{"id":87893,"date":"2022-10-07T13:11:56","date_gmt":"2022-10-07T20:11:56","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=87893"},"modified":"2022-10-07T13:11:56","modified_gmt":"2022-10-07T20:11:56","slug":"my-night-at-mauds-ma-nuit-chez-maud-1969","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=87893","title":{"rendered":"My Night at Maud&#8217;s \/ Ma Nuit Chez Maud (1969)"},"content":{"rendered":"<p><strong>&#8220;I don&#8217;t like people with no problems.&#8221;<\/strong> <\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Poster-192x300.png\" alt=\"\" width=\"192\" height=\"300\" class=\"alignleft size-medium wp-image-87894\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Poster-192x300.png 192w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Poster-82x128.png 82w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Poster-173x270.png 173w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Poster.png 605w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA Catholic (Jean-Louis Trintignant) secretly infatuated with a blonde (Marie-Christine Barrault) he sees at church bumps into an old schoolmate (Antoine Vitez) and ends up spending the evening with him and a divorced doctor named Maud (Fran\u00e7oise Fabian).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Bourgeois Society<\/li>\n<li>Eric Rohmer Films<\/li>\n<li>French Films<\/li>\n<li>Religious Faith<\/li>\n<\/ul>\n<p><strong>Response to Peary&#8217;s Review: <\/strong><br \/>\nIn his review of this &#8220;third of Eric Rohmer&#8217;s six &#8216;Moral Tales'&#8221; &#8212; though &#8220;the first to get wide-spread circulation in America&#8221; &#8212; Peary points out the theme of &#8220;chance and probability&#8221; that runs through the entire screenplay, beginning with Trintignant running &#8220;into a Marxist friend&#8230; whom he hasn&#8217;t seen in 14 years&#8230; at a restaurant neither has been to before&#8221;: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bumping-Into.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bumping-Into.png\" alt=\"\" width=\"1007\" height=\"733\" class=\"alignnone size-full wp-image-87901\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bumping-Into.png 1007w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bumping-Into-300x218.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bumping-Into-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bumping-Into-768x559.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bumping-Into-371x270.png 371w\" sizes=\"auto, (max-width: 1007px) 100vw, 1007px\" \/><\/a><\/p>\n<p>&#8230; and eventually turning to &#8220;Trintignant, who is the type of guy who is always punctual, keeps appointments, and doesn&#8217;t sway from an ordered life, impulsively approach[ing] (on the street) a beautiful blonde&#8230; he&#8217;d seen at mass,&#8221; with further character-driven coincidences ensuing. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Blonde.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Blonde.png\" alt=\"\" width=\"1003\" height=\"727\" class=\"alignnone size-full wp-image-87902\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Blonde.png 1003w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Blonde-300x217.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Blonde-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Blonde-768x557.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Blonde-373x270.png 373w\" sizes=\"auto, (max-width: 1003px) 100vw, 1003px\" \/><\/a><\/p>\n<p>As Peary notes, &#8220;the humor is more subtle than in other Rohmer films &#8212; in fact, one could sit through the whole film without realizing he&#8217;s been funny on occasion&#8221; given that &#8220;the characters are always so serious&#8221; (though the humor &#8220;comes from seeing such loquacious intellectuals turning out to be as silly and awkward as everyone else when it comes to sex&#8221;). <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bed.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bed.png\" alt=\"\" width=\"1011\" height=\"729\" class=\"alignnone size-full wp-image-87905\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bed.png 1011w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bed-300x216.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bed-128x92.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bed-768x554.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Bed-374x270.png 374w\" sizes=\"auto, (max-width: 1011px) 100vw, 1011px\" \/><\/a><\/p>\n<p>I have a different take: while re-watching this film, I never thought I was viewing a romantic (or even an intellectual) comedy, and didn&#8217;t find the characters&#8217; sexual choices to be &#8220;silly&#8221;. Peary further asserts that the moment when &#8220;Fabian&#8217;s daughter (Marie Becker) climbs out of bed just to see the lights on the Christmas tree&#8221; is &#8220;a simple, sweet, and honest gesture that makes us see how trivial the adult discourse is&#8221;:<\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Tree.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Tree.png\" alt=\"\" width=\"999\" height=\"729\" class=\"alignnone size-full wp-image-87903\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Tree.png 999w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Tree-300x219.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Tree-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Tree-768x560.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Tree-370x270.png 370w\" sizes=\"auto, (max-width: 999px) 100vw, 999px\" \/><\/a><\/p>\n<p>&#8230; but I also disagree with this latter point; the &#8220;adult discourse&#8221; (involving &#8220;ultra-sophisticated&#8230; conversations about Pascal, probability and religion&#8221;) may be occasionally abstruse, but is far from trivial (or irrelevant). While this film is most certainly not for all tastes, I think it&#8217;s one-time must-see viewing for all film fanatics, especially those interested in French cinema. <\/p>\n<p><strong>Notable Performances, Qualities, and Moments: <\/strong><\/p>\n<ul>\n<li>Nestor Almendros&#8217;s cinematography<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Snow-Kiss.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Snow-Kiss.png\" alt=\"\" width=\"1001\" height=\"727\" class=\"alignnone size-full wp-image-87906\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Snow-Kiss.png 1001w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Snow-Kiss-300x218.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Snow-Kiss-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Snow-Kiss-768x558.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/10\/My-Night-at-Mauds-Snow-Kiss-372x270.png 372w\" sizes=\"auto, (max-width: 1001px) 100vw, 1001px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, as an exemplar of Rohmer&#8217;s unique style. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Foreign Gem<\/li>\n<\/ul>\n<p> (<span style=\"color:red;font-weight:bold;\">Listed in <a href=\"http:\/\/filmfanatic.org\/wp-static\/1001Movies.htm\"><em>1001 Movies You Must See Before You Die<\/em><\/a><\/span>) <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0064612\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.timeout.com\/movies\/my-night-with-maud\">Time Out Capsule Review<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1969\/09\/24\/archives\/eloquent-ma-nuit-chez-maud.html\">NY Times Original Review<\/a><\/li>\n<li><a href=\"http:\/\/www.qnetwork.com\/review\/1685\">Q Network Review<\/a><\/li>\n<li><a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s2076eric.html\">DVD Savant Review (scroll down to third review)<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/84377\/my-night-at-mauds#articles-reviews?articleId=88887\">TCM Article<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I don&#8217;t like people with no problems.&#8221; Synopsis: A Catholic (Jean-Louis Trintignant) secretly infatuated with a blonde (Marie-Christine Barrault) he sees at church bumps into an old schoolmate (Antoine Vitez) and ends up spending the evening with him and a divorced doctor named Maud (Fran\u00e7oise Fabian). Genres, Themes, Actors, and Directors: Bourgeois Society Eric Rohmer Films French Films Religious Faith Response to Peary&#8217;s Review: In his review of this &#8220;third of Eric Rohmer&#8217;s six &#8216;Moral Tales&#8217;&#8221; &#8212; though &#8220;the first&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=87893\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-87893","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;I don&#039;t like people with no problems.&quot; Synopsis: A Catholic (Jean-Louis Trintignant) secretly infatuated with a blonde (Marie-Christine Barrault) he sees at church bumps into an old schoolmate (Antoine Vitez) and ends up spending the evening with him and a divorced doctor named Maud (Fran\u00e7oise Fabian). 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