{"id":85561,"date":"2022-07-18T13:02:42","date_gmt":"2022-07-18T20:02:42","guid":{"rendered":"https:\/\/filmfanatic.org\/?p=85561"},"modified":"2022-07-25T19:09:20","modified_gmt":"2022-07-26T02:09:20","slug":"apocalypse-now-1979","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=85561","title":{"rendered":"Apocalypse Now (1979)"},"content":{"rendered":"<p><strong>&#8220;I don&#8217;t see&#8230; any method&#8230; at all, sir.&#8221; <\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Poster-193x300.png\" alt=\"\" width=\"193\" height=\"300\" class=\"alignleft size-medium wp-image-85562\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Poster-193x300.png 193w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Poster-82x128.png 82w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Poster-174x270.png 174w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Poster.png 613w\" sizes=\"auto, (max-width: 193px) 100vw, 193px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nDuring the Vietnam War, a captain (Martin Sheen) is assigned the task of finding and assassinating a mad lieutenant colonel (Marlon Brando) who has become a god-like figure for natives living deep in the jungle.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Assassination<\/li>\n<li>Dennis Hopper Films<\/li>\n<li>Francis Ford Coppola Films <\/li>\n<li>Frederic Forrest Films<\/li>\n<li>Harrison Ford Films<\/li>\n<li>Jungles<\/li>\n<li>Marlon Brando Films <\/li>\n<li>Martin Sheen Films<\/li>\n<li>Robert Duvall Films<\/li>\n<li>Scott Glenn Films<\/li>\n<li>Vietnam War<\/li>\n<\/ul>\n<p><strong>Response to Peary&#8217;s Review: <\/strong><br \/>\nPeary argues that while &#8220;Francis Coppola&#8217;s epic about the madness &#8211; &#8216;the horror!&#8217; &#8211; of the Vietnam War is considered controversial,&#8221; &#8220;there is really no volatile material,&#8221; and he adds that &#8220;the only cause for debate among people interested in the war itself is Coppola&#8217;s best, most authentic sequence: stoned, leaderless soldiers fight continuously behind enemy lines while headquarters has forgotten about them.&#8221; He writes that &#8220;many visuals are exciting, but the picture is annoyingly self-conscious,&#8221; and &#8220;too often Coppola seems to be calling attention to his artistry and imagination.&#8221; He asserts that &#8220;the boat trip comes across like a ride at Disneyland, where the special-effects men have prepared tableaux on the banks at every turn of the river&#8221;: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85567\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Boat-Ride.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and he concludes his review by noting that &#8220;the scene in which Sheen and Brando lie around philosophizing while Coppola gets super-pretentious with his camera and character placement recalls the similarly shot, ultra-boring scene of Liv Ullmann and Ingrid Bergman in Ingmar Bergman&#8217;s <em>Autumn Sonata<\/em>.&#8221; <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85565\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Brando.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>While it&#8217;s not a personal favorite, I&#8217;m a bigger fan of this wartime flick than Peary. Coppola was nothing if not forthright about his own concerns with the film not making sense (see the must-see documentary <em>Hearts of Darkness: A Filmmaker&#8217;s Apocalypse<\/em> [1991] for more on this), which makes it doubly impressive that the film actually does cohere. Sure, it&#8217;s more of a mood piece than a &#8220;rational&#8221; or straightforward adaptation of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Heart_of_Darkness\">Joseph Conrad&#8217;s 1899 novella <em>Heart of Darkness<\/em><\/a> &#8212; but it works on its own terms as a surreal immersion piece. Coppola and his team set out to tell a tale of the Vietnam War that would highlight its deep absurdity and lasting impact on everyone involved, and in this, he succeeds. <\/p>\n<p>We see characters ranging from an already-damaged captain (Sheen) who is shaken from an alcohol-fueled fugue to head out on a new mission: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85569\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen-Opening.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; to the team of bureaucrats (including Harrison Ford) who cooly task Sheen with assassinating a member of his own military: <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85570\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Leaders.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; to megalomaniac, helicopter-riding Lt. Colonel (Robert Duvall) who &#8220;loves the smell of napalm in the morning&#8221; and repeatedly insists to a California surfer named Lance (Sam Bottoms) that the war-ridden waters surrounding them are just fine to head out onto. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85572\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Bottoms.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>We also meet the other members of Sheen&#8217;s river patrol boat crew, including CPO Phillips (Albert Hall), &#8220;Clean&#8221; (14-year-old Laurence Fishburne), and &#8220;Chef&#8221; (Frederic Forrest):<\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85579\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Crew.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and eventually encounter a hopped up photojournalist (Dennis Hopper) who takes Sheen to see the mysterious Captain Kurtz (Brando). <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85573\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Hopper.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>The final half-hour &#8212; taking place deep in the &#8220;heart of darkness&#8221; in the jungle &#8212; evokes all sorts of problematic issues related to colonialism and exoticism of native peoples, but it&#8217;s palatable given that this is precisely the film&#8217;s point: we went in to &#8220;help&#8221; a country we knew little to nothing about, and emerged more confused and damaged than ever. <\/p>\n<p><strong>Note:<\/strong> Watch for a brief &#8220;cameo&#8221; by Scott Glenn as a member of Brando&#8217;s cult. <\/p>\n<p><a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85576\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Glenn.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>Notable Performances, Qualities, and Moments: <\/strong><\/p>\n<ul>\n<li>Fine performances by the entire cast<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85577\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Sheen4.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85574\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Copter.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Vittorio Storaro&#8217;s cinematography<br \/>\n<a href=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still-1024x435.png\" alt=\"\" width=\"640\" height=\"272\" class=\"alignnone size-large wp-image-85575\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still-1024x435.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still-300x128.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still-128x54.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still-768x326.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still-1536x653.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still-604x257.png 604w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/07\/Apocalypse-Now-Still.png 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Good use of an eclectic score<\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, as a powerful classic. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Genuine Classic<\/li>\n<li>Important Director<\/li>\n<\/ul>\n<p> (<span style=\"color:red;font-weight:bold;\">Listed in <a href=\"http:\/\/filmfanatic.org\/reviews\/?page_id=1458\"><em>1001 Movies You Must See Before You Die<\/em><\/a><\/span>) <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0078788\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s357redux.html\">DVD Savant Review<\/a><\/li>\n<li><a href=\"https:\/\/www.thespinningimage.co.uk\/cultfilms\/displaycultfilm.asp?reviewid=5994&#038;aff=13\">Spinning Image Review<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/67522\/apocalypse-now#articles-reviews?articleId=188688\">TCM Article<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I don&#8217;t see&#8230; any method&#8230; at all, sir.&#8221; Synopsis: During the Vietnam War, a captain (Martin Sheen) is assigned the task of finding and assassinating a mad lieutenant colonel (Marlon Brando) who has become a god-like figure for natives living deep in the jungle. Genres, Themes, Actors, and Directors: Assassination Dennis Hopper Films Francis Ford Coppola Films Frederic Forrest Films Harrison Ford Films Jungles Marlon Brando Films Martin Sheen Films Robert Duvall Films Scott Glenn Films Vietnam War Response to&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=85561\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-85561","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/85561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85561"}],"version-history":[{"count":12,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/85561\/revisions"}],"predecessor-version":[{"id":85813,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/85561\/revisions\/85813"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=85561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=85561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}