{"id":80772,"date":"2022-01-31T12:38:46","date_gmt":"2022-01-31T19:38:46","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=80772"},"modified":"2022-01-31T12:42:55","modified_gmt":"2022-01-31T19:42:55","slug":"moulin-rouge-1952","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=80772","title":{"rendered":"Moulin Rouge (1952)"},"content":{"rendered":"<p><strong>&#8220;I am a painter of the streets &#8212; and of the gutter.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Poster-194x300.png\" alt=\"\" width=\"194\" height=\"300\" class=\"alignleft size-medium wp-image-80783\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Poster-194x300.png 194w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Poster-661x1024.png 661w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Poster-83x128.png 83w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Poster-174x270.png 174w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Poster.png 711w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nDisabled French artist Henri de Toulouse-Lautrec (Jose Ferrer) paints and documents the entertainment world of late-19th century Paris while drinking heavily and falling in love with a prostitute (Colette Marchand) who breaks his heart. Will Toulouse-Lautrec allow himself to fall for a genteel art-lover (Suzanne Flon) patiently waiting in the wings?\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Artists<\/li>\n<li>Biopics<\/li>\n<li>Christopher Lee Films<\/li>\n<li>Disabilities<\/li>\n<li>Historical Drama <\/li>\n<li>John Huston Films<\/li>\n<li>Jose Ferrer Films<\/li>\n<li>Peter Cushing Films<\/li>\n<li>Prostitutes and Gigolos<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nJohn Huston directed this visually stunning fictional biopic of famed French artist <a href=\"https:\/\/en.wikipedia.org\/wiki\/Henri_de_Toulouse-Lautrec\">Henri de Toulouse-Lautrec<\/a>, whose leg growth was stunted at an early age: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Disability.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Disability-1024x762.png\" alt=\"\" width=\"640\" height=\"476\" class=\"alignnone size-large wp-image-80778\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Disability-1024x762.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Disability-300x223.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Disability-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Disability-768x572.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Disability-363x270.png 363w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Disability.png 1251w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and who developed a lifelong drinking habit while honing his artistic talents in the nightclubs and brothels of Paris: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Drawing.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Drawing-1024x764.png\" alt=\"\" width=\"640\" height=\"478\" class=\"alignnone size-large wp-image-80786\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Drawing-1024x764.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Drawing-300x224.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Drawing-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Drawing-768x573.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Drawing-362x270.png 362w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Drawing.png 1243w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Huston and his artistic team &#8212; including cinematographer Oswald Morris, color specialist Eliot Elisofon, costume and set designer Marcel Vertes, and art director Paul Sheriff &#8212; present a vividly magical recreation of Toulouse-Lautrec&#8217;s world, with scenes from his prolific paintings, posters, and drawings seemingly coming to life in front of our eyes: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Dancing.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Dancing-1024x771.png\" alt=\"\" width=\"640\" height=\"482\" class=\"alignnone size-large wp-image-80788\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Dancing-1024x771.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Dancing-300x226.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Dancing-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Dancing-768x578.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Dancing-359x270.png 359w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Dancing.png 1221w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>The first half of the storyline centers primarily on Toulouse-Lautrec&#8217;s love affair with a feisty, insecure prostitute (Colette Marchand) whose poverty-ridden past has left her desperately cynical: &#8220;I&#8217;m scum. Real scum. That&#8217;s why you hang on to me.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand9.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand9-1024x757.png\" alt=\"\" width=\"640\" height=\"473\" class=\"alignnone size-large wp-image-80792\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand9-1024x757.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand9-300x222.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand9-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand9-768x568.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand9-365x270.png 365w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand9.png 1249w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>As Toulouse-Lautrec describes her later: <\/p>\n<blockquote><p>&#8220;Her past was too strong for her. The world she lives in is a jungle, where people prowl like wild animals. They go without eating when the game is scarce. And when there is a kill, they claw and bite each other over it. It is a world of cruelty and cunning. But it is free. I put chains on her; they only made her vicious&#8230; In the jungle they feel neither pity nor revulsion. The sight of me did not offend her as a woman&#8230; Her eyes were wide open. She loved me for what I am.&#8221;  <\/p><\/blockquote>\n<p>While Marchand&#8217;s character appears to be fictional, it&#8217;s clear that she represents the &#8220;type&#8221; of woman Toulouse-Lautrec felt himself resigned to and worthy of. As a &#8220;mutant&#8221; creature rejected in some fashion by both his aristocratic parents (though his caring mother tries to reach out), he lived his brief life (dying from alcoholism and syphilis at the age of 36) among those who &#8212; like him &#8212; understood hardship, constant pain, and the need for escape. To that end, the best scenes, woven throughout, show Toulouse-Lautrec gaining inspiration from the world around him and turning this into his incomparable artwork. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Artwork5.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Artwork5-1024x778.png\" alt=\"\" width=\"640\" height=\"486\" class=\"alignnone size-large wp-image-80800\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Artwork5-1024x778.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Artwork5-300x228.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Artwork5-128x97.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Artwork5-768x584.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Artwork5-355x270.png 355w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Artwork5.png 1217w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Watch for Zsa Zsa Gabor as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jane_Avril\">Can Can dancer and singer Jane Avril<\/a>: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Gabor.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Gabor-1024x775.png\" alt=\"\" width=\"640\" height=\"484\" class=\"alignnone size-large wp-image-80797\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Gabor-1024x775.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Gabor-300x227.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Gabor-128x97.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Gabor-768x581.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Gabor-357x270.png 357w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Gabor.png 1227w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; Christopher Lee in an unbilled cameo as Georges Seurat:<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Lee.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Lee-1024x776.png\" alt=\"\" width=\"640\" height=\"485\" class=\"alignnone size-large wp-image-80793\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Lee-1024x776.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Lee-300x227.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Lee-128x97.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Lee-768x582.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Lee-356x270.png 356w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Lee.png 1229w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a> <\/p>\n<p>&#8230; and Peter Cushing as a competing love interest for a woman (Flor) hoping Toulouse-Lautrec will open his heart to her: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Cushing.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Cushing-1024x724.png\" alt=\"\" width=\"640\" height=\"453\" class=\"alignnone size-large wp-image-80795\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Cushing-1024x724.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Cushing-300x212.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Cushing-128x91.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Cushing-768x543.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Cushing-382x270.png 382w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Cushing.png 1325w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>Notable Performances, Qualities, and Moments:<\/strong><\/p>\n<ul>\n<li>Jose Ferrer as Henri Toulouse-Lautrec<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Ferrer2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Ferrer2.png\" alt=\"\" width=\"1223\" height=\"935\" class=\"alignnone size-full wp-image-80779\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Ferrer2.png 1223w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Ferrer2-300x229.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Ferrer2-1024x783.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Ferrer2-128x98.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Ferrer2-768x587.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Ferrer2-353x270.png 353w\" sizes=\"auto, (max-width: 1223px) 100vw, 1223px\" \/><\/a><\/li>\n<li>Colette Marchand as Marie<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand.png\" alt=\"\" width=\"1223\" height=\"933\" class=\"alignnone size-full wp-image-80777\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand.png 1223w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand-300x229.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand-1024x781.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand-128x98.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand-768x586.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Marchand-354x270.png 354w\" sizes=\"auto, (max-width: 1223px) 100vw, 1223px\" \/><\/a><\/li>\n<li>Oswald Morris&#8217;s cinematography (with Eliot Elisofon&#8217;s color consultancy)<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Painting.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Painting.png\" alt=\"\" width=\"1233\" height=\"927\" class=\"alignnone size-full wp-image-80781\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Painting.png 1233w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Painting-300x226.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Painting-1024x770.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Painting-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Painting-768x577.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Painting-359x270.png 359w\" sizes=\"auto, (max-width: 1233px) 100vw, 1233px\" \/><\/a><\/li>\n<li>Fine sets and costumes<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Women.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Women.png\" alt=\"\" width=\"1237\" height=\"935\" class=\"alignnone size-full wp-image-80780\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Women.png 1237w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Women-300x227.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Women-1024x774.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Women-128x97.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Women-768x581.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Moulin-Rouge-Women-357x270.png 357w\" sizes=\"auto, (max-width: 1237px) 100vw, 1237px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo, but it&#8217;s well worth a one-time look for the visuals. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0044926\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1953\/02\/11\/archives\/moulin-rouge-is-directed-by-john-huston-and-stars-jose-ferrer-at.html\">NY Times Original Review<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/16644\/moulin-rouge#articles-reviews?articleId=33785\">TCM Article<\/a><\/li>\n<li><a href=\"https:\/\/www.timeout.com\/movies\/moulin-rouge-2\">Time Out Capsule Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I am a painter of the streets &#8212; and of the gutter.&#8221; Synopsis: Disabled French artist Henri de Toulouse-Lautrec (Jose Ferrer) paints and documents the entertainment world of late-19th century Paris while drinking heavily and falling in love with a prostitute (Colette Marchand) who breaks his heart. Will Toulouse-Lautrec allow himself to fall for a genteel art-lover (Suzanne Flon) patiently waiting in the wings? Genres, Themes, Actors, and Directors: Artists Biopics Christopher Lee Films Disabilities Historical Drama John Huston Films&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=80772\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-80772","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/80772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=80772"}],"version-history":[{"count":14,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/80772\/revisions"}],"predecessor-version":[{"id":80810,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/80772\/revisions\/80810"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=80772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=80772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=80772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}