{"id":40079,"date":"2018-01-29T23:46:55","date_gmt":"2018-01-30T06:46:55","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=40079"},"modified":"2020-12-03T00:21:42","modified_gmt":"2020-12-03T07:21:42","slug":"which-way-is-up-1977","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=40079","title":{"rendered":"Which Way is Up? (1977)"},"content":{"rendered":"<p><strong>&#8220;Which way is up, sucker? You forget who you are and where you came from?&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Poster.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Poster-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" class=\"alignleft size-medium wp-image-40080\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Poster-198x300.jpg 198w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Poster-84x128.jpg 84w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Poster.jpg 500w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nAn orchard worker (Richard Pryor) living with his wife (Margaret Avery), his horny father (also Richard Pryor), and many others in a tiny house accidentally becomes aligned with a protest movement and is forced out of town by his company. Once in the big city of Los Angeles, Leroy (Pryor) falls in love with a beautiful organizer (Lonette McKee) and starts a family with her &#8212; but when he accidentally witnesses the murder of a prominent activist, he&#8217;s sent back to his small town, where he begins to live a double life with both McKee and Avery (who is suddenly sexually interested in him). Complicating matters even further, Avery admits she&#8217;s been impregnated by her &#8220;spiritual counselor&#8221; Reverend Thomas (also Richard Pryor), which sets Leroy on a vengeful mission to sleep with the Reverend&#8217;s pious wife (Marilyn Coleman).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>African-Americans<\/li>\n<li>Comedy<\/li>\n<li>Corruption<\/li>\n<li>Infidelity<\/li>\n<li>Revenge<\/li>\n<li>Richard Pryor Films<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nThis loose remake of Lina Wertmuller&#8217;s <em>The Seduction of Mimi<\/em> (1972) is an awful misfire from start to finish. It was clearly designed as a star vehicle for Pryor, playing three utterly unlikable characters who aggressively pursue and\/or cheat on women. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3-1024x569.png\" alt=\"\" width=\"640\" height=\"356\" class=\"alignnone size-large wp-image-56090\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3-1024x569.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3-300x167.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3-128x71.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3-768x427.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3-486x270.png 486w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3-1038x576.png 1038w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor3.png 1500w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2-1024x582.png\" alt=\"\" width=\"640\" height=\"364\" class=\"alignnone size-large wp-image-56088\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2-1024x582.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2-300x170.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2-128x73.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2-768x436.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2-1536x872.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2-475x270.png 475w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor2.png 1773w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher-1024x554.png\" alt=\"\" width=\"640\" height=\"346\" class=\"alignnone size-large wp-image-56089\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher-1024x554.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher-300x162.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher-128x69.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher-768x415.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher-1536x830.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher-499x270.png 499w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2018\/01\/Which-Way-is-Up-Pryor-Preacher.png 1711w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>There is little incentive to care about the central protagonist&#8217;s travails, and the screenplay simply reinforces racial stereotypes through profanity and caricatures. It&#8217;s hard to see what appealed to Pryor about this one, other than the chance to bed several beautiful women onscreen and inhabit multiple roles <em>a la<\/em> Eddie Murphy (who was much more skilled at this). Skip it. <\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><br \/>\nNot many. <\/p>\n<p><strong>Must See? <\/strong><br \/>\nNo, unless you&#8217;re a diehard Pryor fan. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/title\/tt0076913\/\">IMDb entry<\/a><\/li>\n<li><a href=\"http:\/\/www.thespinningimage.co.uk\/cultfilms\/displaycultfilm.asp?reviewid=3850&#038;aff=13\">Spinning Image Review<\/a><\/li>\n<li><a href=\"http:\/\/www.digitallyobsessed.com\/displaylegacy.php?ID=3488\">Digitally Obsessed Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Which way is up, sucker? You forget who you are and where you came from?&#8221; Synopsis: An orchard worker (Richard Pryor) living with his wife (Margaret Avery), his horny father (also Richard Pryor), and many others in a tiny house accidentally becomes aligned with a protest movement and is forced out of town by his company. Once in the big city of Los Angeles, Leroy (Pryor) falls in love with a beautiful organizer (Lonette McKee) and starts a family with&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=40079\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-40079","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/40079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40079"}],"version-history":[{"count":6,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/40079\/revisions"}],"predecessor-version":[{"id":56091,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/40079\/revisions\/56091"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}