{"id":77747,"date":"2021-10-26T10:58:17","date_gmt":"2021-10-26T17:58:17","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=77747"},"modified":"2021-10-26T11:03:44","modified_gmt":"2021-10-26T18:03:44","slug":"ronde-la-1950","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=77747","title":{"rendered":"Ronde, La (1950)"},"content":{"rendered":"<p><strong>&#8220;The only joy is to meet someone to love.&#8221;<\/strong> <\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster-224x300.png\" alt=\"\" width=\"224\" height=\"300\" class=\"alignleft size-medium wp-image-77748\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster-224x300.png 224w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster-764x1024.png 764w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster-95x128.png 95w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster-768x1030.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster-201x270.png 201w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster.png 827w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin) of the wealthy family she works for &#8212; but we soon learn that G\u00e9lin has been having an affair with a married woman (Danielle Darrieux) whose husband (Fernand Gravey) is about to engage in his own affair with a 19-year-old model (Odette Joyeux). Meanwhile, Joyeux is quickly seduced by a poet (Jean-Louis Barrault) who has also been romancing an actress (Isa Miranda) in one of his productions, and Miranda has a fling with a count (Gerard Philipe) who goes out later that evening and meets up with Signoret &#8212; thus bringing the chain of sexual encounters full circle.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Anton Walbrook Films<\/li>\n<li>Danielle Darrieux Films<\/li>\n<li>French Films<\/li>\n<li>Infidelity<\/li>\n<li>Love Triangle<\/li>\n<li>Max Oph\u00fcls Films<\/li>\n<li>Play Adaptation<\/li>\n<li>Prostitutes and Gigolos<\/li>\n<li>Sexuality<\/li>\n<li>Simone Signoret Films<\/li>\n<li>Simone Simon Films<\/li>\n<\/ul>\n<p><strong>Response to Peary\u2019s Review: <\/strong><br \/>\nPeary writes that &#8220;Max Oph\u00fcls&#8217;s charming adaptation of <a href=\"https:\/\/en.wikipedia.org\/wiki\/La_Ronde_(play)\">Arthur Schnitzler&#8217;s play<\/a>&#8221; utilizes &#8220;the constantly moving, seeing, penetrating camera that was Oph\u00fcls&#8217;s trademark,&#8221; which &#8220;serves thematically both to establish the dizzying, intoxicating nature of <em>l&#8217;amour<\/em> and to convey its transitory nature.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Walbrook-Carousel.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Walbrook-Carousel-1024x760.png\" alt=\"\" width=\"640\" height=\"475\" class=\"alignnone size-large wp-image-77766\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Walbrook-Carousel-1024x760.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Walbrook-Carousel-300x223.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Walbrook-Carousel-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Walbrook-Carousel-768x570.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Walbrook-Carousel-364x270.png 364w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Walbrook-Carousel.png 1255w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>He describes the film as &#8220;broken into several vignettes featuring a romantic sexual interlude between a man and a woman,&#8221; with &#8220;each vignette contain[ing] one character from the previous segment.&#8221; So, &#8220;when a husband and wife lie in bed speaking of fidelity:<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed-1024x759.png\" alt=\"\" width=\"640\" height=\"474\" class=\"alignnone size-large wp-image-77750\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed-1024x759.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed-300x222.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed-768x569.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed-364x270.png 364w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed.png 1251w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a> <\/p>\n<p>&#8230; we have the advantage of having earlier seen her in an affair: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Darrieux.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Darrieux-1024x763.png\" alt=\"\" width=\"640\" height=\"477\" class=\"alignnone size-large wp-image-77753\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Darrieux-1024x763.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Darrieux-300x224.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Darrieux-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Darrieux-768x572.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Darrieux-362x270.png 362w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Darrieux.png 1249w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; and knowing that we&#8217;ll see him with his mistress in the following sequence.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Joyeux.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Joyeux-1024x763.png\" alt=\"\" width=\"640\" height=\"477\" class=\"alignnone size-large wp-image-77754\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Joyeux-1024x763.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Joyeux-300x223.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Joyeux-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Joyeux-768x572.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Joyeux-362x270.png 362w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Joyeux.png 1247w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Peary writes that &#8220;Oph\u00fcls&#8217;s women glow; their actions are determined by their hearts &#8212; and they never hold back from a sexual liaison or feel guilt afterward. They are the personifications of love; they know its glories.&#8221;<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda2-1024x771.png\" alt=\"\" width=\"640\" height=\"482\" class=\"alignnone size-large wp-image-77757\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda2-1024x771.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda2-300x226.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda2-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda2-768x578.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda2-359x270.png 359w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda2.png 1245w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a> <\/p>\n<p>On the other hand, &#8220;Oph\u00fcls&#8217;s men, while no buffoons, can&#8217;t appreciate love except on a physical level &#8212; they are always setting up rules, demanding loyalty, asking questions, thinking too much.&#8221; He ends his review by noting that &#8220;Simone Signoret is especially appealing &#8212; and beautiful &#8212; as a prostitute who is willing to give herself to soldiers for free&#8221;: <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Signoret.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Signoret-1024x758.png\" alt=\"\" width=\"640\" height=\"474\" class=\"alignnone size-large wp-image-77755\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Signoret-1024x758.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Signoret-300x222.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Signoret-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Signoret-768x568.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Signoret-365x270.png 365w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Signoret.png 1247w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>(though she arguably has too little screentime, despite appearing in both bookend liaison stories). This souffl\u00e9 of a <a href=\"https:\/\/en.wikipedia.org\/wiki\/Bedroom_farce\">&#8220;bedroom farce&#8221;<\/a> &#8212; provocative enough to U.S. censors for its release to be held up until 1954 &#8212; remains worth a look as the first of Oph\u00fcls&#8217;s four later European outings. <\/p>\n<p><strong>Notable Performances, Qualities, and Moments: <\/strong><\/p>\n<ul>\n<li>Fine camerawork by Oph\u00fcls and DP Christian Matras<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Simon.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Simon-1024x763.png\" alt=\"\" width=\"640\" height=\"477\" class=\"alignnone size-large wp-image-77765\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Simon-1024x763.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Simon-300x224.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Simon-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Simon-768x572.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Simon-362x270.png 362w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Simon.png 1257w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed2-1024x757.png\" alt=\"\" width=\"640\" height=\"473\" class=\"alignnone size-large wp-image-77760\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed2-1024x757.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed2-300x222.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed2-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed2-768x568.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed2-365x270.png 365w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Bed2.png 1251w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Carriage.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Carriage-1024x755.png\" alt=\"\" width=\"640\" height=\"472\" class=\"alignnone size-large wp-image-77761\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Carriage-1024x755.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Carriage-300x221.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Carriage-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Carriage-768x566.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Carriage-366x270.png 366w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Carriage.png 1255w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda-1024x762.png\" alt=\"\" width=\"640\" height=\"476\" class=\"alignnone size-large wp-image-77762\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda-1024x762.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda-300x223.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda-128x95.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda-768x571.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda-363x270.png 363w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Miranda.png 1249w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, as another interesting and well-crafted outing by a master director. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Important Director<\/li>\n<\/ul>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0042906\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/80549\/la-ronde#articles-reviews?articleId=246813\">TCM Article<\/a><\/li>\n<li><a href=\"http:\/\/www.qnetwork.com\/review\/2090\">Q Network Review<\/a><\/li>\n<li><a href=\"https:\/\/www.criterion.com\/current\/posts\/549-la-ronde-vicious-circle\">Criterion Essay <\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1954\/03\/17\/archives\/the-screen-in-review-controversial-la-ronde-bows-at-little-carnegie.html\">NY Times Original Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The only joy is to meet someone to love.&#8221; Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin) of the wealthy family she works for &#8212; but we soon learn that G\u00e9lin has been having an affair with a married woman (Danielle Darrieux)&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=77747\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-77747","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;The only joy is to meet someone to love.&quot; Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin)\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"admin\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/filmfanatic.org\/?p=77747\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"FilmFanatic.org - Movie discussions for the true film fanatic\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Ronde, La (1950) - FilmFanatic.org\" \/>\n\t\t<meta property=\"og:description\" content=\"&quot;The only joy is to meet someone to love.&quot; Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin)\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/filmfanatic.org\/?p=77747\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2021-10-26T17:58:17+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2021-10-26T18:03:44+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Ronde, La (1950) - FilmFanatic.org\" \/>\n\t\t<meta name=\"twitter:description\" content=\"&quot;The only joy is to meet someone to love.&quot; Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin)\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"BlogPosting\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#blogposting\",\"name\":\"Ronde, La (1950) - FilmFanatic.org\",\"headline\":\"Ronde, La (1950)\",\"author\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\"},\"publisher\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#organization\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"http:\\\/\\\/filmfanatic.org\\\/wp-content\\\/uploads\\\/2021\\\/10\\\/La-Ronde-Poster-224x300.png\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747\\\/#articleImage\"},\"datePublished\":\"2021-10-26T10:58:17-07:00\",\"dateModified\":\"2021-10-26T11:03:44-07:00\",\"inLanguage\":\"en\",\"commentCount\":1,\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#webpage\"},\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#webpage\"},\"articleSection\":\"Response Reviews\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#breadcrumblist\",\"itemListElement\":[{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org#listItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/filmfanatic.org\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=3#listItem\",\"name\":\"Response Reviews\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=3#listItem\",\"position\":2,\"name\":\"Response Reviews\",\"item\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=3\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#listItem\",\"name\":\"Ronde, La (1950)\"},\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org#listItem\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#listItem\",\"position\":3,\"name\":\"Ronde, La (1950)\",\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=3#listItem\",\"name\":\"Response Reviews\"}}]},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#organization\",\"name\":\"FilmFanatic.org\",\"description\":\"Movie discussions for the true film fanatic\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#authorImage\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eddf9f367f813d863e2735ea4817eb507da90fc27e3a4f0d509000360cc431ce?s=96&d=mm&r=g\",\"width\":96,\"height\":96,\"caption\":\"admin\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#webpage\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747\",\"name\":\"Ronde, La (1950) - FilmFanatic.org\",\"description\":\"\\\"The only joy is to meet someone to love.\\\" Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\\u00e9lin)\",\"inLanguage\":\"en\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=77747#breadcrumblist\"},\"author\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\"},\"creator\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\"},\"datePublished\":\"2021-10-26T10:58:17-07:00\",\"dateModified\":\"2021-10-26T11:03:44-07:00\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#website\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/\",\"name\":\"FilmFanatic.org\",\"description\":\"Movie discussions for the true film fanatic\",\"inLanguage\":\"en\",\"publisher\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#organization\"}}]}\n\t\t<\/script>\n\t\t<!-- All in One SEO -->\n\n","aioseo_head_json":{"title":"Ronde, La (1950) - FilmFanatic.org","description":"\"The only joy is to meet someone to love.\" Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin)","canonical_url":"https:\/\/filmfanatic.org\/?p=77747","robots":"max-image-preview:large","keywords":"","webmasterTools":{"miscellaneous":""},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"BlogPosting","@id":"https:\/\/filmfanatic.org\/?p=77747#blogposting","name":"Ronde, La (1950) - FilmFanatic.org","headline":"Ronde, La (1950)","author":{"@id":"https:\/\/filmfanatic.org\/?author=1#author"},"publisher":{"@id":"https:\/\/filmfanatic.org\/#organization"},"image":{"@type":"ImageObject","url":"http:\/\/filmfanatic.org\/wp-content\/uploads\/2021\/10\/La-Ronde-Poster-224x300.png","@id":"https:\/\/filmfanatic.org\/?p=77747\/#articleImage"},"datePublished":"2021-10-26T10:58:17-07:00","dateModified":"2021-10-26T11:03:44-07:00","inLanguage":"en","commentCount":1,"mainEntityOfPage":{"@id":"https:\/\/filmfanatic.org\/?p=77747#webpage"},"isPartOf":{"@id":"https:\/\/filmfanatic.org\/?p=77747#webpage"},"articleSection":"Response Reviews"},{"@type":"BreadcrumbList","@id":"https:\/\/filmfanatic.org\/?p=77747#breadcrumblist","itemListElement":[{"@type":"ListItem","@id":"https:\/\/filmfanatic.org#listItem","position":1,"name":"Home","item":"https:\/\/filmfanatic.org","nextItem":{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?cat=3#listItem","name":"Response Reviews"}},{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?cat=3#listItem","position":2,"name":"Response Reviews","item":"https:\/\/filmfanatic.org\/?cat=3","nextItem":{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?p=77747#listItem","name":"Ronde, La (1950)"},"previousItem":{"@type":"ListItem","@id":"https:\/\/filmfanatic.org#listItem","name":"Home"}},{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?p=77747#listItem","position":3,"name":"Ronde, La (1950)","previousItem":{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?cat=3#listItem","name":"Response Reviews"}}]},{"@type":"Organization","@id":"https:\/\/filmfanatic.org\/#organization","name":"FilmFanatic.org","description":"Movie discussions for the true film fanatic","url":"https:\/\/filmfanatic.org\/"},{"@type":"Person","@id":"https:\/\/filmfanatic.org\/?author=1#author","url":"https:\/\/filmfanatic.org\/?author=1","name":"admin","image":{"@type":"ImageObject","@id":"https:\/\/filmfanatic.org\/?p=77747#authorImage","url":"https:\/\/secure.gravatar.com\/avatar\/eddf9f367f813d863e2735ea4817eb507da90fc27e3a4f0d509000360cc431ce?s=96&d=mm&r=g","width":96,"height":96,"caption":"admin"}},{"@type":"WebPage","@id":"https:\/\/filmfanatic.org\/?p=77747#webpage","url":"https:\/\/filmfanatic.org\/?p=77747","name":"Ronde, La (1950) - FilmFanatic.org","description":"\"The only joy is to meet someone to love.\" Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin)","inLanguage":"en","isPartOf":{"@id":"https:\/\/filmfanatic.org\/#website"},"breadcrumb":{"@id":"https:\/\/filmfanatic.org\/?p=77747#breadcrumblist"},"author":{"@id":"https:\/\/filmfanatic.org\/?author=1#author"},"creator":{"@id":"https:\/\/filmfanatic.org\/?author=1#author"},"datePublished":"2021-10-26T10:58:17-07:00","dateModified":"2021-10-26T11:03:44-07:00"},{"@type":"WebSite","@id":"https:\/\/filmfanatic.org\/#website","url":"https:\/\/filmfanatic.org\/","name":"FilmFanatic.org","description":"Movie discussions for the true film fanatic","inLanguage":"en","publisher":{"@id":"https:\/\/filmfanatic.org\/#organization"}}]},"og:locale":"en_US","og:site_name":"FilmFanatic.org - Movie discussions for the true film fanatic","og:type":"article","og:title":"Ronde, La (1950) - FilmFanatic.org","og:description":"&quot;The only joy is to meet someone to love.&quot; Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin)","og:url":"https:\/\/filmfanatic.org\/?p=77747","article:published_time":"2021-10-26T17:58:17+00:00","article:modified_time":"2021-10-26T18:03:44+00:00","twitter:card":"summary_large_image","twitter:title":"Ronde, La (1950) - FilmFanatic.org","twitter:description":"&quot;The only joy is to meet someone to love.&quot; Synopsis: A narrator (Anton Walbrook) tells a tale of romantic liaisons across 1900 Vienna: a prostitute (Simone Signoret) picks up a young soldier (Serge Reggiani) who then hooks up with a maid (Simone Simon), who in turn has a fling with the bookish son (Daniel G\u00e9lin)"},"aioseo_meta_data":{"post_id":"77747","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2025-07-17 04:33:24","updated":"2025-07-17 04:33:24","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/filmfanatic.org\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/filmfanatic.org\/?cat=3\" title=\"Response Reviews\">Response Reviews<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tRonde, La (1950)\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/filmfanatic.org"},{"label":"Response Reviews","link":"https:\/\/filmfanatic.org\/?cat=3"},{"label":"Ronde, La (1950)","link":"https:\/\/filmfanatic.org\/?p=77747"}],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/77747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=77747"}],"version-history":[{"count":10,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/77747\/revisions"}],"predecessor-version":[{"id":77776,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/77747\/revisions\/77776"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=77747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=77747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=77747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}