{"id":91755,"date":"2023-09-19T11:31:53","date_gmt":"2023-09-19T18:31:53","guid":{"rendered":"https:\/\/filmfanatic.org\/?page_id=91755"},"modified":"2026-02-01T23:51:14","modified_gmt":"2026-02-02T06:51:14","slug":"directors-j-z-first-names","status":"publish","type":"page","link":"https:\/\/filmfanatic.org\/?page_id=91755","title":{"rendered":"Directors: J – O (First Names)"},"content":{"rendered":"\n

<\/a>
\n Jack Arnold Films<\/strong>
\n Creature From the Black Lagoon (1954)<\/a>
\n Incredible Shrinking Man, The (1957)<\/a>
\n It Came from Outer Space (1953)<\/a>
\n Monster on the Campus (1958)<\/a>
\nRevenge of the Creature (1955)<\/a>
\n Tarantula (1955)<\/a>
\n Tattered Dress, The (1957)<\/a>\n<\/p>\n<\/tr>\n<\/table>\n

\n\n
\n

<\/a>
\nJack Clayton Films<\/strong>
\n\"JackGreat Gatsby, The (1974)<\/a>
\nInnocents, The (1961)<\/a>
\nOur Mother’s House (1967)<\/a>
\nPumpkin Eater, The (1964)<\/a>
\nRoom at the Top (1959)<\/a>
\nSomething Wicked This Way Comes (1983)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJacques Demy Films<\/strong>
\nDonkey Skin (1971)<\/a>
\nLola (1961)<\/a>
\nUmbrellas of Cherbourg, The (1964)<\/a>
\nYoung Girls of Rochefort, The (1968)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJacques Tati Films<\/strong>
\n\"Tati\"Jour de Fete (1949)<\/a>
\nMr. Hulot’s Holiday (1953)<\/a>
\nMon Oncle (1958)<\/a>
\nPlaytime (1967)<\/a>
\nTraffic (1971)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJacques Tourneur Films<\/strong>
\n\"JacquesBerlin Express (1948)<\/a>
\nCanyon Passage (1946)<\/a>
\nCat People (1942)<\/a>
\nComedy of Terrors, The (1963)<\/a>
\nDays of Glory (1944)<\/a>
\nExperiment Perilous (1944)<\/a>
\nFlame and the Arrow, The (1950)<\/a>
\nGreat Day in the Morning (1956)<\/a>
\nI Walked With a Zombie (1943)<\/a>
\nLeopard Man, The (1943)<\/a>
\nNick Carter, Master Detective (1939)<\/a>
\nNight of the Demon \/ Curse of the Demon (1957)<\/a>
\nNightfall (1957)<\/a>
\nOut of the Past (1947)<\/a>
\nStars in My Crown (1950)<\/a>
\nStranger on Horseback (1955)<\/a>
\nWichita (1955)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJames Bridges Films<\/strong>
\nBaby Maker, The (1970)<\/a>
\nChina Syndrome, The (1979)<\/a>
\nMike’s Murder (1984)<\/a>
\nPaper Chase, The (1973)<\/a>
\nSeptember 30, 1955 (1978)<\/a>
\nUrban Cowboy (1980)<\/a>
\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJames Whale Films<\/strong>
\n\"JamesBride of Frankenstein (1935)<\/a>
\nFrankenstein (1931)<\/a>
\nInvisible Man, The (1933)<\/a>
\nJourney’s End (1930)<\/a>
\nKiss Before the Mirror, The (1933)<\/a>
\nMan in the Iron Mask, The (1939)<\/a>
\nOld Dark House, The (1932)<\/a>
\nShow Boat (1936)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJean Cocteau Films<\/strong>
\n\"Cocteau\"Beauty and the Beast (1946)<\/a>
\nBlood of a Poet, The\/Sang D’Un Po\u00e9te, Le (1930)<\/a>
\nEnfants Terribles, Les (1950)<\/a> [writer]
\nMiracle, The (1948)<\/a> [writer]
\nOrpheus \/ Orph\u00e9e (1950)<\/a>
\nParents Terribles, Les (1948)<\/a>
\nTestament of Orpheus (1960)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJean Negulesco Films<\/strong>
\nJohnny Belinda (1948)<\/a>
\nDaddy Long Legs (1955)<\/a>
\nHow to Marry a Millionaire (1953)<\/a>
\nHumoresque (1946)<\/a>
\nMask of Dimitrios, The (1944)<\/a>
\nThree Strangers (1946)<\/a>
\nTitanic (1953)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJean Renoir Films<\/strong>
\n\"Renoir\"B\u00e9te Humaine, La (1938)<\/a>
\nBoudu Saved From Drowning (1932)<\/a>
\nChienne, La (1931)<\/a>
\nCrime de Monsieur Lange, Le \/ Crime of Monsieur Lange, The (1935)<\/a>
\nDay in the Country, A \/ Partie de Campagne (1936)<\/a>
\nDiary of a Chambermaid, The (1946)<\/a>
\nElusive Corporal, The (1962)<\/a>
\nFrench Cancan (1955)<\/a>
\nGolden Coach, The (1952)<\/a>
\nGrand Illusion \/ Grande Illusion, La (1937)<\/a>
\nLittle Theatre of Jean Renoir, The (1970)<\/a>
\nLower Depths, The \/ Bas-Fonds, Les (1936)<\/a>
\nMadame Bovary (1934)<\/a>
\nMarseillaise, La (1938)<\/a>
\nPicnic on the Grass (1959)<\/a>
\nRiver, The (1951)<\/a>
\nRules of the Game, The \/ R\u00e9gle Du Jeu, La (1939)<\/a>
\nSoutherner, The (1945)<\/a>
\nSwamp Water (1941)<\/a>
\nToni (1935)<\/a>
\nWoman on the Beach, The (1947)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJean-Luc Godard Films <\/strong>
\n\"Godard\"Alphaville, A Strange Adventure of Lemmy Caution (1965)<\/a>
\nBand of Outsiders \/ Bande a Part (1964)<\/a>
\nBreathless (1960)<\/a>
\nCarabiniers, Les (1963)<\/a>
\nContempt \/ Mepris, Le (1963)<\/a>
\nEvery Man For Himself (1980)
\nFar from Vietnam (1967)<\/a>
\nFirst Name: Carmen (1984)
\nGai Savoir, Le (1969)<\/a>
\nLetter to Jane: An Investigation About a Still (1972)
\nHail Mary (1985)<\/a>
\nMade in U.S.A. (1966)<\/a>
\nMarried Woman, A (1964)<\/a>
\nMasculin-Feminin (1966)<\/a>
\nNumero Deux (1975)
\nPassion (1982)
\nPetit Soldat, Le (1963)<\/a>
\nPierrot Le Fou (1965)<\/a>
\nSympathy for the Devil \/ One Plus One (1968)<\/a>
\nTout Va Bien (1972)
\n2 or 3 Things I Know About Her (1967)<\/a>
\nVivre Sa Vie (A Film in Twelve Episodes) \/ My Life to Live (1962)<\/a>
\nWeekend (1967)<\/a>
\nWoman is a Woman, A (1961)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJean-Pierre Melville Films<\/strong>
\n\"\"<\/a>Bob Le Flambeur (1956)<\/a>
\nEnfants Terribles, Les (1950)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJerzy Skolimowski Films<\/strong>
\n\"\"<\/a>Barrier (1966)<\/a>
\nDeep End (1970)<\/a>
\nMoonlighting (1982)<\/a>
\nShout, The (1978)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJess Franco Films<\/strong>
\nAwful Dr. Orloff, The (1962)<\/a>
\nBarbed Wire Dolls (1976)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJim Jarmusch Films<\/strong>
\n\"\"Down By Law (1986)<\/a>
\n
\nStranger Than Paradise (1984)<\/a><\/p>\n\n\n
\n

<\/a>
\nJoe Dante Films<\/strong>
\n\"\"<\/a>Gremlins (1984)<\/a>
\nHollywood Boulevard (1976)<\/a>
\nHowling, The (1981)<\/a>
\nPiranha (1978)<\/a>
\nTwilight Zone: The Movie (1983)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Boorman Films<\/strong>
\nDeliverance (1972)<\/a>
\nEmerald Forest, The (1985)
\nExcalibur (1981)
\nExorcist II: The Heretic (1977)<\/a>
\nHaving a Wild Weekend\/Catch Us If You Can (1965)<\/a>
\nHell in the Pacific (1968)<\/a>
\nLeo the Last (1970)
\nPoint Blank (1967)<\/a>
\nZardoz (1974)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Carpenter Films<\/strong>
\n\"Halloween\"Assault on Precinct 13 (1976)<\/a>
\nChristine (1983)<\/a>
\nDark Star (1974)<\/a>
\nEscape From New York (1981)<\/a>
\nFog, The (1980)<\/a>
\nHalloween (1978)<\/a>
\nStarman (1984)<\/a>
\nThing, The (1982)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Cassavetes Films<\/strong>
\n\"Cassavetes\"Child is Waiting, A (1963)<\/a>
\nCrime in the Streets (1956)<\/a>[actor]
\nDirty Dozen, The (1967)<\/a> [actor]
\nEdge of the City (1957)<\/a> [actor]
\nFaces (1968)<\/a>
\nFury, The (1978)<\/a> [actor]
\nGloria (1980)<\/a>
\nHusbands (1970)
\nKillers, The (1964)<\/a> [actor]
\nKilling of a Chinese Bookie, The (1976)
\nLove Streams (1984)
\nMinnie and Moskowitz (1971)<\/a>
\nOpening Night (1978)
\nRosemary’s Baby (1968)<\/a> [actor]
\nShadows (1959)<\/a>
\nWoman Under the Influence, A (1974)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Cromwell Films<\/strong>
\nAlgiers (1938)<\/a>
\nAnna and the King of Siam (1946)<\/a>
\nCaged (1950)<\/a>
\nDead Reckoning (1947)<\/a>
\nEnchanted Cottage, The (1945)<\/a>
\nGoddess, The (1958)<\/a>
\nIn Name Only (1939)<\/a>
\nLittle Lord Fauntleroy (1936)<\/a>
\nMade For Each Other (1939)<\/a>
\nOf Human Bondage (1934)<\/a>
\nPrisoner of Zenda, The (1937)<\/a>
\nSince You Went Away (1944)<\/a>
\nSon of Fury (1942)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Ford Films<\/strong>
\n\"JohnArrowsmith (1931)<\/a>
\nCheyenne Autumn (1964)<\/a>
\nDr. Bull (1933)<\/a>
\nDonovan\u2019s Reef (1963)<\/a>
\nDrums Along the Mohawk (1939)<\/a>
\nFort Apache (1948)<\/a>
\nFour Men and a Prayer (1938)<\/a>
\nGrapes of Wrath, The (1940)<\/a>
\nHorse Soldiers, The (1959)<\/a>
\nHow Green Was My Valley (1941)<\/a>
\nHow the West Was Won (1962)<\/a>
\nHurricane, The (1937)<\/a>
\nInformer, The (1935)<\/a>
\nIron Horse, The (1924)<\/a>
\nJudge Priest (1934)<\/a>
\nLast Hurrah, The (1958)<\/a>
\nLong Gray Line, The (1955)<\/a>
\nLong Voyage Home, The (1940)<\/a>
\nLost Patrol, The (1934)<\/a>
\nMan Who Shot Liberty Valance, The (1962)<\/a>
\nMister Roberts (1955)<\/a>
\nMogambo (1953)<\/a>
\nMy Darling Clementine (1946)<\/a>
\nPilgrimage (1933)<\/a>
\nPrisoner of Shark Island, The (1936)<\/a>
\nQuiet Man, The (1952)<\/a>
\nRio Grande (1950)<\/a>
\nSearchers, The (1956)<\/a>
\nSergeant Rutledge (1960)<\/a>
\nSeven Women (1966)<\/a>
\nShe Wore a Yellow Ribbon (1949)<\/a>
\nStagecoach (1939)<\/a>
\nSteamboat Round the Bend (1935)<\/a>
\nStraight Shooting (1917)<\/a>
\nSun Shines Bright, The (1953)<\/a>
\nThey Were Expendable (1945)<\/a>
\nThree Bad Men (1926)<\/a>
\nThree Godfathers (1948)<\/a>
\nTobacco Road (1941)<\/a>
\nTwo Rode Together (1961)<\/a>
\nUp the River (1930)<\/a>
\nWagon Master (1950)<\/a>
\nWee Willie Winkie (1937)<\/a>
\nWhat Price Glory (1952)<\/a>
\nWhole Town’s Talking, The (1935)<\/a>
\nWings of Eagles, The (1957)<\/a>
\nYoung Cassidy (1965)<\/a>
\nYoung Mr. Lincoln (1939)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Frankenheimer Films<\/strong>
\nBirdman of Alcatraz (1962)<\/a>
\nFixer, The (1968)<\/a>
\nIceman Cometh, The (1973)
\nManchurian Candidate, The (1962)<\/a>
\nSeconds (1966)<\/a>
\nSeven Days in May (1964)<\/a>
\nTrain, The (1965)<\/a>
\nYoung Savages, The (1961)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Huston Films<\/strong>
\n\"JohnAcross the Pacific (1942)<\/a>
\nAfrican Queen, The (1951)<\/a>
\nAsphalt Jungle, The (1950)<\/a>
\nBattle of San Pietro, The (1945)<\/a>
\nBeat the Devil (1953)<\/a>
\nCasino Royale (1967)<\/a>
\nFat City (1972)<\/a>
\nFreud (1962)<\/a>
\nHeaven Knows, Mr. Allison (1957)<\/a>
\nIn This Our Life (1942)<\/a>
\nKey Largo (1948)<\/a>
\nLet There Be Light (1946)<\/a>
\nList of Adrian Messenger, The (1963)<\/a>
\nMaltese Falcon, The (1941)<\/a>
\nMan Who Would Be King, The (1975)
\nMisfits, The (1961)<\/a>
\nMoby Dick (1956)<\/a>
\nMoulin Rouge (1952)<\/a>
\nNight of the Iguana, The (1964)<\/a>
\nPrizzi’s Honor (1985)
\nRed Badge of Courage, The (1951)<\/a>
\nReflections in a Golden Eye (1967)<\/a>
\nThree Strangers (1946)<\/a>
\nTreasure of the Sierra Madre, The (1948)<\/a>
\nUnder the Volcano (1984)
\nUnforgiven, The (1960)<\/a>
\nWalk With Love and Death, A (1969)<\/a>
\nWinter Kills (1979)<\/a> [actor]
\nWise Blood (1979)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Korty Films<\/strong>
\nCrazy-Quilt, The (1966)<\/a>
\nFunnyman (1967)<\/a>
\nTwice Upon a Time (1983)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Landis Films<\/strong>
\n\"\"<\/a>American Werewolf in London, An (1981)<\/a>
\nBlues Brothers, The (1980)<\/a>
\nKentucky Fried Movie, The (1977)<\/a>
\nSchlock (1973)<\/a>
\nTrading Places (1983)<\/a>
\nTwilight Zone: The Movie (1983)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Sayles Films<\/strong>
\n\"Sayles\"Baby It’s You (1983)<\/a>
\nBrother from Another Planet, The (1984)
\nLianna (1983)<\/a>
\nPiranha (1978)<\/a>
\nReturn of the Secaucus 7 (1980)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Schlesinger Films<\/strong>
\n\"Schlesinger\"Billy Liar (1963)<\/a>
\nDarling (1965)<\/a>
\nDay of the Locust, The (1975)<\/a>
\nFalcon and the Snowman, The (1985)<\/a>
\nFar from the Madding Crowd (1967)<\/a>
\nHonky Tonk Freeway (1981)<\/a>
\nMidnight Cowboy (1969)<\/a>
\nSunday Bloody Sunday (1971)<\/a>
\nYanks (1979)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Sturges Films<\/strong>
\n\"\"<\/a>Bad Day at Black Rock (1955)<\/a>
\nGreat Escape, The (1963)<\/a>
\nGunfight at the O.K. Corral (1957)<\/a>
\nIt’s a Big Country (1951)<\/a>
\nMagnificent Seven, The (1960)<\/a>
\nOld Man and the Sea, The (1958)<\/a>
\nSatan Bug, The (1965)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJohn Waters Films<\/strong>
\n\"JohnDesperate Living (1977)<\/a>
\nFemale Trouble (1974)<\/a>
\nMondo Trasho (1969)<\/a>
\nMultiple Maniacs (1970)<\/a>
\nPink Flamingos (1972)<\/a>
\nPolyester (1981)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJonathan Demme Films<\/strong>
\n\"Demme\"Angels Hard As They Come (1971)<\/a>
\nCaged Heat (1974)<\/a>
\nCrazy Mama (1975)<\/a>
\nFighting Mad (1976)<\/a>
\nHandle With Care \/ Citizens Band (1977)<\/a>
\nHot Box, The (1972)<\/a>
\nLast Embrace (1979)<\/a>
\nMelvin and Howard (1980)<\/a>
\nStop Making Sense (1984) <\/a>
\nSwimming to Cambodia (1987)<\/a>
\nSwing Shift (1984)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJosef Von Sternberg Films<\/strong>
\n\"BlueAmerican Tragedy, An (1932)<\/a>
\nAnatahan (1953)<\/a>
\nBlonde Venus, The (1932)<\/a>
\nBlue Angel, The (1930)<\/a>
\nCrime and Punishment (1935)<\/a>
\nDevil is a Woman, The (1935)<\/a>
\nDishonored (1931)<\/a>
\nDocks of New York, The (1928)<\/a>
\nJet Pilot (1957)<\/a>
\nKing Steps Out, The (1936)<\/a>
\nLast Command, The (1928)<\/a>
\nMacao (1952)<\/a>
\nMorocco (1930)<\/a>
\n Scarlet Empress, The (1934)<\/a>
\nShanghai Express (1932)<\/a>
\nShanghai Gesture, The (1941)<\/a>
\nUnderworld (1927)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJoseph H. Lewis Films<\/strong>
\n\"JosephBig Combo, The (1955)<\/a>
\nCry of the Hunted (1953)<\/a>
\nGun Crazy \/ Deadly is the Female (1949)<\/a>
\nMy Name Is Julia Ross (1945)<\/a>
\nSo Dark the Night (1946)<\/a>
\nTerror in a Texas Town (1958)<\/a>
\nUndercover Man, The (1949)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJoseph L. Mankiewicz Films<\/strong>
\n\"Mankiewicz\"All About Eve (1950)<\/a>
\nBarefoot Contessa, The (1954)<\/a>
\nCleopatra (1963)<\/a>
\n5 Fingers (1952)<\/a>
\nGhost and Mrs. Muir, The (1947)<\/a>
\nGuys and Dolls (1955)<\/a>
\nHouse of Strangers (1949)<\/a>
\nJulius Caesar (1953)<\/a>
\nLetter to Three Wives, A (1949)<\/a>
\nMillion Dollar Legs (1932)<\/a>
\nNo Way Out (1950)<\/a>
\nPeople Will Talk (1951)<\/a>
\nQuiet American, The (1958)<\/a>
\nSleuth (1972)<\/a>
\nSuddenly, Last Summer (1959)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJoseph Losey Films<\/strong>
\n\"Losey\"Accident (1967)<\/a>
\nBoy With Green Hair, The (1948)<\/a>
\nGo-Between, The (1970)
\nKing & Country (1964)<\/a>
\nMr. Klein (1976)
\nModesty Blaise (1966)<\/a>
\nProwler, The (1951)<\/a>
\nRomantic Englishwoman, The (1975)<\/a>
\nSecret Ceremony (1968)<\/a>
\nServant, The (1963)<\/a>
\nThese Are the Damned \/ Damned, The (1961)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJoshua Logan Films<\/strong>
\n\"\"<\/a>Bus Stop \/ Wrong Kind of Girl, The (1956)<\/a>
\nFanny (1961)<\/a>
\nMister Roberts (1955)<\/a>
\nPicnic (1955)<\/a>
\nSayonara (1957)<\/a>
\nSouth Pacific (1958)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJules Dassin Films<\/strong>
\nJules DassinBrute Force (1947)<\/a>
\nCanterville Ghost, The (1944)<\/a>
\nHe Who Must Die (1957)<\/a>
\nNaked City, The (1948)<\/a>
\nNight and the City (1950)<\/a>
\nRififi (1955)<\/a>
\nThieves Highway (1949)<\/a>
\nTopkapi! (1964)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nJulien Duvivier Films<\/strong>
\n\"\"<\/a>Flesh and Fantasy (1943)<\/a>
\nPanique (1946)<\/a>
\nPepe Le Moko (1937)<\/a>
\nTales of Manhattan (1942)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nKarel Reisz Films<\/strong>
\n\"\"<\/a>French Lieutenant’s Woman, The (1981)<\/a>
\nGambler, The (1974)
\nIsadora \/ Loves of Isadora, The (1968)<\/a>
\nMorgan! \/ Morgan (A Suitable Case for Treatment) (1966)<\/a>
\nSaturday Night and Sunday Morning (1960)<\/a>
\nWho’ll Stop the Rain? (1978)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nKen Russell Films<\/strong>
\n\"KenAltered States (1980)<\/a>
\nBillion Dollar Brain (1967)<\/a>
\nBoy Friend, The (1971)<\/a>
\nCrimes of Passion (1984)
\nDevils, The (1971)<\/a>
\nLisztomania (1975)
\nMahler (1974)
\nMusic Lovers, The (1970)<\/a>
\nSavage Messiah (1972)
\nTommy (1975)<\/a>
\nValentino (1977)<\/a>
\nWomen in Love (1969)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nKenzi Mizoguchi Films<\/strong>
\n\"Mizoguchi\"Geisha, A \/ Gion Bayashi (1953)<\/a>
\nLife of Oharu, The \/ Life of a Woman By Saikaku, The (1952)<\/a>
\nPrincess Yang Kwei Fei \/ Yang Kwei Fei \/ Princess Yang, The (1955)<\/a>
\nSansho, The Bailiff \/ Bailiff, The (1954)<\/a>
\nStreet of Shame (1955)<\/a>
\nUgetsu \/ Ugetsu Monogatari (1953)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nKing Vidor Films<\/strong>
\n\"KingBeyond the Forest (1949)<\/a>
\nBig Parade, The (1925)<\/a>
\nBird of Paradise (1932)<\/a>
\nChamp, The (1931)<\/a>
\nCitadel, The (1938)<\/a>
\nCrowd, The (1928)<\/a>
\nDuel in the Sun (1946)<\/a>
\nFountainhead, The (1949)<\/a>
\nHallelujah! (1929)<\/a>
\nNorthwest Passage (1940)<\/a>
\nOur Daily Bread (1934)<\/a>
\nRuby Gentry (1952)<\/a>
\nStella Dallas (1937)<\/a>
\nStreet Scene (1931)<\/a>
\nWar and Peace (1956)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nKon Ichikawa Films<\/strong>
\n\"Ichikawa\"Fires on the Plain (1959)<\/a>
\nHarp of Burma (1956)<\/a>
\nKagi \/ The Key \/ Odd Obsession (1959)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nLarry Cohen Films<\/strong>
\n\"\"<\/a>Daddy’s Gone A-Hunting (1969)<\/a>
\nFull Moon High (1981)<\/a>
\nGod Told Me To \/ Demon (1976)<\/a>
\nIt’s Alive! (1974)<\/a>
\nPrivate Files of J. Edgar Hoover, The (1977)<\/a>
\nQ \/ Winged Serpent, The (1982)<\/a>
\nStuff, The (1985)<\/a><\/p>\n\n\n
\n

<\/a>
\nLeo McCarey Films<\/strong>
\n\"McCarey\"Affair to Remember, An (1957)<\/a>
\nAwful Truth, The (1937)<\/a>
\nBelle of the Nineties (1934)<\/a>
\nBells of St. Mary’s, The (1945)<\/a>
\nDuck Soup (1933)<\/a>
\nGoing My Way (1944)<\/a>
\nKid from Spain, The (1932)<\/a>
\nLove Affair (1939)<\/a>
\nMake Way For Tomorrow (1937)<\/a>
\nMilky Way, The (1936)<\/a>
\nMy Son John (1952)<\/a>
\nRuggles of Red Gap (1935) <\/a>
\nSix of a Kind (1934)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nLewis Milestone Films<\/strong>
\nAll Quiet on the Western Front (1930)<\/a>
\nEdge of Darkness (1943)<\/a>
\nFront Page, The (1931)<\/a>
\nGeneral Died at Dawn, The (1936)<\/a>
\nHallelujah, I’m a Bum (1933)<\/a>
\nHalls of Montezuma (1951)<\/a>
\nMutiny on the Bounty (1962)<\/a>
\nNorth Star, The (1943)<\/a>
\nOf Mice and Men (1939)<\/a>
\nPork Chop Hill (1959)<\/a>
\nPurple Heart, The (1944)<\/a>
\nRain (1932)<\/a>
\nRed Pony, The (1949)<\/a>
\nWalk in the Sun, A (1945)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nLina Wertmuller Films<\/strong>
\n\"Wertmuller\"All Screwed Up (1974)
\nLove and Anarchy (1973)
\nSeduction of Mimi, The (1974)
\nSeven Beauties (1976)
\nSwept Away \/ Swept Away… By an Unusual Destiny in the Blue Sea of August (1974)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n

<\/a>
\nLindsay Anderson Films<\/strong>
\n\"\"<\/a>Britannia Hospital (1982)
\nIf … (1968)<\/a>

\nO Lucky Man! (1973)
\nThis Sporting Life (1963)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nLouis Malle Films<\/strong>
\n\"Malle\"Atlantic City (1980)<\/a>
\nLacombe Lucien (1974)
\nLovers, The (1958)<\/a>
\nMurmur of the Heart (1971)<\/a>
\nMy Dinner With Andre (1981)<\/a>
\nPhantom India (1969)<\/a>
\nPretty Baby (1978)<\/a>
\nSpirits of the Dead (1968)<\/a>
\nViva Maria! (1965)<\/a>
\nZazie\/Zazie dans le Metro (1960)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nLuchino Visconti Films<\/strong>
\n \"Visconti\"Damned, The (1969)<\/a>
\nDeath in Venice (1971)
\nInnocent, The (1976)
\nLeopard, The (1963)<\/a>
\nOssessione (1943)<\/a>
\nRocco and His Brothers (1960)<\/a>
\nSenso (1954) <\/a>
\nStranger, The (1967)<\/a>
\nTerra Trema, La (1948)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nLuis Bu\u00f1uel Films<\/strong>
\n\"Bunuel\"Adventures of Robinson Crusoe, The (1954)<\/a>
\nL’Age D’Or (1930)<\/a>
\nBelle De Jour (1967)<\/a>
\nDiary of a Chambermaid (1964)<\/a>
\nDiscreet Charm of the Bourgeoisie, The (1972)
\nExterminating Angel, The (1962)<\/a>
\nMilky Way, The (1969)<\/a>
\nNazarin (1959)<\/a>
\nOlvidados, Los\/Young and the Damned, The (1950)<\/a>
\nPhantom of Liberty, The (1974)
\nSimon of the Desert (1965)<\/a>
\nThat Obscure Object of Desire (1977)
\nTristana (1970)
\nViridiana (1961)<\/a>
\nWuthering Heights (1954)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMarco Bellocchio Films<\/strong>
\n\"\"<\/a>China is Near (1967)<\/a>
\nDevil in the Flesh (1986)
\nFists in the Pocket (1965)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMario Bava Films<\/strong>
\n\"Bava\"Baron Blood (1972)<\/a>
\nBlack Sabbath (1964)<\/a>
\nBlack Sunday (1960)<\/a>
\nBlood and Black Lace (1964)<\/a>
\nCaltiki, the Immortal Monster (1959)<\/a>
\nHatchet for the Honeymoon (1970)<\/a>
\nPlanet of the Vampires (1965)<\/a>
\nTwitch of the Death Nerve \/ Last House on the Left Part II (1971)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMark Robson Films<\/strong>
\n\"\"<\/a>Bedlam (1946)<\/a>
\nChampion (1949)<\/a>
\nDaddy’s Gone A-Hunting (1969)<\/a>
\nEarthquake (1974)
\nGhost Ship, The (1943)<\/a>
\nHarder They Fall, The (1956)<\/a>
\nHome of the Brave (1949)<\/a>
\nI Want You (1951)<\/a>
\nInn of the Sixth Happiness, The (1958)<\/a>
\nIsle of the Dead (1945)<\/a>
\nMy Foolish Heart (1949)<\/a>
\nPeyton Place (1957)<\/a>
\nPhffft (1954)<\/a>
\nSeventh Victim, The (1943)<\/a>
\nValley of the Dolls (1967)<\/a>
\nYouth Runs Wild (1944)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMartin Ritt Films<\/strong>
\nEdge of the City (1957)<\/a>
\nFront, The (1976)<\/a>
\nHud (1963)<\/a>
\nLong, Hot Summer, The (1958)<\/a>
\nMolly Maguires, The (1970)
\nNorma Rae (1979)<\/a>
\nPete ‘n’ Tillie (1972)
\nSounder (1972)
\nSpy Who Came in from the Cold (1965)<\/a><\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMartin Scorsese Films<\/strong>
\n\"Scorsese\"After Hours (1985)<\/a>
\nAlice Doesn’t Live Here Anymore (1974)<\/a>
\nBoxcar Bertha (1972)
\nColor of Money, The (1986)
\nKing of Comedy, The (1982)<\/a>
\nLast Waltz, The (1978)<\/a>
\nMean Streets (1973)<\/a>
\nNew York, New York (1977)<\/a>
\nRaging Bull (1980)<\/a>
\nTaxi Driver (1976)<\/a>
\nWho’s That Knocking At My Door (1968)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMax Ophuls Films<\/strong>
\n\"Ophuls\"Caught (1949)<\/a>
\nEarrings of Madame De… The \/ Madame De… \/ Diamond Earrings (1953)<\/a>
\nExile, The (1947)<\/a>
\nLetter From an Unknown Woman (1948)<\/a>
\nLola Mont\u00e9s \/ Sins of Lola Mont\u00e9s, The (1955)<\/a>
\nPlaisir, Le \/ House of Pleasure (1952)<\/a>
\nReckless Moment, The (1949)<\/a>
\nRonde, La (1950)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMel Brooks Films<\/strong>
\n\"MelBlazing Saddles (1974)<\/a>
\nHigh Anxiety (1977)<\/a>
\nHistory of the World: Part I (1981)<\/a>
\nProducers, The (1968)<\/a>
\nSilent Movie (1976)<\/a>
\nTwelve Chairs, The (1970)<\/a>
\nYoung Frankenstein (1974)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMelvin Van Peebles Films<\/strong>
\n\"\"<\/a>Story of a Three Day Pass, The (1967)<\/a>
\nSweet Sweetback’s Baadasssss Song (1971)
\nWatermelon Man (1970)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMerchant and Ivory Films<\/strong>
\nBostonians, The (1984)<\/a>
\nEuropeans, The (1979)<\/a>
\nHeat and Dust (1983)
\nRoom With a View, A (1985)<\/a>
\nSavages (1972)
\nShakespeare Wallah (1965)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMervyn LeRoy Films<\/strong>
\nBad Seed, The (1956)<\/a>
\nEscape (1940)<\/a>
\nFive Star Final (1931)<\/a>
\nGold Diggers of 1933 (1933)<\/a>
\nGypsy (1962)<\/a>
\nI Am a Fugitive From a Chain Gang (1932)<\/a>
\nLittle Caesar (1931)<\/a>
\nMadame Curie (1943)<\/a>
\nMister Roberts (1955)<\/a>
\nQuo Vadis? (1951)<\/a>
\nRandom Harvest (1942)<\/a>
\nThirty Seconds Over Tokyo (1944)<\/a>
\nThree on a Match (1932)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMichael Apted Films<\/strong>
\nBring on the Night (1985)<\/a>
\nCoal Miner’s Daughter (1980)
\nContinental Divide (1981)<\/a>
\nStardust (1974)<\/a>
\n28 Up (1984)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMichael Curtiz Films<\/strong>
\n\"Casablanca\"Adventures of Robin Hood, The (1938)<\/a>
\nAngels With Dirty Faces (1938)<\/a>
\nBlack Fury (1935)<\/a>
\nBreaking Point, The (1950)<\/a>
\nCabin in the Cotton (1932)<\/a>
\nCaptain Blood (1935)<\/a>
\nCasablanca (1942)<\/a>
\nCharge of the Light Brigade, The (1936)<\/a>
\nDoctor X (1932)<\/a>
\nDodge City (1939)<\/a>
\nFlamingo Road (1949)<\/a>
\nFour Daughters (1938)<\/a>
\nHelen Morgan Story, The (1957)<\/a>
\nJim Thorpe — All American (1951)<\/a>
\nKennel Murder Case, The (1933)<\/a>
\nKid Galahad \/ Battling Bellhop, The (1937)<\/a>
\nKing Creole (1958)<\/a>
\nLife With Father (1947)<\/a>
\nMad Genius, The (1931)<\/a>
\nMildred Pierce (1945)<\/a>
\nMission to Moscow (1943)<\/a>
\nMystery of the Wax Museum (1933)<\/a>
\nNight and Day (1946)<\/a>
\nNoah’s Ark (1928)<\/a>
\nPrivate Lives of Elizabeth and Essex, The (1939)<\/a>
\nRomance on the High Seas (1948)<\/a>
\nSanta Fe Trail (1940)<\/a>
\nSea Hawk, The (1940)<\/a>
\nSea Wolf, The (1941)<\/a>
\nUnsuspected, The (1947)<\/a>
\nVirginia City (1940)<\/a>
\nWalking Dead, The (1936)<\/a>
\nWhite Christmas (1954)<\/a>
\nYankee Doodle Dandy (1942)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMichael Powell Films<\/strong>
\n\"Powell\"Black Narcissus (1947)<\/a>
\n49th Parallel (1941)<\/a>
\n‘I Know Where I’m Going!’ (1945)<\/a>
\nLife and Death of Colonel Blimp, The (1943)<\/a>
\nOne of Our Aircraft is Missing (1942)<\/a>
\nPeeping Tom (1960)<\/a>
\nRed Shoes, The (1948)<\/a>
\nStairway to Heaven \/ A Matter of Life and Death (1946)<\/a>
\nTales of Hoffmann, The (1951)<\/a>
\nThief of Bagdad, The (1940)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMichael Reeves Films<\/strong>
\n\"MichaelConqueror Worm, The \/ Witchfinder General, The (1968)<\/a>
\nShe-Beast, The (1966)<\/a>
\nSorcerers, The (1967)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMichael Ritchie Films<\/strong>
\n\"\"<\/a>Bad News Bears, The (1976)<\/a>
\nCandidate, The (1972)<\/a>
\nDivine Madness (1980)<\/a>
\nDownhill Racer (1969)<\/a>
\nPrime Cut (1972)<\/a>
\nSmile (1975)<\/a>
\nStudent Bodies (1981)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMichelangelo Antonioni Films<\/strong>
\n\"Antonioni\"Avventura, L\u2019 (1960)<\/a>
\nBlow-Up (1966)<\/a>
\nEclisse, L’ \/ Eclipse, The (1962)<\/a>
\nNotte, La (1961)<\/a>
\nRed Desert (1964)<\/a>
\nZabriskie Point (1970) <\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMike Nichols Films<\/strong>
\nCarnal Knowledge (1971)<\/a>
\nCatch-22 (1970)
\nDay of the Dolphin, The (1973)<\/a>
\nFortune, The (1975)<\/a>
\nGraduate, The (1967)<\/a>
\nSilkwood (1983)<\/a>
\nWho’s Afraid of Virginia Woolf? (1966)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMilos Forman Films<\/strong>
\nAmadeus (1984)<\/a>
\nFiremen’s Ball, The (1967)<\/a>
\nLoves of a Blonde (1965)<\/a>
\nOne Flew Over the Cuckoo’s Nest (1975)<\/a>
\nRagtime (1981)
\nTaking Off (1971)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nMitchell Leisen Films<\/strong>
\nBig Broadcast of 1938, The (1938)<\/a>
\nDeath Takes a Holiday (1934)<\/a>
\nEasy Living (1937)<\/a>
\nHold Back the Dawn (1941)<\/a>
\nMidnight (1939)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\n Monte Hellman Films<\/strong>
\n China 9, Liberty 37 (1978)<\/a>
\nCockfighter \/ Born to Kill (1974)<\/a>
\n Ride in the Whirlwind (1966)<\/a>
\nShooting, The (1966)<\/a>
\nTwo-Lane Blacktop (1971)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nNagisa Oshima Films<\/strong>
\n\"Oshima\"Boy \/ Shonen (1969)
\nCeremony, The (1971)
\nDeath by Hanging (1968)<\/a>
\nEmpire of Passion (1978)
\nIn the Realm of the Senses \/ Realm of the Senses \/ Empire Des Sens, L’ (1976)
\nMerry Christmas, Mr. Lawrence (1983)
\nNight and Fog in Japan (1960)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nNicholas Ray Films<\/strong>
\n\"NicholasBigger Than Life (1956)<\/a>
\nBitter Victory (1957)<\/a>
\n55 Days at Peking (1963)<\/a>
\nFlying Leathernecks (1951)<\/a>
\nIn a Lonely Place (1950)<\/a>
\nJohnny Guitar (1954)<\/a>
\nKing of Kings (1961)<\/a>
\nKnock on Any Door (1949)<\/a>
\nLusty Men, The (1952)<\/a>
\nOn Dangerous Ground (1951)<\/a>
\nParty Girl (1958)<\/a>
\nRebel Without a Cause (1955)<\/a>
\nRun for Cover (1955)<\/a>
\nSavage Innocents, The (1960)<\/a>
\nThey Live By Night (1948)<\/a>
\nTrue Story of Jesse James, The (1957)<\/a>
\nWind Across the Everglades (1958)<\/a>
\nWoman’s Secret, A (1949)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nNicolas Roeg Films<\/strong>
\n\"\"<\/a>Bad Timing: A Sensual Obsession (1980)
\nDon’t Look Now (1973)
\nEureka (1983)
\nInsignificance (1985)
\nMan Who Fell to Earth, The (1976)<\/a>
\nPerformance (1970)<\/a>
\nWalkabout (1971)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nNorman Jewison Films<\/strong>
\n\"\"<\/a>Best Friends (1982)
\nFiddler on the Roof (1971)<\/a>
\nIn the Heat of the Night (1967)<\/a>
\nJesus Christ, Superstar (1973)<\/a>
\nSoldier’s Story, A (1984)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nOliver Stone Films<\/strong>
\nHand, The (1981)<\/a>
\nPlatoon (1986)
\nSalvador (1986)<\/a>
\nScarface (1983)<\/a> [screenwriter]
\nSeizure (1974)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nOtto Preminger Films<\/strong>
\n\"OttoAdvise & Consent (1962)<\/a>
\nAnatomy of a Murder (1959)<\/a>
\nAngel Face (1952)<\/a>
\nBonjour Tristesse (1958)<\/a>
\nBunny Lake Is Missing (1965)<\/a>
\nCarmen Jones (1954)<\/a>
\nDaisy Kenyon (1947)<\/a>
\nExodus (1960)<\/a>
\nFallen Angel (1945)<\/a>
\nForever Amber (1947)<\/a>
\nHurry Sundown (1967)<\/a>
\nIn Harm’s Way (1965)<\/a>
\nLaura (1944)<\/a>
\nMan With the Golden Arm, The (1955)<\/a>
\nMoon is Blue, The (1953)<\/a>
\nPorgy and Bess (1959)<\/a>
\nRiver of No Return (1954)<\/a>
\nSaint Joan (1957)<\/a>
\nSkidoo (1969)<\/a>
\nStalag 17 (1953)<\/a>
\nSuch Good Friends (1971)<\/a>
\nTell Me That You Love Me, Junie Moon (1970)<\/a>
\nThat Lady in Ermine (1948)<\/a>
\nWhere the Sidewalk Ends (1950)<\/a>
\nWhirlpool (1949)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Jack Arnold Films Creature From the Black Lagoon (1954) Incredible Shrinking Man, The (1957) It Came from Outer Space (1953) Monster on the Campus (1958) Revenge of the Creature (1955) Tarantula (1955) Tattered Dress, The (1957) Jack Clayton Films Great Gatsby, The (1974) Innocents, The (1961) Our Mother’s House (1967) Pumpkin Eater, The (1964) Room at the Top (1959) Something Wicked This Way Comes (1983) Jacques Demy Films Donkey Skin (1971) Lola (1961) Umbrellas of Cherbourg, The (1964) Young Girls…<\/p>\n

Read More Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4278,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-91755","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/91755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=91755"}],"version-history":[{"count":77,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/91755\/revisions"}],"predecessor-version":[{"id":99210,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/91755\/revisions\/99210"}],"up":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/4278"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=91755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}