{"id":11375,"date":"2010-06-29T15:19:46","date_gmt":"2010-06-29T22:19:46","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=11375"},"modified":"2022-04-14T22:16:26","modified_gmt":"2022-04-15T05:16:26","slug":"killing-the-1956","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=11375","title":{"rendered":"Killing, The (1956)"},"content":{"rendered":"<p><strong>&#8220;You like money &#8212; you&#8217;ve got a great big dollar sign there where most women have a heart.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Poster.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Poster-200x300.png\" alt=\"\" width=\"200\" height=\"300\" class=\"alignleft size-medium wp-image-56864\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Poster-200x300.png 200w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Poster-684x1024.png 684w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Poster-85x128.png 85w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Poster-180x270.png 180w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Poster.png 735w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA mousy racetrack clerk (Elisha Cook, Jr.) is henpecked by his wife (Marie Windsor) into revealing details of an elaborate heist being planned by an ex-con (Sterling Hayden).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres, Themes, Actors, and Directors:<\/strong><\/p>\n<ul>\n<li>Coleen Gray Films<\/li>\n<li>Elisha Cook Jr. Films<\/li>\n<li>Ex-Cons<\/li>\n<li>Heists<\/li>\n<li>Henpecked Husbands<\/li>\n<li>Marie Windsor Films<\/li>\n<li>Stanley Kubrick Films<\/li>\n<li>Sterling Hayden Films<\/li>\n<\/ul>\n<p><strong>Response to Peary&#8217;s Review: <\/strong><br \/>\nAs Peary notes, this &#8220;first-rate, exciting, fatalistic caper film&#8221; &#8212; Stanley Kubrick&#8217;s &#8220;first major work&#8221; &#8212; features &#8220;interesting characters, smart dialogue, terrific suspense&#8221;, and one of the most startling endings in cinematic history (though Peary argues it &#8220;has since become cliche&#8221;). Kubrick makes excellent use of his small budget, compensating by shooting &#8220;his indoor shoebox sets imaginatively, actually emphasizing their tightness&#8221;, thus adding a sense of claustrophobia &#8220;to the tension of both characters and viewers&#8221;. In addition, as Peary notes, the &#8220;picture has [a] striking rhythm due to sharp editing within sequences and because of the non-chronological structure&#8221; of the film, in which &#8220;each time the race is about to begin [Kubrick] moves back in time and repeats the passed time from a different character&#8217;s perspective&#8221;. Lucien Ballard&#8217;s stark <em>noir<\/em> cinematography adds to the film&#8217;s overall atmosphere of strained anticipation. <\/p>\n<p>As <em>The Killing<\/em> begins, a solemn voiceover (Art Gilmore) informs us:<\/p>\n<blockquote><p>At exactly 3:45 on that Saturday afternoon in the last week of September, Marvin Unger was, perhaps, the only one among the hundred thousand people at the track who felt no thrill at the running of the fifth race.<\/p><\/blockquote>\n<p>This voiceover &#8212; a dated relic which mostly feels unnecessary &#8212; continues periodically throughout the movie, filling us in on the specifics of each character&#8217;s actions, and how they all relate to the grand heist. Indeed, while Sterling Hayden (nominated by Peary as one of the best actors of the year in his <a href=\"http:\/\/filmfanatic.org\/wp-static\/AlternateOscars.html\"><em>Alternate Oscars<\/em><\/a> book) is ostensibly the film&#8217;s protagonist:<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2-1024x580.png\" alt=\"\" width=\"640\" height=\"363\" class=\"alignnone size-large wp-image-56871\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2-1024x580.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2-300x170.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2-128x73.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2-768x435.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2-1536x870.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2-477x270.png 477w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Hayden2.png 1813w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; screentime is actually distributed amongst the motley crew of heist participants, and our allegiance and attention shift as needed to the other players in the film. <\/p>\n<p>For a while, for instance, Elisha Cook, Jr.&#8217;s troubled relationship with his &#8220;manipulative, unfaithful, double-crossing wife&#8221; (played to B-level perfection by Marie Windsor) dominates the story, as his foolhardy desire to save his sham of a marriage propels the entire operation towards its inevitable doom. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2-1024x575.png\" alt=\"\" width=\"640\" height=\"359\" class=\"alignnone size-large wp-image-56868\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2-1024x575.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2-300x168.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2-768x431.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2-1536x862.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2-481x270.png 481w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Windsor2.png 1805w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>During these scenes, Windsor is given some of the best hardboiled dialogue in the film (courtesy of Jim Thompson): <\/p>\n<blockquote><p>It isn&#8217;t fair. I never had anybody but you. Not a real husband. Not even a man. Just a bad joke without a punch line. <\/p><\/blockquote>\n<p>Soon we&#8217;re caught up in the mechanics of the heist itself, watching as each player fulfills his well-timed part, and &#8220;the pieces of a great puzzle fall into place&#8221;. Tension builds incrementally, as we wonder when the inevitable slip-up will occur; the interactions between a hick hired gun (Timothy Carey, reminiscent of John Turturro) and the black racetrack employee (James Edwards) he sweet-talks into letting him into a parking lot ahead of time are particularly riveting and disturbing. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey-1024x578.png\" alt=\"\" width=\"640\" height=\"361\" class=\"alignnone size-large wp-image-56869\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey-1024x578.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey-300x169.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey-768x433.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey-1536x866.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey-479x270.png 479w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Edwards-Carey.png 1803w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>By the end of the film, the story has cycled back to Hayden, and we watch with bated breath to see what fate holds for him and his &#8220;nice girlfriend&#8221; (an underused Colleen Gray). <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending-1024x579.png\" alt=\"\" width=\"640\" height=\"362\" class=\"alignnone size-large wp-image-56870\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending-1024x579.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending-300x170.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending-768x434.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending-1536x868.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending-478x270.png 478w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending.png 1817w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>All I&#8217;ll say is: watch the woman with the dog. <\/p>\n<p><strong>Note:<\/strong> Peary accurately points out that the film &#8220;recalls Jean-Pierre Melville&#8217;s <a href=\"http:\/\/filmfanatic.org\/?p=82490\"><em>Bob Le Flambeur<\/em><\/a>&#8221; &#8212; another must-see classic.<\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>Lucien Ballard&#8217;s cinematography<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2-1024x576.png\" alt=\"\" width=\"640\" height=\"360\" class=\"alignnone size-large wp-image-56872\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2-1024x576.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2-300x169.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2-768x432.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2-1536x864.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2-480x270.png 480w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cinematography2.png 1801w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track-1024x578.png\" alt=\"\" width=\"640\" height=\"361\" class=\"alignnone size-large wp-image-56874\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track-1024x578.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track-300x169.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track-768x433.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track-1536x866.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track-479x270.png 479w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Race-Track.png 1803w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>Fine supporting performances<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr-1024x576.png\" alt=\"\" width=\"640\" height=\"360\" class=\"alignnone size-large wp-image-56875\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr-1024x576.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr-300x169.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr-128x72.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr-768x432.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr-1536x864.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr-480x270.png 480w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Cook-Jr.png 1811w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen-1024x582.png\" alt=\"\" width=\"640\" height=\"364\" class=\"alignnone size-large wp-image-56876\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen-1024x582.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen-300x171.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen-128x73.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen-768x436.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen-1536x873.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen-475x270.png 475w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Flippen.png 1807w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>The knuckle-gripping ending<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2-1024x571.png\" alt=\"\" width=\"640\" height=\"357\" class=\"alignnone size-large wp-image-56873\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2-1024x571.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2-300x167.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2-128x71.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2-768x428.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2-1536x857.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2-484x270.png 484w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/06\/Killing-Ending2.png 1813w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, as Kubrick&#8217;s breakthrough film, and as an all-around good show. Nominated as one of the best pictures of the year in Peary&#8217;s <em>Alternate Oscars<\/em>. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li>Good Show<\/li>\n<li>Important Director<\/li>\n<\/ul>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/title\/tt0049406\/\">IMDb entry<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1956\/05\/21\/archives\/screen-the-killing-new-film-at-the-mayfair-concerns-a-robbery-the.html\">NY Times Original Review<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/17624\/the-killing#articles-reviews?articleId=23976\">TCM Article<\/a><\/li>\n<li><a href=\"https:\/\/www.timeout.com\/movies\/the-killing\">Time Out Capsule Review<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;You like money &#8212; you&#8217;ve got a great big dollar sign there where most women have a heart.&#8221; Synopsis: A mousy racetrack clerk (Elisha Cook, Jr.) is henpecked by his wife (Marie Windsor) into revealing details of an elaborate heist being planned by an ex-con (Sterling Hayden). Genres, Themes, Actors, and Directors: Coleen Gray Films Elisha Cook Jr. Films Ex-Cons Heists Henpecked Husbands Marie Windsor Films Stanley Kubrick Films Sterling Hayden Films Response to Peary&#8217;s Review: As Peary notes, this&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=11375\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-11375","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/11375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11375"}],"version-history":[{"count":4,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/11375\/revisions"}],"predecessor-version":[{"id":83031,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/11375\/revisions\/83031"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}