{"id":12733,"date":"2010-10-05T21:36:20","date_gmt":"2010-10-06T04:36:20","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=12733"},"modified":"2021-01-28T23:53:18","modified_gmt":"2021-01-29T06:53:18","slug":"love-and-money-1982","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=12733","title":{"rendered":"Love and Money (1982)"},"content":{"rendered":"<p><strong>&#8220;What you must accept is that my people are no longer for sale.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Poster-169x300.png\" alt=\"\" width=\"169\" height=\"300\" class=\"alignleft size-medium wp-image-66674\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Poster-169x300.png 169w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Poster-578x1024.png 578w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Poster-72x128.png 72w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Poster-152x270.png 152w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Poster.png 627w\" sizes=\"auto, (max-width: 169px) 100vw, 169px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA bored banker (Ray Sharkey) falls in lust with the wife (Ornella Muti) of an industrialist (Klaus Kinski) who has hired him to influence his childhood friend (Armand Assante) &#8212; now a leftist dictator of a South American country.\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres:<\/strong><\/p>\n<ul>\n<li>Infidelity<\/li>\n<li>South and Central America<\/li>\n<\/ul>\n<p><strong>Review: <\/strong><br \/>\nWriter\/director James Toback&#8217;s follow-up to his critically lauded debut film, <a href=\"http:\/\/filmfanatic.org\/?p=4103\"><em>Fingers<\/em> (1978)<\/a>, was this incredibly tedious clunker. Filled with self-absorbed characters, trite dialogue (&#8220;Why are you asking me this: to hurt me, or to excite yourself?&#8221;), and a ludicrously derivative storyline (set partially in L.A., partially in an unnamed South American country), it appears to exist namely as a vehicle for showing off sexy Ornella Muti&#8217;s bronzed bod. Simply squirm-worthy. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Muti.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Muti.png\" alt=\"\" width=\"704\" height=\"384\" class=\"alignnone size-full wp-image-66673\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Muti.png 704w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Muti-300x164.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Muti-128x70.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/10\/Love-and-Money-Muti-495x270.png 495w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/a><\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>Not much of anything<\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nNo; don&#8217;t bother seeking out this pablum. Really. <\/p>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/title\/tt0084274\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1982\/02\/12\/movies\/unpredictable-love-and-money.html\">NY Times Original Review<\/a><\/li>\n<li><a href=\"https:\/\/www.timeout.com\/movies\/love-and-money-1\">Time Out Capsule Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;What you must accept is that my people are no longer for sale.&#8221; Synopsis: A bored banker (Ray Sharkey) falls in lust with the wife (Ornella Muti) of an industrialist (Klaus Kinski) who has hired him to influence his childhood friend (Armand Assante) &#8212; now a leftist dictator of a South American country. Genres: Infidelity South and Central America Review: Writer\/director James Toback&#8217;s follow-up to his critically lauded debut film, Fingers (1978), was this incredibly tedious clunker. Filled with self-absorbed&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=12733\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-12733","post","type-post","status-publish","format-standard","hentry","category-reviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"&quot;What you must accept is that my people are no longer for sale.&quot; Synopsis: A bored banker (Ray Sharkey) falls in lust with the wife (Ornella Muti) of an industrialist (Klaus Kinski) who has hired him to influence his childhood friend (Armand Assante) -- now a leftist dictator of a South American country. Genres: Infidelity\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"admin\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/filmfanatic.org\/?p=12733\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"FilmFanatic.org - Movie discussions for the true film fanatic\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Love and Money (1982) - FilmFanatic.org\" \/>\n\t\t<meta property=\"og:description\" content=\"&quot;What you must accept is that my people are no longer for sale.&quot; Synopsis: A bored banker (Ray Sharkey) falls in lust with the wife (Ornella Muti) of an industrialist (Klaus Kinski) who has hired him to influence his childhood friend (Armand Assante) -- now a leftist dictator of a South American country. 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