{"id":1864,"date":"2006-11-28T14:50:14","date_gmt":"2006-11-28T21:50:14","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=1864"},"modified":"2021-01-06T00:18:05","modified_gmt":"2021-01-06T07:18:05","slug":"he-ran-all-the-way-1951","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=1864","title":{"rendered":"He Ran All the Way (1951)"},"content":{"rendered":"<p><strong>&#8220;Carve the turkey.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Poster.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Poster-227x300.jpg\" alt=\"\" width=\"227\" height=\"300\" class=\"alignleft size-medium wp-image-24178\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Poster-227x300.jpg 227w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Poster-97x128.jpg 97w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Poster.jpg 535w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA thief on the lam (John Garfield) seeks refuge with the family of a woman (Shelley Winters) he meets at the pool.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Fugitives <\/a><\/li>\n<li>Hostages <\/a><\/li>\n<li>John Garfield Films<\/a><\/li>\n<li>Shelley Winters Films<\/a><\/li>\n<\/ul>\n<p><strong>Review<\/strong><br \/>\nWhile not particularly unique in terms of narrative or characterization, this little thriller nonetheless holds a special place in HUAC-era film history: Garfield &#8212; who admitted to membership in the Community Party but refused to &#8220;name names&#8221; &#8212; died of coronory thrombosis at the age of 39, after this film&#8217;s release; many believe the stress he was under contributed to his premature death. In addition, notorious blacklisted screenwriter Dalton Trumbo co-wrote the script, which includes some zingy lines of dialogue (&#8220;Get the dandruff out of your blood!&#8221;) and a fair amount of tension. Perhaps most effective, however, is James Wong Howe&#8217;s stunning cinematography: his use of dramatic lighting and depth-of-field add visual interest to the story at all times, even when the narrative falters. <\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>John Garfield&#8217;s effectively paranoid portrayal as a fugitive who&#8217;s not quite sure who he can trust, but who longs to belong <em>somewhere<\/em><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Garfield.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Garfield.jpg\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-61882\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Garfield.jpg 640w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Garfield-300x225.jpg 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Garfield-128x96.jpg 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Garfield-360x270.jpg 360w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Shelley Winters as Garfield&#8217;s apprehensive love interest<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Winters.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Winters.jpg\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-61883\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Winters.jpg 640w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Winters-300x225.jpg 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Winters-128x96.jpg 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Winters-360x270.jpg 360w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Atmospheric cinematography by James Wong Howe<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Shadows.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Shadows.jpg\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-61884\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Shadows.jpg 640w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Shadows-300x225.jpg 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Shadows-128x96.jpg 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Shadows-360x270.jpg 360w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Good use of unusual New York locales<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Pool.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Pool.jpg\" alt=\"\" width=\"640\" height=\"480\" class=\"alignnone size-full wp-image-61880\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Pool.jpg 640w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Pool-300x225.jpg 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Pool-128x96.jpg 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2006\/11\/He-Ran-All-the-Way-Pool-360x270.jpg 360w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, for its significance in film history.<\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Historically Relevant<\/li>\n<\/ul>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/imdb.com\/title\/tt0043625\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1951\/06\/21\/archives\/the-screen-in-review-john-garfield-portrays-fugitive-murderer-in-he.html\">NY Times Original Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Carve the turkey.&#8221; Synopsis: A thief on the lam (John Garfield) seeks refuge with the family of a woman (Shelley Winters) he meets at the pool. Genres, Themes, Actors, and Directors: Fugitives Hostages John Garfield Films Shelley Winters Films Review While not particularly unique in terms of narrative or characterization, this little thriller nonetheless holds a special place in HUAC-era film history: Garfield &#8212; who admitted to membership in the Community Party but refused to &#8220;name names&#8221; &#8212; died of&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=1864\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1864","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/1864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1864"}],"version-history":[{"count":8,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/1864\/revisions"}],"predecessor-version":[{"id":61886,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/1864\/revisions\/61886"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}