal, as echoed in the media-saturated landscape she moves within. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Bra.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Bra.png\" alt=\"\" width=\"977\" height=\"725\" class=\"alignnone size-full wp-image-89920\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Bra.png 977w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Bra-300x223.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Bra-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Bra-768x570.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Bra-364x270.png 364w\" sizes=\"auto, (max-width: 977px) 100vw, 977px\" \/><\/a><\/p>\n<p>She bounces back and forth between lovemaking sessions with her lover, Robert (No\u00ebl) &#8212; who is eager to have a child with her &#8212; and her husband, Pierre (Leroy), who&#8217;s had her followed by a private investigator; many of these scenes are comprised of various body parts, emphasizing the physicality and truncated nature of Charlotte&#8217;s daily existence. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Legs.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Legs.png\" alt=\"\" width=\"973\" height=\"727\" class=\"alignnone size-full wp-image-89923\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Legs.png 973w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Legs-300x224.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Legs-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Legs-768x574.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Legs-361x270.png 361w\" sizes=\"auto, (max-width: 973px) 100vw, 973px\" \/><\/a><\/p>\n<p>Indeed, Charlotte&#8217;s life is so empty that she spends her time discussing tidying up the cupboards, measuring her bust, and wandering through department stores; occasionally we hear her inner musings, which consists of statements like, &#8220;The most important thing for me is to understand what&#8217;s happening to me.&#8221; <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Charlotte.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Charlotte.png\" alt=\"\" width=\"971\" height=\"721\" class=\"alignnone size-full wp-image-89924\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Charlotte.png 971w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Charlotte-300x223.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Charlotte-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Charlotte-768x570.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Charlotte-364x270.png 364w\" sizes=\"auto, (max-width: 971px) 100vw, 971px\" \/><\/a><\/p>\n<p>Yes, that&#8217;s pretty much what you get with this tiresome flick, which is visually pleasing (Raoul Coutard&#8217;s cinematography is top-notch as always) but otherwise a bore. <\/p>\n<p><strong>Notable Performances, Qualities, and Moments:<\/strong><\/p>\n<ul>\n<li>Raoul Coutard&#8217;s cinematography<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Cinematography.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Cinematography.png\" alt=\"\" width=\"983\" height=\"727\" class=\"alignnone size-full wp-image-89917\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Cinematography.png 983w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Cinematography-300x222.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Cinematography-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Cinematography-768x568.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2023\/02\/Married-Woman-Cinematography-365x270.png 365w\" sizes=\"auto, (max-width: 983px) 100vw, 983px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo; you can skip this one unless you&#8217;re a Godard completist. Listed as a film with Historical Importance in the back of Peary&#8217;s book. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0058701\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/82980\/the-married-woman#articles-reviews?articleId=241947\">TCM Article<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I love you, and maybe love is complicated.&#8221; Synopsis: A self-absorbed young woman (Macha M\u00e9ril) drifts between an affair with an actor (Bernard No\u00ebl), and married life with her pilot-husband (Philippe Leroy) and his son (Christophe Bourseiller). Genres, Themes, Actors, and Directors: French Films Infidelity Jean-Luc Godard Films Marital Problems Review: Despite there being very little substance to this stylized look at a shallow marriage threatened by infidelity, this film (Godard&#8217;s eighth feature) premiered to great acclaim and ended up&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=89915\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-89915","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;I love you, and maybe love is complicated.&quot; Synopsis: A self-absorbed young woman (Macha M\u00e9ril) drifts between an affair with an actor (Bernard No\u00ebl), and married life with her pilot-husband (Philippe Leroy) and his son (Christophe Bourseiller). 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Genres, Themes, Actors, and Directors: French Films Infidelity Jean-Luc Godard Films Marital Problems Review: Despite there being very","og:url":"https:\/\/filmfanatic.org\/?p=89915","article:published_time":"2023-02-15T17:59:05+00:00","article:modified_time":"2023-02-15T18:01:05+00:00","twitter:card":"summary_large_image","twitter:title":"Married Woman, A (1964) - FilmFanatic.org","twitter:description":"&quot;I love you, and maybe love is complicated.&quot; Synopsis: A self-absorbed young woman (Macha M\u00e9ril) drifts between an affair with an actor (Bernard No\u00ebl), and married life with her pilot-husband (Philippe Leroy) and his son (Christophe Bourseiller). Genres, Themes, Actors, and Directors: French Films Infidelity Jean-Luc Godard Films Marital Problems Review: Despite there being very"},"aioseo_meta_data":{"post_id":"89915","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2025-07-17 05:23:36","updated":"2025-07-17 05:23:36","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/filmfanatic.org\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/filmfanatic.org\/?cat=1\" title=\"Original Reviews\">Original Reviews<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tMarried Woman, A (1964)\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/filmfanatic.org"},{"label":"Original Reviews","link":"https:\/\/filmfanatic.org\/?cat=1"},{"label":"Married Woman, A (1964)","link":"https:\/\/filmfanatic.org\/?p=89915"}],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/89915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=89915"}],"version-history":[{"count":10,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/89915\/revisions"}],"predecessor-version":[{"id":89932,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/89915\/revisions\/89932"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=89915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=89915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=89915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}