{"id":33325,"date":"2014-04-15T13:42:47","date_gmt":"2014-04-15T20:42:47","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=33325"},"modified":"2021-01-06T01:41:42","modified_gmt":"2021-01-06T08:41:42","slug":"miracle-woman-the-1931","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=33325","title":{"rendered":"Miracle Woman, The (1931)"},"content":{"rendered":"<p><strong>&#8220;When you can&#8217;t see the world, you invent one of your own.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Poster.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Poster-300x247.jpg\" alt=\"\" width=\"300\" height=\"247\" class=\"alignleft size-medium wp-image-33326\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Poster-300x247.jpg 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Poster-128x105.jpg 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Poster.jpg 360w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nGrieving the death of her minister-father, a charismatic young woman (Barbara Stanwyck) joins forces with a charlatan (Sam Hardy) to pretend to be a miracle worker &#8212; but when she falls in love with a trusting blind man (David Manners), her values suddenly shift.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Barbara Stanwyck Films<\/li>\n<li>Blindness<\/li>\n<li>Character Arc<\/li>\n<li>Con-Artists<\/li>\n<li>Frank Capra Films<\/li>\n<li>Missionaries and Revivalists<\/li>\n<li>Play Adaptation<\/li>\n<li>Romance<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nFrank Capra and Barbara Stanwyck collaborated on five features together, four of which are listed in Peary&#8217;s <em>GFTFF<\/em>: <a href=\"http:\/\/filmfanatic.org\/?p=33411\"><em>Ladies of Leisure<\/em> (1930)<\/a>, <a href=\"http:\/\/filmfanatic.org\/?p=10034\"><em>The Bitter Tea of General Yen<\/em> (1933)<\/a>, <a href=\"http:\/\/filmfanatic.org\/?p=16314\"><em>Meet John Doe<\/em> (1941)<\/a>, and this adaptation of John Meehan and Robert Riskin&#8217;s play <em>Bless You Sister<\/em> (loosely based on the storied life of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Aimee_Semple_McPherson\">evangelist Aimee Semple McPherson<\/a>). Unfortunately, <em>The Miracle Woman<\/em> fails to live up to its potential as a hard-hitting glimpse at the seedy underworld of fraudulent evangelism; instead, the majority of the screentime is taken up by an insipid romance barely worthy of discussion. Seemingly from a desire to establish and maintain the title character&#8217;s integrity, the film posits Stanwyck&#8217;s &#8220;Sister Florence&#8221; as a righteously scornful woman (we&#8217;re meant to sympathize with her position from the beginning) who quickly comes to see the error of her ways, and must then struggle against the evil machinations of sociopathic Hardy. While Stanwyck crafted countless memorable characterizations over the years, she&#8217;s not at her juiciest here; however, her nuanced performance remains as compelling as always, and is certainly worthy of the &#8220;Alternate Oscar&#8221; nomination Peary gives her. Meanwhile, Capra&#8217;s direction and Joseph Walker&#8217;s cinematography are superb throughout, presenting a highly atmospheric glimpse of a harsh historical era. (See the 1972 documentary <a href=\"http:\/\/filmfanatic.org\/?p=1884\"><em>Marjoe<\/em><\/a> for a much more cynical take on the same topic.) <\/p>\n<p><strong>Note:<\/strong> I was surprised to learn that the disappointing Pre-Code screenplay for <em>The Miracle Woman<\/em> was written by <a href=\"http:\/\/www.allmovie.com\/artist\/jo-swerling-p113394\">Jo Swerling<\/a>, responsible for several Hollywood gems &#8212; including <a href=\"http:\/\/filmfanatic.org\/?p=10701\"><em>Lifeboat<\/em> (1944)<\/a> and <a href=\"http:\/\/filmfanatic.org\/?p=15461\"><em>It&#8217;s a Wonderful Life<\/em> (1946)<\/a>. <\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>Barbara Stanwyck as Florence<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Stanwyck.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Stanwyck.png\" alt=\"\" width=\"490\" height=\"360\" class=\"alignnone size-full wp-image-33328\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Stanwyck.png 490w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Stanwyck-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Stanwyck-300x220.png 300w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/a><\/li>\n<li>Effective direction by Capra<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction.png\" alt=\"\" width=\"490\" height=\"360\" class=\"alignnone size-full wp-image-33330\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction.png 490w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction-300x220.png 300w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction2.png\" alt=\"\" width=\"490\" height=\"360\" class=\"alignnone size-full wp-image-33329\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction2.png 490w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction2-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Direction2-300x220.png 300w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/a><\/li>\n<li>Joseph Walker&#8217;s cinematography<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography2.png\" alt=\"\" width=\"490\" height=\"360\" class=\"alignnone size-full wp-image-33331\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography2.png 490w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography2-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography2-300x220.png 300w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography.png\" alt=\"\" width=\"490\" height=\"360\" class=\"alignnone size-full wp-image-33332\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography.png 490w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography-128x94.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2014\/04\/Miracle-Woman-Cinematography-300x220.png 300w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo, though it&#8217;s worth a look for Stanwyck&#8217;s performance. Listed as a film with Historical Importance in the back of Peary&#8217;s book. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/title\/tt0022153\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/83572\/the-miracle-woman#articles-reviews?articleId=85260\">TCM Article<\/a><\/li>\n<li><a href=\"http:\/\/www.chicagoreader.com\/chicago\/the-miracle-woman\/Film?oid=1067255\">Chicago Reader Capsule Review<\/a><\/li>\n<li><a href=\"http:\/\/www.timeout.com\/london\/film\/the-miracle-woman\">Time Out Capsule Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;When you can&#8217;t see the world, you invent one of your own.&#8221; Synopsis: Grieving the death of her minister-father, a charismatic young woman (Barbara Stanwyck) joins forces with a charlatan (Sam Hardy) to pretend to be a miracle worker &#8212; but when she falls in love with a trusting blind man (David Manners), her values suddenly shift. Genres, Themes, Actors, and Directors: Barbara Stanwyck Films Blindness Character Arc Con-Artists Frank Capra Films Missionaries and Revivalists Play Adaptation Romance Review: Frank&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=33325\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-33325","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/33325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33325"}],"version-history":[{"count":26,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/33325\/revisions"}],"predecessor-version":[{"id":61926,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/33325\/revisions\/61926"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}