{"id":15778,"date":"2011-02-25T15:08:27","date_gmt":"2011-02-25T22:08:27","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=15778"},"modified":"2021-01-14T23:08:47","modified_gmt":"2021-01-15T06:08:47","slug":"10th-victim-the-1965","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=15778","title":{"rendered":"10th Victim, The (1965)"},"content":{"rendered":"<p><strong>&#8220;A study of history confirms the validity of the Big Hunt theory: it is mankind&#8217;s safety valve.&#8221; <\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Poster.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Poster-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" class=\"alignleft size-medium wp-image-15779\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Poster-200x300.jpg 200w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Poster-85x128.jpg 85w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Poster.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nIn a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Cat-and-Mouse<\/li>\n<li>Dystopia<\/li>\n<li>Hunting<\/li>\n<li>Italian Films<\/li>\n<li>Marcello Mastroianni Films<\/li>\n<li>Satires and Spoofs<\/li>\n<li>Science Fiction<\/li>\n<li>Ursula Andress Films<\/li>\n<\/ul>\n<p><strong>Response to Peary\u2019s Review: <\/strong><br \/>\nPeary argues that the &#8220;novel sci-fi premise&#8221; of this futuristic &#8220;sex farce&#8221; &#8212; based on a short story by Robert Sheckley &#8212; ultimately &#8220;gives way at the end to a conventional and tired Italian sex-comedy storyline&#8221;, and should be &#8220;a bit more fun&#8221; than it is. He cites Sheckley himself as noting that while his original story was &#8220;a commentary on love, the need for excitement and the inevitability of self-deception&#8221;, the film instead &#8220;points out how difficult it can be to earn a living, how tiresome family problems can get, and how romance is always threatened by the long shadow of marriage, especially in Rome&#8221;. Far be it from me to disagree with the story&#8217;s author (or Peary), but I actually believe that this cleverly conceived, visually stylish, smartly scored (by Piero Piccioni) sci-fi flick (directed by Elio Petri in a style occasionally &#8220;reminiscent of Fellini&#8221;) manages to effectively cover <em>all<\/em> these narrative elements. I wasn&#8217;t particularly disappointed by the direction Andress and Mastroianni&#8217;s &#8220;cat and mouse&#8221; maneuvers eventually took, and &#8212; unlike <a href=\"http:\/\/www.dvdtalk.com\/dvdsavant\/s256victim.html\">DVD Savant<\/a> &#8212; I didn&#8217;t find it &#8220;hard to accept Marcello and Caroline&#8217;s romantic sincerity&#8221; after the establishment of &#8220;such a cynical world&#8221; (their &#8220;romance&#8221;, after all, is actually more of a sexual attraction grounded in the thrill of the hunt). And while the first half of the film &#8212; starting with its energetically filmed opening chase sequence &#8212; is indeed its most innovative and gripping, I was surprisingly riveted the entire time, curious to see how this deathly game of romantic deception would ultimately turn out. <\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>Ursula Andress as Caroline<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Andress.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Andress.png\" alt=\"\" width=\"853\" height=\"480\" class=\"alignnone size-full wp-image-15780\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Andress.png 853w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Andress-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Andress-300x168.png 300w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/a><\/li>\n<li>Marcello Mastroianni as Marcello<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Mastroianni.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Mastroianni.png\" alt=\"\" width=\"853\" height=\"480\" class=\"alignnone size-full wp-image-15781\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Mastroianni.png 853w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Mastroianni-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Mastroianni-300x168.png 300w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/a><\/li>\n<li>The exciting opening chase sequences<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Opening.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Opening.png\" alt=\"\" width=\"853\" height=\"480\" class=\"alignnone size-full wp-image-15782\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Opening.png 853w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Opening-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Opening-300x168.png 300w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/a><\/li>\n<li>A clever, drolly envisioned dystopian future<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Premise2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Premise2.png\" alt=\"\" width=\"853\" height=\"480\" class=\"alignnone size-full wp-image-15783\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Premise2.png 853w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Premise2-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Premise2-300x168.png 300w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, as a cult favorite. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Cult Movie<\/li>\n<\/ul>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/title\/tt0059095\/\">IMDb entry<\/a><\/li>\n<li><a href=\"http:\/\/www.thespinningimage.co.uk\/cultfilms\/displaycultfilm.asp?\">Spinning Image Review<\/a><\/li>\n<li><a href=\"http:\/\/www.moriareviews.com\/sciencefiction\/tenth-victim-1965.htm\">Moria Review<\/a><\/li>\n<li><a href=\"http:\/\/www.dvdtalk.com\/dvdsavant\/s256victim.html\">DVD Savant Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;A study of history confirms the validity of the Big Hunt theory: it is mankind&#8217;s safety valve.&#8221; Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors: Cat-and-Mouse Dystopia Hunting Italian Films Marcello Mastroianni Films Satires and Spoofs Science Fiction Ursula Andress Films Response to Peary\u2019s Review: Peary argues that the &#8220;novel&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=15778\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-15778","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;A study of history confirms the validity of the Big Hunt theory: it is mankind&#039;s safety valve.&quot; Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors:\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"admin\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/filmfanatic.org\/?p=15778\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"FilmFanatic.org - Movie discussions for the true film fanatic\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"10th Victim, The (1965) - FilmFanatic.org\" \/>\n\t\t<meta property=\"og:description\" content=\"&quot;A study of history confirms the validity of the Big Hunt theory: it is mankind&#039;s safety valve.&quot; Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors:\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/filmfanatic.org\/?p=15778\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2011-02-25T22:08:27+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2021-01-15T06:08:47+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\t\t<meta name=\"twitter:title\" content=\"10th Victim, The (1965) - FilmFanatic.org\" \/>\n\t\t<meta name=\"twitter:description\" content=\"&quot;A study of history confirms the validity of the Big Hunt theory: it is mankind&#039;s safety valve.&quot; Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors:\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"BlogPosting\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#blogposting\",\"name\":\"10th Victim, The (1965) - FilmFanatic.org\",\"headline\":\"10th Victim, The (1965)\",\"author\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\"},\"publisher\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#organization\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"http:\\\/\\\/filmfanatic.org\\\/wp-content\\\/uploads\\\/2011\\\/01\\\/10th-Victim-Poster-200x300.jpg\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778\\\/#articleImage\"},\"datePublished\":\"2011-02-25T15:08:27-07:00\",\"dateModified\":\"2021-01-14T23:08:47-07:00\",\"inLanguage\":\"en\",\"commentCount\":3,\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#webpage\"},\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#webpage\"},\"articleSection\":\"Original Reviews\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#breadcrumblist\",\"itemListElement\":[{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org#listItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/filmfanatic.org\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=1#listItem\",\"name\":\"Original Reviews\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=1#listItem\",\"position\":2,\"name\":\"Original Reviews\",\"item\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=1\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#listItem\",\"name\":\"10th Victim, The (1965)\"},\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org#listItem\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#listItem\",\"position\":3,\"name\":\"10th Victim, The (1965)\",\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?cat=1#listItem\",\"name\":\"Original Reviews\"}}]},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#organization\",\"name\":\"FilmFanatic.org\",\"description\":\"Movie discussions for the true film fanatic\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#authorImage\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/eddf9f367f813d863e2735ea4817eb507da90fc27e3a4f0d509000360cc431ce?s=96&d=mm&r=g\",\"width\":96,\"height\":96,\"caption\":\"admin\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#webpage\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778\",\"name\":\"10th Victim, The (1965) - FilmFanatic.org\",\"description\":\"\\\"A study of history confirms the validity of the Big Hunt theory: it is mankind's safety valve.\\\" Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors:\",\"inLanguage\":\"en\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?p=15778#breadcrumblist\"},\"author\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\"},\"creator\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/?author=1#author\"},\"datePublished\":\"2011-02-25T15:08:27-07:00\",\"dateModified\":\"2021-01-14T23:08:47-07:00\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#website\",\"url\":\"https:\\\/\\\/filmfanatic.org\\\/\",\"name\":\"FilmFanatic.org\",\"description\":\"Movie discussions for the true film fanatic\",\"inLanguage\":\"en\",\"publisher\":{\"@id\":\"https:\\\/\\\/filmfanatic.org\\\/#organization\"}}]}\n\t\t<\/script>\n\t\t<!-- All in One SEO -->\n\n","aioseo_head_json":{"title":"10th Victim, The (1965) - FilmFanatic.org","description":"\"A study of history confirms the validity of the Big Hunt theory: it is mankind's safety valve.\" Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors:","canonical_url":"https:\/\/filmfanatic.org\/?p=15778","robots":"max-image-preview:large","keywords":"","webmasterTools":{"miscellaneous":""},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"BlogPosting","@id":"https:\/\/filmfanatic.org\/?p=15778#blogposting","name":"10th Victim, The (1965) - FilmFanatic.org","headline":"10th Victim, The (1965)","author":{"@id":"https:\/\/filmfanatic.org\/?author=1#author"},"publisher":{"@id":"https:\/\/filmfanatic.org\/#organization"},"image":{"@type":"ImageObject","url":"http:\/\/filmfanatic.org\/wp-content\/uploads\/2011\/01\/10th-Victim-Poster-200x300.jpg","@id":"https:\/\/filmfanatic.org\/?p=15778\/#articleImage"},"datePublished":"2011-02-25T15:08:27-07:00","dateModified":"2021-01-14T23:08:47-07:00","inLanguage":"en","commentCount":3,"mainEntityOfPage":{"@id":"https:\/\/filmfanatic.org\/?p=15778#webpage"},"isPartOf":{"@id":"https:\/\/filmfanatic.org\/?p=15778#webpage"},"articleSection":"Original Reviews"},{"@type":"BreadcrumbList","@id":"https:\/\/filmfanatic.org\/?p=15778#breadcrumblist","itemListElement":[{"@type":"ListItem","@id":"https:\/\/filmfanatic.org#listItem","position":1,"name":"Home","item":"https:\/\/filmfanatic.org","nextItem":{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?cat=1#listItem","name":"Original Reviews"}},{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?cat=1#listItem","position":2,"name":"Original Reviews","item":"https:\/\/filmfanatic.org\/?cat=1","nextItem":{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?p=15778#listItem","name":"10th Victim, The (1965)"},"previousItem":{"@type":"ListItem","@id":"https:\/\/filmfanatic.org#listItem","name":"Home"}},{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?p=15778#listItem","position":3,"name":"10th Victim, The (1965)","previousItem":{"@type":"ListItem","@id":"https:\/\/filmfanatic.org\/?cat=1#listItem","name":"Original Reviews"}}]},{"@type":"Organization","@id":"https:\/\/filmfanatic.org\/#organization","name":"FilmFanatic.org","description":"Movie discussions for the true film fanatic","url":"https:\/\/filmfanatic.org\/"},{"@type":"Person","@id":"https:\/\/filmfanatic.org\/?author=1#author","url":"https:\/\/filmfanatic.org\/?author=1","name":"admin","image":{"@type":"ImageObject","@id":"https:\/\/filmfanatic.org\/?p=15778#authorImage","url":"https:\/\/secure.gravatar.com\/avatar\/eddf9f367f813d863e2735ea4817eb507da90fc27e3a4f0d509000360cc431ce?s=96&d=mm&r=g","width":96,"height":96,"caption":"admin"}},{"@type":"WebPage","@id":"https:\/\/filmfanatic.org\/?p=15778#webpage","url":"https:\/\/filmfanatic.org\/?p=15778","name":"10th Victim, The (1965) - FilmFanatic.org","description":"\"A study of history confirms the validity of the Big Hunt theory: it is mankind's safety valve.\" Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors:","inLanguage":"en","isPartOf":{"@id":"https:\/\/filmfanatic.org\/#website"},"breadcrumb":{"@id":"https:\/\/filmfanatic.org\/?p=15778#breadcrumblist"},"author":{"@id":"https:\/\/filmfanatic.org\/?author=1#author"},"creator":{"@id":"https:\/\/filmfanatic.org\/?author=1#author"},"datePublished":"2011-02-25T15:08:27-07:00","dateModified":"2021-01-14T23:08:47-07:00"},{"@type":"WebSite","@id":"https:\/\/filmfanatic.org\/#website","url":"https:\/\/filmfanatic.org\/","name":"FilmFanatic.org","description":"Movie discussions for the true film fanatic","inLanguage":"en","publisher":{"@id":"https:\/\/filmfanatic.org\/#organization"}}]},"og:locale":"en_US","og:site_name":"FilmFanatic.org - Movie discussions for the true film fanatic","og:type":"article","og:title":"10th Victim, The (1965) - FilmFanatic.org","og:description":"&quot;A study of history confirms the validity of the Big Hunt theory: it is mankind's safety valve.&quot; Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors:","og:url":"https:\/\/filmfanatic.org\/?p=15778","article:published_time":"2011-02-25T22:08:27+00:00","article:modified_time":"2021-01-15T06:08:47+00:00","twitter:card":"summary_large_image","twitter:title":"10th Victim, The (1965) - FilmFanatic.org","twitter:description":"&quot;A study of history confirms the validity of the Big Hunt theory: it is mankind's safety valve.&quot; Synopsis: In a futuristic society which allows individuals to join a human hunting game, a woman (Ursula Andress) stalks her tenth victim (Marcello Mastroianni) with the intention of killing him live on television. Genres, Themes, Actors, and Directors:"},"aioseo_meta_data":{"post_id":"15778","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2025-07-17 01:21:28","updated":"2025-07-17 01:21:28","seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/filmfanatic.org\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/filmfanatic.org\/?cat=1\" title=\"Original Reviews\">Original Reviews<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t10th Victim, The (1965)\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/filmfanatic.org"},{"label":"Original Reviews","link":"https:\/\/filmfanatic.org\/?cat=1"},{"label":"10th Victim, The (1965)","link":"https:\/\/filmfanatic.org\/?p=15778"}],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/15778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15778"}],"version-history":[{"count":6,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/15778\/revisions"}],"predecessor-version":[{"id":63392,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/15778\/revisions\/63392"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}