{"id":8119,"date":"2009-07-14T12:01:11","date_gmt":"2009-07-14T19:01:11","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=8119"},"modified":"2021-05-08T13:53:16","modified_gmt":"2021-05-08T20:53:16","slug":"klute-1971","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=8119","title":{"rendered":"Klute (1971)"},"content":{"rendered":"<p><strong>&#8220;What I&#8217;d really like to do is be faceless, and bodiless, and left alone.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/Klute-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/Klute-Poster-199x300.png\" alt=\"\" width=\"199\" height=\"300\" class=\"alignleft size-medium wp-image-56359\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/Klute-Poster-199x300.png 199w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/Klute-Poster-679x1024.png 679w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/Klute-Poster-85x128.png 85w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/Klute-Poster-179x270.png 179w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/Klute-Poster.png 737w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA small-town detective (Donald Sutherland) searching for a missing friend (Robert Milli) enlists the help of a call girl (Jane Fonda) who is being stalked by a mysterious psychopath.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres:<\/strong><\/p>\n<ul>\n<li>Alan J. Pakula Films<\/li>\n<li>Detectives and Private Eyes<\/li>\n<li>Donald Sutherland Films<\/li>\n<li>Jane Fonda Films<\/li>\n<li>Mysterious Disappearance<\/li>\n<li>Prostitutes and Gigolos<\/li>\n<li>Roy Scheider Films<\/li>\n<\/ul>\n<p><strong>Response to Peary&#8217;s Review: <\/strong><br \/>\nPeary refers to this psychological thriller by Alan J. Pakula as &#8220;exceptional&#8221;, pointing out Pakula&#8217;s &#8220;striking, highly atmospheric direction&#8221;, the inclusion of several &#8220;genuinely frightening&#8221; scenes, and Jane Fonda&#8217;s &#8220;remarkable&#8221; Oscar-winning performance. I agree with all of these assertions: <em>Klute<\/em> is effectively eerie in parts, gorgeously filmed by d.p. Gordon Willis, and contains one of Fonda&#8217;s best performances (Peary notes that &#8220;obviously she&#8217;s fascinated by Bree and wants to figure her out&#8221;). Unfortunately, however, the plot itself is needlessly confusing; while a second viewing helps to clarify exactly what&#8217;s going on, a really tight thriller shouldn&#8217;t require this. Yet the &#8220;murder mystery&#8221; ultimately could be seen as merely an elaborate MacGuffin, given that <em>Klute<\/em> is primarily concerned with exploring Bree&#8217;s life as a call girl, and the romantic relationship she slowly develops with Klute. <\/p>\n<p>Indeed, many have noted that a more accurate title for the film would be <em>Bree<\/em>, given that she, rather than Klute, is really the central protagonist; Klute himself (Sutherland gives a mellow, restrained performance) is merely a catalyst in Bree&#8217;s well-ordered life &#8212; someone who subtly &#8220;convinces&#8221; her to open up emotionally to a man for the first time, and take a risk. Bree&#8217;s sessions with a psychotherapist (Vivian Nathan) &#8212; which were apparently semi-improvised by Fonda &#8212; are particularly revealing, and help us understand that Bree finds &#8220;her job liberating because she feels in <em>control<\/em> in her life only when turning tricks&#8221;; thus, her &#8220;movement toward real-life liberation takes a dramatic leap when she learns to trust Klute&#8221;. Fonda&#8217;s vulnerable, nuanced performance is the primary reason to watch this flawed but engaging and atmospheric film. <\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>Jane Fonda as Bree Daniels (Peary, like the Academy, gives her an <a href=\"http:\/\/filmfanatic.org\/wp-static\/AlternateOscars.html\">Alternate Oscar<\/a> as Best Actress of the Year)<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/klute-fonda.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/klute-fonda.jpg\" alt=\"\" width=\"600\" height=\"300\" class=\"alignnone size-full wp-image-8122\" \/><\/a><\/li>\n<li>Gordon Willis&#8217;s cinematography<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/klute-cinematography.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2009\/07\/klute-cinematography.jpg\" alt=\"\" width=\"600\" height=\"300\" class=\"alignnone size-full wp-image-8123\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, for Fonda&#8217;s Oscar-winning performance. Peary nominates it as one of the Best Pictures of the Year in his <a href=\"http:\/\/filmfanatic.org\/wp-static\/AlternateOscars.html\"><em>Alternate Oscars<\/em><\/a>. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Noteworthy Performance(s)<\/li>\n<li>Oscar Winner or Nominee<\/li>\n<\/ul>\n<p> (<span style=\"color:red;font-weight:bold;\">Listed in <a href=\"http:\/\/filmfanatic.org\/wp-static\/1001Movies.htm\"><em>1001 Movies You Must See Before You Die<\/em><\/a><\/span>) <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/title\/tt0067309\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1971\/06\/24\/archives\/-klute-a-thriller-with-jane-fonda-and-donald-sutherland.html\">NY Times Original Review<\/a><\/li>\n<li><a href=\"https:\/\/www.rogerebert.com\/reviews\/klute-1971\">Roger Ebert&#8217;s Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;What I&#8217;d really like to do is be faceless, and bodiless, and left alone.&#8221; Synopsis: A small-town detective (Donald Sutherland) searching for a missing friend (Robert Milli) enlists the help of a call girl (Jane Fonda) who is being stalked by a mysterious psychopath. Genres: Alan J. Pakula Films Detectives and Private Eyes Donald Sutherland Films Jane Fonda Films Mysterious Disappearance Prostitutes and Gigolos Roy Scheider Films Response to Peary&#8217;s Review: Peary refers to this psychological thriller by Alan J&#8230;.<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=8119\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-8119","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;What I&#039;d really like to do is be faceless, and bodiless, and left alone.&quot; Synopsis: A small-town detective (Donald Sutherland) searching for a missing friend (Robert Milli) enlists the help of a call girl (Jane Fonda) who is being stalked by a mysterious psychopath. 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Pakula Films Detectives and Private Eyes Donald Sutherland"},"aioseo_meta_data":{"post_id":"8119","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2025-07-17 00:53:30","updated":"2025-07-17 00:53:30","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/filmfanatic.org\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/filmfanatic.org\/?cat=3\" title=\"Response Reviews\">Response Reviews<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tKlute (1971)\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/filmfanatic.org"},{"label":"Response Reviews","link":"https:\/\/filmfanatic.org\/?cat=3"},{"label":"Klute (1971)","link":"https:\/\/filmfanatic.org\/?p=8119"}],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/8119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8119"}],"version-history":[{"count":4,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/8119\/revisions"}],"predecessor-version":[{"id":71800,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/8119\/revisions\/71800"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}