{"id":52808,"date":"2020-11-01T16:07:51","date_gmt":"2020-11-01T23:07:51","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=52808"},"modified":"2023-09-16T10:04:52","modified_gmt":"2023-09-16T17:04:52","slug":"red-river-1948","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=52808","title":{"rendered":"Red River (1948)"},"content":{"rendered":"<p><strong>&#8220;I don&#8217;t like quitters &#8212; especially when they&#8217;re not good enough to finish what they start.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Poster-202x300.png\" alt=\"\" width=\"202\" height=\"300\" class=\"alignleft size-medium wp-image-52809\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Poster-202x300.png 202w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Poster-689x1024.png 689w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Poster-86x128.png 86w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Poster-182x270.png 182w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Poster.png 743w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nAfter his fiancee (Coleen Gray) is killed in a wagon raid, an ambitious rancher (John Wayne) raises an orphan from the raid (Mickey Kuhn) like his own son. Years later, Wayne &#8212; accompanied by his cook (Walter Brennan), his now-grown &#8220;son&#8221; (Montgomery Clift), a loyal gunfighter (John Ireland), and many other hired hands &#8212; begins a lengthy cattle drive from Texas to Missouri, but quickly finds his tolerance lagging after one of his men (Ivan Parry) accidentally sets off a stampede that kills another (Harry Carey, Jr.). Soon Wayne becomes so unreasonable about &#8220;deserters&#8221; that Clift must take over the drive &#8212; but Wayne vows revenge; and when he encounters a beautiful young woman (Joanne Dru) Clift has fallen for, she becomes embroiled in their feud as well.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Coleen Gray Films<\/li>\n<li>Cowboys<\/li>\n<li>Howard Hawks Films<\/li>\n<li>Joanne Dru Films<\/li>\n<li>John Ireland Films<\/li>\n<li>John Wayne Films<\/li>\n<li>Mentors<\/li>\n<li>Montgomery Clift Films<\/li>\n<li>Mutiny<\/li>\n<li>Ranchers<\/li>\n<li>Ruthless Leaders<\/li>\n<li>Walter Brennan Films<\/li>\n<li>Westerns<\/li>\n<\/ul>\n<p><strong>Response to Peary\u2019s Review: <\/strong><br \/>\nPeary writes that this &#8220;monumental first western&#8221; by Howard Hawks &#8212; &#8220;scripted by Borden Chase and Charles Schnee from Chase&#8217;s [story] &#8220;The <a href=\"https:\/\/en.wikipedia.org\/wiki\/Chisholm_Trail\">Chisholm Trail<\/a>&#8221; &#8212; is a &#8220;westernized <a href=\"http:\/\/filmfanatic.org\/?p=43571\"><em>Mutiny on the Bounty<\/em><\/a> that advanced the possibility that the Bligh-Christian conflict was Oedipal in nature&#8221; (I wouldn&#8217;t go that far). Peary points out that this &#8220;unromanticized western has remarkable authenticity&#8221; and &#8220;beautiful black-and-white photography by Russell Harlan, with [an] emphasis on cloudy skies, barren terrain, [and] darkness that makes night oppressive&#8221;, thus giving a &#8220;harsh feel to the West&#8221;. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Rider.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Rider.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-54077\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Rider.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Rider-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Rider-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Rider-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Rider-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/p>\n<p>He notes that &#8220;Hawks deals with emotions rarely explored in westerns, including Wayne&#8217;s uncharacteristic interrelated senses of fear (of <em>failure<\/em>) and paranoia&#8221; &#8212; indeed, &#8220;this is Wayne&#8217;s only character whose sense of morality becomes clouded, who can&#8217;t tell the difference between right and wrong.&#8221; Peary adds that &#8220;Clift, who makes a passable cowboy in his debut, displays sensitivity and tenderness that were almost nonexistent among western heroes&#8221; &#8212; but he complains (I agree) that miscast Dru&#8217;s role &#8212; given she comes &#8220;in so late in the film and [has] such an important part&#8221; to play &#8212; changes the picture&#8217;s tone, making the ending &#8220;momentarily satisfying&#8221; but &#8220;more suitable for a comedy.&#8221; <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Dru2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Dru2.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-54072\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Dru2.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Dru2-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Dru2-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Dru2-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Dru2-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/p>\n<p>Peary&#8217;s review covers many of the essentials of this classic western, which has stood the test of time quite nicely and remains an enjoyable, exciting tale. As Peary points out, &#8220;Wayne and Clift are both excellent&#8221;, and &#8220;their different acting styles work to emphasize their characters&#8217; different attitudes.&#8221; Wayne&#8217;s willingness to play a Bligh-like character (albeit one we feel some sympathy for) is impressive, and speaks to the acting range he was allowed to display after this point. Clift &#8212; in his <em>almost<\/em>-screen debut, after <a href=\"http:\/\/filmfanatic.org\/?p=49510\"><em>The Search<\/em><\/a> (1948) &#8212; couldn&#8217;t be more gorgeous:<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-Chin.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-Chin.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-54079\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-Chin.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-Chin-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-Chin-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-Chin-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-Chin-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/p>\n<p>&#8230; and is entirely credible in his role, bringing nuance to an undeniably challenging situation: needing to take over the reins from one&#8217;s beloved but now-unstable &#8220;parent&#8221;. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Parent.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Parent.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-54081\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Parent.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Parent-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Parent-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Parent-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Parent-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/p>\n<p>Harlan&#8217;s cinematography is indeed gorgeous, and the many sequences involving thousands of cattle are truly impressive. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-54073\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>John Wayne as Dunson (nominated by Peary as one of the Best Actors of the Year in <em>Alternate Oscars<\/em>)<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Wayne.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Wayne.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-52818\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Wayne.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Wayne-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Wayne-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Wayne-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Wayne-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/li>\n<li>Montgomery Clift as Matt Garth<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-52816\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Clift-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/li>\n<li>Fine supporting performances<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Brennan.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Brennan.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-52819\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Brennan.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Brennan-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Brennan-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Brennan-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Brennan-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/li>\n<li>Russell Harlan&#8217;s cinematography<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography4.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography4.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-52823\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography4.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography4-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography4-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography4-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography4-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography2.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-52821\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography2.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography2-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography2-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography2-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography2-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography1.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography1.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-52820\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography1.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography1-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography1-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography1-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Cinematography1-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/li>\n<li>Many impressive sequences<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede2.png\" alt=\"\" width=\"960\" height=\"720\" class=\"alignnone size-full wp-image-52817\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede2.png 960w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede2-300x225.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede2-128x96.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede2-768x576.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2020\/11\/Red-River-Stampede2-360x270.png 360w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes. Named by Peary as one of the Best Movies of the Year in his <em>Alternate Oscars<\/em>, and named as one of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/AFI%27s_10_Top_10#Western\">Top 10 Westerns by the AFI<\/a>. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Genuine Classic<\/li>\n<\/ul>\n<p> (<span style=\"color:red;font-weight:bold;\">Listed in <a href=\"http:\/\/filmfanatic.org\/wp-static\/1001Movies.htm\"><em>1001 Movies You Must See Before You Die<\/em><\/a><\/span>) <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.imdb.com\/title\/tt0040724\/\">IMDb entry<\/a><\/li>\n<li><a href=\"http:\/\/www.qnetwork.com\/review\/3041\">Q Network Review<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/16633\/red-river#articles-reviews\">TCM Article<\/a><\/li>\n<li><a href=\"https:\/\/www.thespinningimage.co.uk\/cultfilms\/displaycultfilm.asp?reviewid=10847\">Spinning Image Review<\/a><\/li>\n<li><a href=\"https:\/\/www.dvdtalk.com\/dvdsavant\/s4419red.html\">DVD Savant Review<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1948\/10\/01\/archives\/the-screen-in-review-red-river-horse-opera-with-montgomery-clift.html\">NY Times Original Review<\/a><\/li>\n<li><a href=\"https:\/\/youtu.be\/fPjUl_mUAR8\">Tired Old Queen at the Movies Video Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I don&#8217;t like quitters &#8212; especially when they&#8217;re not good enough to finish what they start.&#8221; Synopsis: After his fiancee (Coleen Gray) is killed in a wagon raid, an ambitious rancher (John Wayne) raises an orphan from the raid (Mickey Kuhn) like his own son. Years later, Wayne &#8212; accompanied by his cook (Walter Brennan), his now-grown &#8220;son&#8221; (Montgomery Clift), a loyal gunfighter (John Ireland), and many other hired hands &#8212; begins a lengthy cattle drive from Texas to Missouri,&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=52808\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-52808","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/52808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52808"}],"version-history":[{"count":17,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/52808\/revisions"}],"predecessor-version":[{"id":91660,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/52808\/revisions\/91660"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=52808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=52808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=52808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}