{"id":10438,"date":"2010-01-22T16:37:20","date_gmt":"2010-01-22T23:37:20","guid":{"rendered":"http:\/\/filmfanatic.org\/?p=10438"},"modified":"2020-11-24T17:11:38","modified_gmt":"2020-11-25T00:11:38","slug":"man-who-knew-too-much-the-1934","status":"publish","type":"post","link":"https:\/\/filmfanatic.org\/?p=10438","title":{"rendered":"Man Who Knew Too Much, The (1934)"},"content":{"rendered":"<p><strong>&#8220;Tell her they may soon be leaving us &#8212; leaving us for a long, long journey.&#8221;<\/strong><\/p>\n<table>\n<tr>\n<td>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-1934-Poster.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-1934-Poster-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" class=\"alignleft size-medium wp-image-47238\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-1934-Poster-199x300.jpg 199w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-1934-Poster-85x128.jpg 85w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-1934-Poster.jpg 580w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p><strong>Synopsis:<\/strong><br \/>\nA man (Leslie Banks) vacationing in Switzerland with his wife (Edna Best) and teenage daughter (Nova Pilbeam) becomes privy to knowledge about an assassination plot, and must rescue his kidnapped daughter from the clutches of the plot&#8217;s ringleader (Peter Lorre).\n<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\n<strong>Genres:<\/strong><\/p>\n<ul>\n<li>Assassination<\/li>\n<li>Hitchcock Films<\/li>\n<li>Kidnapping<\/li>\n<li>Peter Lorre Films<\/li>\n<li>Search<\/li>\n<\/ul>\n<p><strong>Response to Peary&#8217;s Review: <\/strong><br \/>\nAs Peary notes, this early version of Hitchcock&#8217;s <a href=\"http:\/\/filmfanatic.org\/?p=10409\">1956 remake<\/a> is rated more&#8221; highly by many, but ultimately isn&#8217;t quite &#8220;as enjoyable&#8221; as its later counterpart. Yet it remains an economic little thriller which &#8220;blends droll wit and suspense&#8221;, and has plenty to recommend in its own right, including exciting sequences staged &#8220;in intriguing settings&#8221;, and an interesting mix of &#8220;refined continental types with sleazy, though educated East Europeans (like Peter Lorre&#8217;s strange-looking, memorable villain)&#8221;. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre-1024x646.png\" alt=\"\" width=\"640\" height=\"404\" class=\"alignnone size-large wp-image-54530\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre-1024x646.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre-300x189.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre-128x81.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre-768x485.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre-1536x969.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre-428x270.png 428w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre.png 1621w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>While I agree with Peary that the 1956 version is ultimately the more enjoyable of the two, certain elements of this earlier film work better &#8212; namely the setting of the opening sequences in Switzerland:<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland-1024x646.png\" alt=\"\" width=\"640\" height=\"404\" class=\"alignnone size-large wp-image-54538\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland-1024x646.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland-300x189.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland-128x81.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland-768x484.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland-1536x969.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland-428x270.png 428w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Switzerland.png 1619w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&#8230; rather than Morocco (I prefer Banks&#8217; urbane Brit to Stewart&#8217;s &#8220;ugly American&#8221;):<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks-1024x646.png\" alt=\"\" width=\"640\" height=\"404\" class=\"alignnone size-large wp-image-54539\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks-1024x646.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks-300x189.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks-128x81.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks-768x485.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks-1536x969.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks-428x270.png 428w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Banks.png 1599w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a> <\/p>\n<p>&#8230; and the fact that Banks&#8217; wife (Best) is a savvy sharpshooter rather than a &#8217;50s housewife. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter-1024x650.png\" alt=\"\" width=\"640\" height=\"406\" class=\"alignnone size-large wp-image-54528\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter-1024x650.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter-300x190.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter-128x81.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter-768x487.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter-1536x975.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter-425x270.png 425w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Sharpshooter.png 1615w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>As Peary notes, however, 15-year-old Pilbeam (lovely as the central protagonist in Hitchcock&#8217;s <a href=\"http:\/\/filmfanatic.org\/?p=1455\"><em>The Young and Innocent<\/em><\/a>, released three years later) &#8220;looks much too old for her part&#8221; &#8212; her age and gender imply the threat of something more egregious happening to her when she&#8217;s kidnapped, but these potential threats are simply ignored in the script. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2-1024x623.png\" alt=\"\" width=\"640\" height=\"389\" class=\"alignnone size-large wp-image-54529\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2-1024x623.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2-300x182.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2-128x78.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2-768x467.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2-1536x934.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2-444x270.png 444w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Pilbeam2.png 1643w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Peary describes the &#8220;climactic shootout&#8221; &#8212; in which Best uses her shooting skills to rescue Pilbeam much like Day uses her singing skills to rescue Olsen &#8212; as something &#8220;straight out of American gangster films&#8221;:<\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout-1024x654.png\" alt=\"\" width=\"640\" height=\"409\" class=\"alignnone size-large wp-image-54537\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout-1024x654.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout-300x191.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout-128x82.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout-768x490.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout-1536x980.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout-423x270.png 423w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Final-Shootout.png 1581w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a> <\/p>\n<p>&#8230; but it drags on for a bit too long. Much more rewarding is the earlier Albert Hall assassination sequence (with many shots duplicated in the 1956 version). <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall-1024x639.png\" alt=\"\" width=\"640\" height=\"399\" class=\"alignnone size-large wp-image-54534\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall-1024x639.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall-300x187.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall-128x80.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall-768x479.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall-1536x958.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall-433x270.png 433w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall.png 1633w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2-1024x647.png\" alt=\"\" width=\"640\" height=\"404\" class=\"alignnone size-large wp-image-54535\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2-1024x647.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2-300x190.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2-128x81.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2-768x486.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2-1536x971.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2-427x270.png 427w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Hall2.png 1615w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>NB:<\/strong> This was Lorre&#8217;s first English-speaking role; accounts differ on whether he learned the language within three months, or recited most of his lines phonetically, but he does a remarkably polished job, and remains one of the film&#8217;s creepy highlights. <\/p>\n<p><a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8-1024x650.png\" alt=\"\" width=\"640\" height=\"406\" class=\"alignnone size-large wp-image-54541\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8-1024x650.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8-300x191.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8-128x81.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8-768x488.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8-1536x975.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8-425x270.png 425w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre8.png 1611w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><strong>Redeeming Qualities and Moments: <\/strong><\/p>\n<ul>\n<li>Peter Lorre as Abbott<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6-1024x653.png\" alt=\"\" width=\"640\" height=\"408\" class=\"alignnone size-large wp-image-54532\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6-1024x653.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6-300x191.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6-128x82.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6-768x490.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6-1536x980.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6-423x270.png 423w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/MWKTM-Lorre6.png 1613w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<li>An exciting, fast-paced plot<br \/>\n<a href=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot.png\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot-1024x653.png\" alt=\"\" width=\"640\" height=\"408\" class=\"alignnone size-large wp-image-54533\" srcset=\"https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot-1024x653.png 1024w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot-300x191.png 300w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot-128x82.png 128w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot-768x490.png 768w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot-1536x980.png 1536w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot-423x270.png 423w, https:\/\/filmfanatic.org\/wp-content\/uploads\/2010\/01\/Man-Who-Knew-Too-Much-Plot.png 1601w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/li>\n<\/ul>\n<p><strong>Must See? <\/strong><br \/>\nYes, simply as one of Hitchcock&#8217;s better early thrillers &#8212; and &#8220;his most commercially successful&#8221; British film. <\/p>\n<p><strong>Categories<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/filmfanatic.org\/?page_id=1784#director\">Important Director<\/a><\/li>\n<\/ul>\n<p><strong>Links: <\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.imdb.com\/title\/tt0025452\/\">IMDb entry<\/a><\/li>\n<li><a href=\"http:\/\/movies.nytimes.com\/movie\/review?res=9A03E4DE1E3FE53ABC4B51DFB566838E629EDE\">NY Times Original Review<\/a><\/li>\n<li><a href=\"https:\/\/www.tcm.com\/tcmdb\/title\/82739\/the-man-who-knew-too-much#articles-reviews?articleId=104984\">TCM Article<\/a><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Tell her they may soon be leaving us &#8212; leaving us for a long, long journey.&#8221; Synopsis: A man (Leslie Banks) vacationing in Switzerland with his wife (Edna Best) and teenage daughter (Nova Pilbeam) becomes privy to knowledge about an assassination plot, and must rescue his kidnapped daughter from the clutches of the plot&#8217;s ringleader (Peter Lorre). Genres: Assassination Hitchcock Films Kidnapping Peter Lorre Films Search Response to Peary&#8217;s Review: As Peary notes, this early version of Hitchcock&#8217;s 1956 remake&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/filmfanatic.org\/?p=10438\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-10438","post","type-post","status-publish","format-standard","hentry","category-responses-to-peary"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/10438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10438"}],"version-history":[{"count":7,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/10438\/revisions"}],"predecessor-version":[{"id":54542,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/posts\/10438\/revisions\/54542"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}