{"id":77897,"date":"2021-10-30T22:49:37","date_gmt":"2021-10-31T05:49:37","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=77897"},"modified":"2021-10-30T22:49:37","modified_gmt":"2021-10-31T05:49:37","slug":"umberto-d-1952","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=77897","title":{"rendered":"Umberto D. (1952)"},"content":{"rendered":"<p><strong>&#8220;She&#8217;s hoping I&#8217;ll die &#8212; but I&#8217;m not going to.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Poster-213x300.png\" alt=\"\" width=\"213\" height=\"300\" class=\"alignleft size-medium wp-image-77898\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Poster-213x300.png 213w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Poster-726x1024.png 726w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Poster-91x128.png 91w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Poster-768x1084.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Poster-191x270.png 191w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Poster.png 783w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA poverty-stricken pensioner (Carlo Battisti) living with his beloved dog Flike (Napoleone) seeks helps from a pregnant young maid (Maria Pia Casilio) in preventing eviction by his unfeeling landlady (Lina Gennari) &#8212; but Maria has problems of her own, and none of Umberto D. (Battisti&#8217;s) longtime friends seem willing or able to help him out financially.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Elderly People<\/li>\n<li>Italian Films<\/li>\n<li>Pets<\/li>\n<li>Survival<\/li>\n<li>Vittorio De Sica Films<\/li>\n<\/ul>\n<p><strong>Response to Peary\u2019s Review: <\/strong><br \/>\nPeary writes that in this &#8220;sad but beautiful postwar social drama&#8221; &#8212; focusing &#8220;on an individual member of the dispossessed aged&#8221; &#8212; director Vittorio De Sica wisely doesn&#8217;t &#8220;make his hero into a sweet grandfather type whom you automatically love and feel sorry for,&#8221; instead showing &#8220;his gruff exterior and stubbornness&#8221; &#8212; though we also see &#8220;his loving gestures towards his dog and his concern for the lovely unmarried young maid (Maria Pia Casilio), who is pregnant and will soon be cast into the street by the landlady.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Maid2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Maid2.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77903\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Maid2.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Maid2-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Maid2-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Maid2-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>Peary points out that this &#8220;realistic film has many deeply moving sequences &#8212; you won&#8217;t forget Umberto sitting in his room, which has been virtually destroyed because the landlady is having it converted into a parlor&#8221;: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Sitting-in-Room.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Sitting-in-Room.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77902\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Sitting-in-Room.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Sitting-in-Room-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Sitting-in-Room-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Sitting-in-Room-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>&#8230; &#8220;or Umberto searching for his dog at the pound&#8221;: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pound.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pound.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77899\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pound.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pound-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pound-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pound-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>&#8230; &#8220;or the maid silently going through her morning routine while obviously thinking of her unhappy future.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Morning-Routine.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Morning-Routine.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77905\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Morning-Routine.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Morning-Routine-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Morning-Routine-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Morning-Routine-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>An ongoing theme of the film is that Umberto is &#8220;too proud to ask his well-off acquaintances for a needed loan (and they never offer it)&#8221;: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Loan.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Loan.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77909\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Loan.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Loan-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Loan-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Loan-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>&#8230; &#8220;or join the growing number of beggars in the city&#8221; &#8212; though he does attempt to sell as many of his items as possible to collect money for his back rent. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Selling-Books.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Selling-Books.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77918\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Selling-Books.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Selling-Books-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Selling-Books-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Selling-Books-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>However, &#8220;Umberto feels increasingly lost and tired, and would commit suicide if he didn&#8217;t worry about the welfare of [his] dog.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Petting-Dog.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Petting-Dog.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77910\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Petting-Dog.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Petting-Dog-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Petting-Dog-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Petting-Dog-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p><em>Umberto D.<\/em> is an emotionally challenging film to watch, especially given how strongly its central issues continue to resonate today &#8212; we&#8217;re not a whole lot closer to providing any kind of security to those living on the margins of survival. As usual, it&#8217;s non-governmental organizations that step up to provide a safety net, as when Umberto goes to a private Catholic hospital to recover from tonsillitis and receives a week of care, shelter, and steady food: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Hospital.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Hospital.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77914\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Hospital.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Hospital-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Hospital-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Hospital-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>Meanwhile, the unfeeling nature of the ever-present bourgeoise is epitomized by Umberto&#8217;s self-absorbed landlady, who bears a passing resemblance to Lana Turner: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Landlady.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Landlady.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77912\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Landlady.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Landlady-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Landlady-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Landlady-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<p>This neo-realistic classic (often considered the final film of the &#8220;movement&#8221;) remains well worth a look by all film fanatics &#8212; who should nonetheless be prepared to shed some well-deserved tears, especially during the moments leading up to the &#8220;glorious final shot, which allows Umberto D., Flike, and us at least a moment of relief.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Park-Dog.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Park-Dog.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77916\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Park-Dog.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Park-Dog-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Park-Dog-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Park-Dog-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a> <\/p>\n<p><strong>Notable Performances, Qualities, and Moments: <\/strong><\/p>\n<ul>\n<li>Carlo Battisti as Umberto D.<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Battisti.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Battisti.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77904\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Battisti.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Battisti-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Battisti-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Battisti-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/li>\n<li>Maria Pia Casilio as Maria<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Casilio.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Casilio.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77906\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Casilio.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Casilio-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Casilio-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Casilio-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/li>\n<li>Fine use of location shooting in Rome<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pantheon.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pantheon.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77907\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pantheon.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pantheon-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pantheon-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Pantheon-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/li>\n<li>G.R. Aldo&#8217;s cinematography<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography2.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77911\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography2.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography2-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography2-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography2-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography-Bus.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography-Bus.png\" alt=\"\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-77900\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography-Bus.png 720w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography-Bus-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography-Bus-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/Umberto-D-Cinematography-Bus-360x270.png 360w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, as a foreign classic. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Foreign Gem<\/li>\n<li>Genuine Classic<\/li>\n<\/ul>\n<p> (<span style=\"color:red;font-weight:bold;\">Listed in <a href=\"http:\/\/filmfanatic.org\/?page_id=1458\"><em>1001 Movies You Must See Before You Die<\/em><\/a><\/span>) <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0045274\/\">IMDb entry<\/a><\/li>\n<li><a href=\"http:\/\/www.qnetwork.com\/review\/1184\">Q Network Review<\/a><\/li>\n<li><a href=\"https:\/\/www.criterion.com\/current\/posts\/967-umberto-d\">Criterion Collections Essay (Peter Becker)<\/a><\/li>\n<li><a href=\"https:\/\/www.criterion.com\/current\/posts\/292-seeing-clearly-through-tears-on-the-smart-sentiment-of-umberto-d\">Criterion Collection: Seeing Clearly Through Tears<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;She&#8217;s hoping I&#8217;ll die &#8212; but I&#8217;m not going to.&#8221; Synopsis: A poverty-stricken pensioner (Carlo Battisti) living with his beloved dog Flike (Napoleone) seeks helps from a pregnant young maid (Maria Pia Casilio) in preventing eviction by his unfeeling landlady (Lina Gennari) &#8212; but Maria has problems of her own, and none of Umberto D. (Battisti&#8217;s) longtime friends seem willing or able to help him out financially. Genres, Themes, Actors, and Directors: Elderly People Italian Films Pets Survival Vittorio De&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=77897\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-77897","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/77897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=77897"}],"version-history":[{"count":6,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/77897\/revisions"}],"predecessor-version":[{"id":77920,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/77897\/revisions\/77920"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=77897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=77897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=77897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}