{"id":79693,"date":"2022-01-01T17:54:33","date_gmt":"2022-01-02T00:54:33","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=79693"},"modified":"2022-01-01T20:21:44","modified_gmt":"2022-01-02T03:21:44","slug":"jour-se-leve-le-1939","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=79693","title":{"rendered":"Jour Se Leve, Le (1939)"},"content":{"rendered":"<p><strong>&#8220;People in love are said to be more alive than others.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Poster-224x300.png\" alt=\"\" width=\"224\" height=\"300\" class=\"alignleft size-medium wp-image-79695\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Poster-224x300.png 224w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Poster-765x1024.png 765w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Poster-96x128.png 96w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Poster-768x1029.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Poster-202x270.png 202w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Poster.png 837w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA man (Jean Gabin) who has just murdered a cruel dog trainer (Jules Berry) remains barricaded in his apartment, reflecting back on what led him to this act &#8212; beginning with meeting a sweet orphan (Jacqueline Laurent) and then connecting with Berry&#8217;s world-weary stage assistant (Arletty).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Flashback Films<\/li>\n<li>French Films<\/li>\n<li>Jealousy<\/li>\n<li>Jean Gabin Films<\/li>\n<li>Love Triangle<\/li>\n<\/ul>\n<p><strong>Response to Peary\u2019s Review: <\/strong><br \/>\nPeary writes that this &#8220;classic fatalistic melodrama, masterly directed by Marcel Carn\u00e9 [and] with dialogue by Jacques Prevert&#8221; shows us &#8212; like &#8220;many American directors of forties <em>noir<\/em> films would do&#8221; &#8212; &#8220;how a decent, average guy can become a murderer under the right set of circumstances.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin5.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin5-1024x749.png\" alt=\"\" width=\"640\" height=\"468\" class=\"alignnone size-large wp-image-79703\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin5-1024x749.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin5-300x220.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin5-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin5-768x562.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin5-369x270.png 369w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin5.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>He notes that this picture &#8212; which &#8220;would have been ideal for Fritz Lang&#8221; &#8212; is a &#8220;landmark of French &#8216;poetic&#8217; realism&#8221; given that it&#8217;s &#8220;extremely intense, sensual&#8230;, and atmospheric (the sets are not just part of the background but create the mood.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Sandblasting.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Sandblasting-1024x760.png\" alt=\"\" width=\"640\" height=\"475\" class=\"alignnone size-large wp-image-79705\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Sandblasting-1024x760.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Sandblasting-300x223.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Sandblasting-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Sandblasting-768x570.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Sandblasting-364x270.png 364w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Sandblasting.png 1281w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>He also adds (though this is hard to believe) that he &#8220;can think of no other film in which so much import is given to costumes and props, including the gun, Gabin&#8217;s dangling cigarette, Laurent&#8217;s teddy bear, Gabin&#8217;s alarm clock, photos, postcards, hats, brooches, beds, mirrors, flowers, dresses, [and] sweaters&#8221;: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Mirror.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Mirror-1024x738.png\" alt=\"\" width=\"640\" height=\"461\" class=\"alignnone size-large wp-image-79698\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Mirror-1024x738.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Mirror-300x216.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Mirror-128x92.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Mirror-768x553.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Mirror-375x270.png 375w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Mirror.png 1295w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and he points out that &#8220;characters almost always are drinking, smoking, or holding something.&#8221; <\/p>\n<p>However, &#8220;most interesting&#8221; to Peary and many other critics is &#8220;the structure,&#8221; with &#8220;this four-character piece&#8230; broken down into several intimate two-character scenes&#8221;:<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Flowershop.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Flowershop-1024x740.png\" alt=\"\" width=\"640\" height=\"463\" class=\"alignnone size-large wp-image-79710\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Flowershop-1024x740.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Flowershop-300x217.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Flowershop-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Flowershop-768x555.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Flowershop-374x270.png 374w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Flowershop.png 1277w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty-Gabin.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty-Gabin-1024x750.png\" alt=\"\" width=\"640\" height=\"469\" class=\"alignnone size-large wp-image-79709\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty-Gabin-1024x750.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty-Gabin-300x220.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty-Gabin-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty-Gabin-768x562.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty-Gabin-369x270.png 369w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty-Gabin.png 1285w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry7.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry7-1024x757.png\" alt=\"\" width=\"640\" height=\"473\" class=\"alignnone size-large wp-image-79711\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry7-1024x757.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry7-300x222.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry7-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry7-768x568.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry7-365x270.png 365w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry7.png 1273w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Significantly, however, &#8220;we never go behind closed doors to see what transpired between the most important combination [of characters], Berry and Laurent&#8221; &#8212; that is, the &#8220;relationship that drove Gabin to his destruction.&#8221; Indeed, the primary problem I have with the storyline is that Laurent&#8217;s character is somewhat of a boring cipher; we don&#8217;t understand why she turns down Gabin&#8217;s reasonable early offer of marriage (given that she seems to be in love with him), or her fascination with creepy Berry &#8212; unless we&#8217;re meant to believe that her status as an orphan has scarred her development. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Laurent6.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Laurent6-1024x753.png\" alt=\"\" width=\"640\" height=\"471\" class=\"alignnone size-large wp-image-79714\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Laurent6-1024x753.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Laurent6-300x220.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Laurent6-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Laurent6-768x564.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Laurent6-367x270.png 367w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Laurent6.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>This film is perhaps best known for kicking off more regular cinematic use of  flashbacks. To that end, since we know about the murder from the start, our interest revolves around learning how Gabin got into (and will ultimately emerge from) his increasingly tense situation &#8212; which involves being shot at repeatedly inside his apartment (real guns and bullets were used), barricading himself using a large armoire, and shouting down at hordes of spectators who have come to watch the stand-off (and, for what it&#8217;s worth, profess to be on his side): <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Crowds.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Crowds-1024x730.png\" alt=\"\" width=\"640\" height=\"456\" class=\"alignnone size-large wp-image-79712\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Crowds-1024x730.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Crowds-300x214.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Crowds-128x91.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Crowds-768x548.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Crowds-379x270.png 379w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Crowds.png 1283w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>We do know that Gabin&#8217;s ending will be dark; at least we are prepared for that. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Cloudy-Room.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Cloudy-Room-1024x740.png\" alt=\"\" width=\"640\" height=\"463\" class=\"alignnone size-large wp-image-79715\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Cloudy-Room-1024x740.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Cloudy-Room-300x217.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Cloudy-Room-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Cloudy-Room-768x555.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Cloudy-Room-374x270.png 374w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Cloudy-Room.png 1277w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>Notable Performances, Qualities, and Moments: <\/strong><\/p>\n<ul>\n<li>Jean Gabin as Francois<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin-1024x747.png\" alt=\"\" width=\"640\" height=\"467\" class=\"alignnone size-large wp-image-79706\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin-1024x747.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin-300x219.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin-768x560.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin-370x270.png 370w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Gabin.png 1285w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Jules Berry as Valentin<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry-1024x745.png\" alt=\"\" width=\"640\" height=\"466\" class=\"alignnone size-large wp-image-79700\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry-1024x745.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry-300x218.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry-768x558.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry-371x270.png 371w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Berry.png 1283w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Arletty as Clara<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty4.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty4-1024x748.png\" alt=\"\" width=\"640\" height=\"468\" class=\"alignnone size-large wp-image-79708\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty4-1024x748.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty4-300x219.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty4-128x93.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty4-768x561.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty4-370x270.png 370w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Arletty4.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Atmospheric cinematography and production design<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Staircase.bmp\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Staircase-1024x734.jpg\" alt=\"\" width=\"640\" height=\"459\" class=\"alignnone size-large wp-image-79701\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Staircase-1024x734.jpg 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Staircase-300x215.jpg 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Staircase-128x92.jpg 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Staircase-768x551.jpg 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Staircase-377x270.jpg 377w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2022\/01\/Jour-Se-Leve-Staircase.bmp 1293w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, for its historical relevance as a pioneering French <em>noir<\/em>. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Genuine Classic<\/li>\n<li>Historically Relevant<\/li>\n<li>Important Director<\/li>\n<\/ul>\n<p> (<span style=\"color:red;font-weight:bold;\">Listed in <a href=\"http:\/\/filmfanatic.org\/?page_id=1458\"><em>1001 Movies You Must See Before You Die<\/em><\/a><\/span>) <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0031514\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/72454\/le-jour-se-leve#articles-reviews?articleId=85267\">TCM Article<\/a><\/li>\n<li><a href=\"https:\/\/www.noiroftheweek.com\/2011\/11\/le-jour-se-leve-1939.html\">Noir of the Week Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;People in love are said to be more alive than others.&#8221; Synopsis: A man (Jean Gabin) who has just murdered a cruel dog trainer (Jules Berry) remains barricaded in his apartment, reflecting back on what led him to this act &#8212; beginning with meeting a sweet orphan (Jacqueline Laurent) and then connecting with Berry&#8217;s world-weary stage assistant (Arletty). Genres, Themes, Actors, and Directors: Flashback Films French Films Jealousy Jean Gabin Films Love Triangle Response to Peary\u2019s Review: Peary writes that&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=79693\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-79693","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/79693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=79693"}],"version-history":[{"count":13,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/79693\/revisions"}],"predecessor-version":[{"id":79729,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/79693\/revisions\/79729"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=79693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=79693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=79693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}