{"id":84441,"date":"2022-05-28T16:58:43","date_gmt":"2022-05-28T23:58:43","guid":{"rendered":"http:\/\/filmfanatic.org\/?page_id=84441"},"modified":"2024-08-09T17:24:38","modified_gmt":"2024-08-10T00:24:38","slug":"chronological-listing-of-pearys-titles-1940-1959","status":"publish","type":"page","link":"https:\/\/filmfanatic.org\/?page_id=84441","title":{"rendered":"Chronological Listing of Peary’s Titles: 1940-1959"},"content":{"rendered":"

Here are ALL of Peary\u2019s recommended \u201cmust-see\u201d titles from 1940-1959 \u2014 combined from the front and back of his book \u2014 in chronological order, with my \u201cYES\u201d (MUST SEE) or \u201cNO\u201d (NOT MUST SEE) vote provided afterwards.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\n1940<\/strong>
\n\"\"<\/a>Angels Over Broadway (1940)<\/a> – YES<\/a><\/span>
\nBank Dick, The (1940)<\/a> – YES<\/a><\/span>
\nBefore I Hang (1940)<\/a> – NO<\/strong>
\nBlack Friday (1940)<\/a> – NO<\/strong>
\nBoom Town (1940)<\/a> – NO<\/strong>
\nBrother Orchid (1940)<\/a> – NO<\/strong>
\nChristmas in July (1940)<\/a> – YES<\/a><\/span>
\nCity for Conquest (1940)<\/a> – NO<\/strong>
\nDance, Girl, Dance (1940)<\/a> – YES<\/a><\/span>
\nDark Command (1940)<\/a> – NO<\/strong>
\nDown Argentine Way (1940)<\/a> – NO<\/strong>
\nDr. Cyclops (1940)<\/a> – NO<\/strong>
\nDr. Ehrlich\u2019s Magic Bullet (1940)<\/a> – YES<\/a><\/span>
\nEscape (1940)<\/a> – NO<\/strong>
\nFantasia (1940)<\/a> – YES<\/a><\/span>
\nForeign Correspondent (1940)<\/a> – YES<\/a><\/span>
\nGhost Breakers, The (1940)<\/a> – NO<\/strong>
\nGo West (1940)<\/a> – NO<\/strong>
\nGrapes of Wrath, The (1940)<\/a> – YES<\/a><\/span>
\nGreat Dictator, The (1940)<\/a> – YES<\/a><\/span>
\nHis Girl Friday (1940)<\/a> – YES<\/a><\/span>
\nI Love You Again (1940)<\/a> – NO<\/strong>
\nInvisible Man Returns, The (1940)<\/a> – NO<\/strong>
\nKitty Foyle (1940)<\/a> – NO<\/strong>
\nKnut Rockne All American (1940)<\/a> – NO<\/strong>
\nLetter, The (1940)<\/a> – YES<\/a><\/span>
\nLong Voyage Home, The (1940)<\/a> – NO<\/strong>
\nMark of Zorro, The (1940)<\/a> – NO<\/strong>
\nMortal Storm, The (1940)<\/a> – YES<\/a><\/span>
\nMy Favorite Wife (1940)<\/a> – NO<\/strong>
\nMy Little Chickadee (1940)<\/a> – YES<\/a><\/span>
\nNight Train \/ Night Train to Munich (1940)<\/a> – NO<\/strong>
\nNorthwest Mounted Police (1940)<\/a> – NO<\/strong>
\nNorthwest Passage (1940)<\/a> – NO<\/strong>
\nOne Million B.C. (1940)<\/a> – NO<\/strong>
\nOur Town (1940)<\/a> – YES<\/a><\/span>
\nPhiladelphia Story, The (1940)<\/a> – YES<\/a><\/span>
\nPinocchio (1940)<\/a> – YES<\/a><\/span>
\nPride and Prejudice (1940)<\/a> – YES<\/a><\/span>
\nProud Valley, The (1940)<\/a> – NO<\/strong>
\nRebecca (1940)<\/a> – YES<\/a><\/span>
\nReturn of Frank James, The (1940)<\/a> – NO<\/strong>
\nRoad to Singapore (1940)<\/a> – NO<\/strong>
\nSanta Fe Trail (1940)<\/a> – NO<\/strong>
\nSaps at Sea (1940)<\/a> – NO<\/strong>
\nSea Hawk, The (1940)<\/a> – YES<\/a><\/span>
\nShop Around the Corner (1940)<\/a> – YES<\/a><\/span>
\nStars Look Down, The (1940)<\/a> – YES<\/a><\/span>
\nStrange Cargo (1940)<\/a> – YES<\/a><\/span>
\nStranger on the Third Floor, The (1940)<\/a> – YES<\/a><\/span>
\nSusan and God (1940)<\/a> – NO<\/strong>
\nThey Drive By Night (1940)<\/a> – YES<\/a><\/span>
\nThey Knew What They Wanted (1940)<\/a> – NO<\/strong>
\nThief of Bagdad (1940)<\/a> – YES<\/a><\/span>
\nTin Pan Alley (1940)<\/a> – NO<\/strong>
\nVigil in the Night (1940)<\/a> – NO<\/strong>
\nVirginia City (1940)<\/a> – NO<\/strong>
\nWaterloo Bridge (1940)<\/a> – NO<\/strong>
\nWesterner, The (1940)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1941<\/strong>
\n\"\"<\/a>Among the Living (1941)<\/a> – NO<\/strong>
\nBall of Fire (1941)<\/a> – YES<\/a><\/span>
\nBirth of the Blues (1941)<\/a> – NO<\/strong>ho
\nBlood and Sand (1941)<\/a> – NO<\/strong>
\nBlues in the Night (1941)<\/a> – NO<\/strong>
\nBuck Privates (1941)<\/a> – YES<\/a><\/span>
\nCaught in the Draft (1941)<\/a> – NO<\/strong>
\nCitizen Kane (1941)<\/a> – YES<\/a><\/span>
\nDevil and Daniel Webster, The (1941)<\/a> – YES<\/a><\/span>
\nDevil and Miss Jones, The (1941)<\/a> – NO<\/strong>
\nDevil Commands, The (1941)<\/a> – NO<\/strong>
\nDr. Jekyll and Mr. Hyde (1941)<\/a> – NO<\/strong>
\nDumbo (1941)<\/a> – YES<\/a><\/span>
\nFace Behind the Mask, The (1941)<\/a> – NO<\/strong>
\n49th Parallel, The (1941)<\/a> – NO<\/strong>
\nGreat Lie, The (1941)<\/a> – YES<\/a><\/span>
\nHellzappopin (1941)<\/a> – YES<\/a><\/span>
\nHere Comes Mr. Jordan (1941)<\/a> – YES<\/a><\/span>
\nHigh Sierra (1941)<\/a> – YES<\/a><\/span>
\nHold Back the Dawn (1941)<\/a> – NO<\/strong>
\nHold That Ghost (1941)<\/a> – NO<\/strong>
\nHoppity Goes to Town \/ Mr. Bug Goes to Town (1941)<\/a> – YES<\/a><\/span>
\nHow Green Was My Valley (1941)<\/a> – YES<\/a><\/span>
\nI Wake Up Screaming (1941)<\/a> – YES<\/a><\/span>
\nKipps (1941)<\/a> – NO<\/strong>
\nLady Eve, The (1941)<\/a> – YES<\/a><\/span>
\nLittle Foxes, The (1941)<\/a> – YES<\/a><\/span>
\nLouisiana Purchase (1941)<\/a> – NO<\/strong>
\nMajor Barbara (1941)<\/a> – NO<\/strong>
\nMaltese Falcon, The (1941)<\/a> – YES<\/a><\/span>
\nMan Hunt (1941)<\/a> – YES<\/a><\/span>
\nMeet John Doe (1941)<\/a> – YES<\/a><\/span>
\nMoon Over Miami (1941)<\/a> – NO<\/strong>
\nMr. and Mrs. Smith (1941)<\/a> – NO<\/strong>
\nNever Give a Sucker an Even Break (1941)<\/a> – YES<\/a><\/span>
\nPenny Serenade (1941)<\/a> – YES<\/a><\/span>
\nRoad to Zanzibar (1941)<\/a> – YES<\/a><\/span>
\nSea Wolf, The (1941)<\/a> – NO<\/strong>
\nSergeant York (1941)<\/a> – YES<\/a><\/span>
\nShanghai Gesture, The (1941)<\/a> – YES<\/a><\/span>
\nShining Victory (1941)<\/a> – NO<\/strong>
\nStrawberry Blonde, The (1941)<\/a> – NO<\/strong>
\nSullivan\u2019s Travels (1941)<\/a> – YES<\/a><\/span>
\nSuspicion (1941)<\/a> – YES<\/a><\/span>
\nSwamp Water (1941)<\/a> – NO<\/strong>
\nTarzan\u2019s Secret Treasure (1941)<\/a> – NO<\/strong>
\nThat Hamilton Woman \/ Lady Hamilton (1941)<\/a> – YES<\/a><\/span>
\nThey Died With Their Boots On (1941)<\/a> – NO<\/strong>
\nTobacco Road (1941)<\/a> – NO<\/strong>
\nTom, Dick, and Harry (1941)<\/a> – NO<\/strong>
\nTopper Returns (1941)<\/a> – NO<\/strong>
\nTwo-Faced Woman (1941)<\/a> – NO<\/strong>
\nWestern Union (1941)<\/a> – NO<\/strong>
\nWolf Man, The (1941)<\/a> – YES<\/a><\/span>
\nWoman\u2019s Face, A (1941)<\/a> – YES<\/a><\/span>
\nYou\u2019ll Never Get Rich (1941)<\/a> – NO<\/strong>
\nZiegfeld Girl (1941)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1942<\/strong>
\n\"\"<\/a>Across the Pacific (1942)<\/a> – NO<\/strong>
\nBambi (1942)<\/a> – YES<\/a><\/span>
\nBig Street, The (1942)<\/a> – NO<\/strong>
\nCasablanca (1942)<\/a> – YES<\/a><\/span>
\nCat People (1942)<\/a> – YES<\/a><\/span>
\nCorpse Vanishes, The (1942)<\/a> – NO<\/strong>
\nDesperate Journey (1942)<\/a> – NO<\/strong>
\nFor Me and My Gal (1942)<\/a> – NO<\/strong>
\nGentleman Jim (1942)<\/a> – NO<\/strong>
\nGhost of Frankenstein, The (1942)<\/a> – NO<\/strong>
\nGlass Key, The (1942)<\/a> – NO<\/strong>
\nHoliday Inn (1942)<\/a> – YES<\/a><\/span>
\nI Married a Witch (1942)<\/a> – YES<\/a><\/span>
\nIn This Our Life (1942)<\/a> – NO<\/strong>
\nIn Which We Serve (1942)<\/a> – YES<\/a><\/span>
\nJungle Book (1942)<\/a> – NO<\/strong>
\nKeeper of the Flame (1942)<\/a> – NO<\/strong>
\nKing\u2019s Row (1942)<\/a> – YES<\/a><\/span>
\nMagnificent Ambersons, The (1942)<\/a> – YES<\/a><\/span>
\nMajor and the Minor, The (1942)<\/a> – YES<\/a><\/span>
\nMale Animal, The (1942)<\/a> – NO<\/strong>
\nMan Who Came to Dinner, The (1942)<\/a> – NO<\/strong>
\nMoon and Sixpence, The (1942)<\/a> – NO<\/strong>
\nMrs. Miniver (1942)<\/a> – NO<\/strong>
\nMy Favorite Blonde (1942)<\/a> – NO<\/strong>
\nNative Land (1942)<\/a> – YES<\/a><\/span>
\nNight Monster, The (1942)<\/a> – NO<\/strong>
\nNow, Voyager (1942)<\/a> – YES<\/a><\/span>
\nOne of Our Aircraft is Missing (1942)<\/a> – NO<\/strong>
\nPalm Beach Story, The (1942)<\/a> – YES<\/a><\/span>
\nPardon My Sarong (1942)<\/a> – NO<\/strong>
\nPied Piper, The (1942)<\/a> – YES<\/a><\/span>
\nPrelude to War (1942)<\/a> – YES<\/a><\/span>
\nPride of the Yankees (1942)<\/a> – NO<\/strong>
\nRandom Harvest (1942)<\/a> – NO<\/strong>
\nRoad to Morocco (1942)<\/a> – YES<\/a><\/span>
\nRoxie Hart (1942)<\/a> – NO<\/strong>
\nSaboteur (1942)<\/a> – YES<\/a><\/span>
\nSon of Fury (1942)<\/a> – NO<\/strong>
\nSpoilers, The (1942)<\/a> – NO<\/strong>
\nTales of Manhattan (1942)<\/a> – YES<\/a><\/span>
\nTalk of the Town, The (1942)<\/a> – NO<\/strong>
\nTarzan\u2019s New York Adventure (1942)<\/a> – NO<\/strong>
\nThis Gun For Hire (1942)<\/a> – YES<\/a><\/span>
\nTo Be or Not to Be (1942)<\/a> – YES<\/a><\/span>
\nTortilla Flat (1942)<\/a> – NO<\/strong>
\nUndying Monster, The (1942)<\/a> – NO<\/strong>
\nWake Island (1942)<\/a> – NO<\/strong>
\nWhite Cargo (1942)<\/a> – NO<\/strong>
\nWoman of the Year (1942)<\/a> – YES<\/a><\/span>
\nYankee Doodle Dandy (1942)<\/a> – YES<\/a><\/span>
\nYou Were Never Lovelier (1942)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1943<\/strong>
\n\"\"<\/a>Air Force (1943)<\/a> – NO<\/strong>
\nCabin in the Sky (1943)<\/a> – YES<\/a><\/span>
\nCalling Dr. Death (1943)<\/a> – NO<\/strong>
\nCaptive Wild Woman (1943)<\/a> – NO<\/strong>
\nCorbeau, Le \/ Crow, The \/ Raven, The \/ Little Town in France, A (1943)<\/a> – YES<\/a><\/span>
\nDay of Wrath \/ Vredens Dag (1943)<\/a> – YES<\/a><\/span>
\nDestination Tokyo (1943)<\/a> – NO<\/strong>
\nEdge of Darkness (1943)<\/a> – NO<\/strong>
\nFirst Comes Courage (1943)<\/a> – NO<\/strong>
\nFive Graves to Cairo (1943)<\/a> – YES<\/a><\/span>
\nFlesh and Fantasy (1943)<\/a> – NO<\/strong>
\nFlight for Freedom (1943)<\/a> – NO<\/strong>
\nFor Whom the Bell Tolls (1943)<\/a> – NO<\/strong>
\nForever and a Day (1943)<\/a> – YES<\/a><\/span>
\nFrankenstein Meets the Wolf Man (1943)<\/a> – NO<\/strong>
\nGang\u2019s All Here, The (1943)<\/a> – YES<\/a><\/span>
\nGhost Ship (1943)<\/a> – YES<\/a><\/span>
\nGirl Crazy (1943)<\/a> – YES<\/a><\/span>
\nGuadalcanal Diary (1943)<\/a> – NO<\/strong>
\nHangmen Also Die (1943)<\/a> – YES<\/a><\/span>
\nHeaven Can Wait (1943)<\/a> – YES<\/a><\/span>
\nHitler\u2019s Children (1943)<\/a> – YES<\/a><\/span>
\nHitler\u2019s Madman (1943)<\/a> – NO<\/strong>
\nHoly Matrimony (1943)<\/a> – YES<\/a><\/span>
\nHuman Comedy, The (1943)<\/a> – YES<\/a><\/span>
\nI Walked With a Zombie (1943)<\/a> – YES<\/a><\/span>
\nImmortal Sergeant (1943)<\/a> – NO<\/strong>
\nJane Eyre (1943)<\/a> – NO<\/strong>
\nJitterbugs (1943)<\/a> – NO<\/strong>
\nJourney into Fear (1943)<\/a> – NO<\/strong>
\nKing of the Cowboys (1943)<\/a> – YES<\/a><\/span>
\nLady of Burlesque (1943)<\/a> – NO<\/strong>
\nLady Takes a Chance, A (1943)<\/a> – NO<\/strong>
\nLassie Come Home (1943)<\/a> – YES<\/a><\/span>
\nLeopard Man, The (1943)<\/a> – YES<\/a><\/span>
\nLife and Death of Colonel Blimp, The (1943)<\/a> – YES<\/a><\/span>
\nMad Ghoul, The (1943)<\/a> – NO<\/strong>
\nMadame Curie (1943)<\/a> – YES<\/a><\/span>
\nMission to Moscow (1943)<\/a>
\nMore the Merrier, The (1943)<\/a> – YES<\/a><\/span>
\nNorth Star, The (1943)<\/a> – NO<\/strong>
\nOssessione (1943)<\/a> – YES<\/a><\/span>
\nOutlaw, The (1943)<\/a> – NO<\/strong>
\nOx-Bow Incident, The (1943)<\/a> – YES<\/a><\/span>
\nPhantom of the Opera (1943)<\/a> – NO<\/strong>
\nSahara (1943)<\/a> – YES<\/a><\/span>
\nSeventh Victim, The (1943)<\/a> – YES<\/a><\/span>
\nShadow of a Doubt (1943)<\/a> – YES<\/a><\/span>
\nSon of Dracula (1943)<\/a> – NO<\/strong>
\nSong of Bernadette, The (1943)<\/a> – YES<\/a><\/span>
\nStormy Weather (1943)<\/a> – YES<\/a><\/span>
\nWatch on the Rhine (1943)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1944<\/strong>
\n\"\"<\/a>Arsenic and Old Lace (1944)<\/a> – YES<\/a><\/span>
\nBluebeard (1944)<\/a> – NO<\/strong>
\nBuffalo Bill (1944)<\/a> – NO<\/strong>
\nCanterville Ghost, The (1944)<\/a> – NO<\/strong>
\nChristmas Holiday (1944)<\/a> – YES<\/a><\/span>
\nCobra Woman (1944)<\/a> – YES<\/a><\/span>
\nCover Girl (1944)<\/a> – NO<\/strong>
\nCurse of the Cat People (1944)<\/a> – YES<\/a><\/span>
\nDays of Glory (1944)<\/a> – NO<\/strong>
\nDouble Indemnity (1944)<\/a> – YES<\/a><\/span>
\nExperiment Perilous (1944)<\/a> – NO<\/strong>
\nGaslight (1944)<\/a> – YES<\/a><\/span>
\nGhost Catchers (1944)<\/a> – NO<\/strong>
\nGoing My Way (1944)<\/a> – YES<\/a><\/span>
\nGreat Moment, The (1944)<\/a> – NO<\/strong>
\nHail the Conquering Hero (1944)<\/a> – YES<\/a><\/span>
\nHenry V (1944)<\/a> – YES<\/a><\/span>
\nHouse of Frankenstein (1944)<\/a> – NO<\/strong>
\nIvan the Terrible, Part I (1944)<\/a> – YES<\/a><\/span><\/a>
\nLady and the Monster, The (1944)<\/a> – NO<\/strong>
\nLaura (1944)<\/a> – YES<\/a><\/span>
\nLifeboat (1944)<\/a> – YES<\/a><\/span>
\nLodger, The (1944)<\/a> – YES<\/a><\/span>
\nMademoiselle Fifi (1944)<\/a> – NO<\/strong>
\nMask of Dimitrious, The (1944)<\/a> – YES<\/a><\/span>
\nMeet Me in St. Louis (1944)<\/a> – YES<\/a><\/span>
\nMinistry of Fear (1944)<\/a> – NO<\/strong>
\nMiracle of Morgan\u2019s Creek, The (1944)<\/a> – YES<\/a><\/span>
\nMr. Skeffington (1944)<\/a> – NO<\/strong>
\nMurder, My Sweet \/ Farewell, My Lovely (1944)<\/a> – YES<\/a><\/span>
\nNational Velvet (1944)<\/a> – NO<\/strong>
\nNone But the Lonely Heart (1944)<\/a> – NO<\/strong>
\nOn Approval (1944)<\/a> – YES<\/a><\/span>
\nPhantom Lady (1944)<\/a> – YES<\/a><\/span>
\nPrincess and the Pirate, The (1944)<\/a> – NO<\/strong>
\nPurple Heart, The (1944)<\/a> – YES<\/a><\/span>
\nScarlet Claw, The (1944)<\/a> – NO<\/strong>
\nSeventh Cross, The (1944)<\/a> – YES<\/a><\/span>
\nSince You Went Away (1944)<\/a> – NO<\/strong>
\nSullivans, The \/ The Fighting Sullivans (1944)<\/a> – NO<\/strong>
\nSummer Storm (1944)<\/a> – NO<\/strong>
\nSuspect, The (1944)<\/a> – YES<\/a><\/span>
\nThirty Seconds Over Tokyo (1944)<\/a> – NO<\/strong>
\nThree Caballeros, The (1944)<\/a> – NO<\/strong>
\nTo Have and Have Not (1944)<\/a> – YES<\/a><\/span>
\nTorment (1944)<\/a> – NO<\/strong>
\nUninvited, The (1944)<\/a> – YES<\/a><\/span>
\nVoice in the Wind (1944)<\/a> – NO<\/strong>
\nWeird Woman (1944)<\/a> – NO<\/strong>
\nWhistler, The (1944)<\/a> – YES<\/a><\/span>
\nWoman in the Window, The (1944)<\/a> – YES<\/a><\/span>
\nYouth Runs Wild (1944)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1945<\/strong>
\n\"\"<\/a>Anchors Aweigh (1945)<\/a> – NO<\/strong>
\nAnd Then There Were None (1945)<\/a> – YES<\/a><\/span>
\nBattle of San Pietro, The (1945)<\/a> – YES<\/a><\/span>
\nBells of St. Mary\u2019s, The (1945)<\/a> – NO<\/strong>
\nBlithe Spirit (1945)<\/a> – YES<\/a><\/span>
\nBody Snatcher, The (1945)<\/a> – YES<\/a><\/span>
\nBrewster\u2019s Millions (1945)<\/a> – NO<\/strong>
\nBrief Encounter (1945)<\/a> – YES<\/a><\/span>
\nChildren of Paradise \/ Enfants Du Paradis, Les (1945)<\/a> – YES<\/a><\/span>
\nClock, The (1945)<\/a> – NO<\/strong>
\nCorn is Green, The (1945)<\/a> – NO<\/strong>
\nDames du Bois de Boulogne, Les (1945)<\/a> – NO<\/strong>
\nDetour (1945)<\/a> – YES<\/a><\/span><\/a>
\nDillinger (1945)<\/a> – YES<\/a><\/span>
\nEnchanted Cottage, The (1945)<\/a> – NO<\/strong>
\nFallen Angel (1945)<\/a> – NO<\/strong>
\nHangover Square (1945)<\/a> – YES<\/a><\/span>
\nHorn Blows at Midnight, The (1945)<\/a> – YES<\/a><\/span>
\nHouse of Dracula (1945)<\/a> – NO<\/strong>
\nHouse on 92nd Street, The (1945)<\/a> – NO<\/strong>
\n\u2018I Know Where I\u2019m Going!\u2019 (1945)<\/a> – YES<\/a><\/span><\/a>
\nIsle of the Dead (1945)<\/a> – NO<\/strong>
\nIt\u2019s in the Bag (1945)<\/a> – NO<\/strong>
\nLeave Her to Heaven (1945)<\/a> – NO<\/strong>
\nLost Weekend, The (1945)<\/a> – YES<\/a><\/span><\/a>
\nLove Letters (1945)<\/a> – NO<\/strong>
\nMildred Pierce (1945)<\/a> – YES<\/a><\/span><\/a>
\nMurder, He Says (1945)<\/a> – YES<\/a><\/span><\/a>
\nMy Name is Julia Ross (1945)<\/a> – YES<\/a><\/span><\/a>
\nNaughty Nineties, The (1945)<\/a> – YES<\/a><\/span><\/a>
\nObjective, Burma! (1945)<\/a> – YES<\/a><\/span><\/a>
\nOpen City \/ Rome, Open City (1945)<\/a> – YES<\/a><\/span>
\nOur Vines Have Tender Grapes (1945)<\/a> – YES<\/a><\/span><\/a>
\nPicture of Dorian Gray (1945)<\/a> – NO<\/strong>
\nPride of the Marines (1945)<\/a> – YES<\/a><\/span><\/a>
\nRhapsody in Blue (1945)<\/a> – NO<\/strong>
\nRoad to Utopia (1945)<\/a> – NO<\/strong>
\nScarlet Street (1945)<\/a> – YES<\/a><\/span><\/a>
\nSoutherner, The (1945)<\/a> – NO<\/strong>
\nSpellbound (1945)<\/a> – NO<\/strong>
\nStory of G.I. Joe, The (1945)<\/a> – YES<\/a><\/span><\/a>
\nThey Were Expendable (1945)<\/a> – YES<\/a><\/span><\/a>
\nTree Grows in Brooklyn, A (1945)<\/a> – YES<\/a><\/span><\/a>
\nUncle Harry \/ Strange Affair of Uncle Harry, The (1945)<\/a> – NO<\/strong>
\nWalk in the Sun, A (1945)<\/a> – YES<\/a><\/span><\/a>
\nWay to the Stars, The \/ Johnny in the Clouds (1945)<\/a> – NO<\/strong>
\nZiegfeld Follies (1945)<\/a> – YES<\/a><\/span><\/a>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1946<\/strong>
\n\"\"<\/a>Anna and the King of Siam (1946)<\/a> – NO<\/strong>
\nBeast with Five Fingers, The (1946)<\/a> – YES<\/a><\/span><\/a>
\nBeauty and the Beast (1946)<\/a> – YES<\/a><\/span><\/a>
\nBedlam (1946)<\/a> – YES<\/a><\/span><\/a>
\nBest Years of Our Lives, The (1946)<\/a> – YES<\/a><\/span><\/a>
\nBig Sleep, The (1946)<\/a> – YES<\/a><\/span><\/a>
\nBlue Dahlia, The (1946)<\/a> – YES<\/a><\/span><\/a>
\nBrute Man, The (1946)<\/a> – NO<\/strong>
\nCanyon Passage (1946)<\/a> – NO<\/strong>
\nCloak and Dagger (1946)<\/a> – NO<\/strong>
\nCluny Brown (1946)<\/a> – NO<\/strong>
\nDark Mirror, The (1946)<\/a> – YES<\/a><\/span>
\nDead of Night (1946)<\/a> – YES<\/a><\/span><\/a>
\nDiary of a Chambermaid (1946)<\/a> – NO<\/strong>
\nDuel in the Sun (1946)<\/a> – NO<\/strong>
\nFlying Serpent, The (1946)<\/a> – NO<\/strong>
\nGilda (1946)<\/a> – YES<\/a><\/span><\/a>
\nGreat Expectations (1946)<\/a> – YES<\/a><\/span><\/a>
\nGreen for Danger (1946)<\/a> – YES<\/a><\/span><\/a>
\nHarvey Girls, The (1946)<\/a> – NO<\/strong>
\nHumoresque (1946)<\/a> – NO<\/strong>
\nIt\u2019s a Wonderful Life (1946) – YES<\/a><\/span><\/a>
\nJolson Story, The (1946)<\/a> – NO<\/strong>
\nKid from Brooklyn, The (1946)<\/a> – NO<\/strong>
\nKillers, The (1946)<\/a> – YES<\/a><\/span>
\nLet There Be Light (1946)<\/a> – YES<\/a><\/span>
\nLittle Giant (1946)<\/a> – NO<\/strong>
\nMonsieur Beaucaire (1946)<\/a> – NO<\/strong>
\nMurderers Are Among Us, The (1946)<\/a> – YES<\/a><\/span>
\nMy Darling Clementine (1946)<\/a> – YES<\/a><\/span>
\nNight and Day (1946)<\/a> – NO<\/strong>
\nNotorious (1946)<\/a> – YES<\/a><\/span>
\nPaisan (1946)<\/a> – YES<\/a><\/span>
\nPanique (1946)<\/a> – YES<\/a><\/span>
\nPostman Always Rings Twice, The (1946)<\/a> – YES<\/a><\/span>
\nRazor\u2019s Edge, The (1946)<\/a> – NO<\/strong>
\nScandal in Paris, A \/ Thieves\u2019 Holiday (1946)<\/a> – NO<\/strong>
\nSeventh Veil, The (1946)<\/a> – YES<\/a><\/span><\/a>
\nShoeshine \/ Sciuscia (1946)<\/a> – NO<\/strong>
\nSo Dark the Night (1946)<\/a> – NO<\/strong>
\nSong of the South (1946)<\/a> – YES<\/a><\/span>
\nSpecter of the Rose (1946)<\/a> – NO<\/strong>
\nSpiral Staircase, The (1946)<\/a> – NO<\/strong>
\nStairway to Heaven \/ A Matter of Life and Death (1946)<\/a> – YES<\/a><\/span>
\nStranger, The (1946)<\/a> – YES<\/a><\/span>
\nStrangler of the Swamp (1946)<\/a> – NO<\/strong>
\nThree Strangers (1946)<\/a> – YES<\/a><\/span>
\nTime of Their Lives, The (1946)<\/a> – NO<\/strong>
\nVerdict, The (1946)<\/a> – NO<\/strong>
\nYearling, The (1946)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1947<\/strong>
\n\"\"<\/a>Angel and the Badman (1947)<\/a> – YES<\/a><\/span>
\nBeginning or the End, The (1947)<\/a> – YES<\/a><\/span>
\nBlack Narcissus (1947)<\/a> – YES<\/a><\/span>
\nBody and Soul (1947)<\/a> – YES<\/a><\/span>
\nBoomerang! (1947)<\/a> – YES<\/a><\/span>
\nBorn to Kill (1947)<\/a> – YES<\/a><\/span>
\nBrute Force (1947)<\/a> – NO<\/strong>
\nCrossfire (1947)<\/a> – YES<\/a><\/span>
\nDaisy Kenyon (1947)<\/a> – NO<\/strong>
\nDark Passage (1947)<\/a> – NO<\/strong>
\nDead Reckoning (1947)<\/a> – NO<\/strong>
\nDouble Life, A (1947)<\/a> – YES<\/a><\/span>
\nExile, The (1947)<\/a> – NO<\/strong>
\nFarmer\u2019s Daughter, The (1947)<\/a> – NO<\/strong>
\nForever Amber (1947)<\/a> – NO<\/strong>
\nGentleman\u2019s Agreement (1947)<\/a> – YES<\/a><\/span>
\nGhost and Mrs. Muir, The (1947)<\/a> – YES<\/a><\/span>
\nGood News (1947)<\/a> – NO<\/strong>
\nHucksters, The (1947)<\/a> – NO<\/strong>
\nLady in the Lake (1947)<\/a> – NO<\/strong>
\nLife With Father (1947)<\/a> – NO<\/strong>
\nLiving in a Big Way (1947)<\/a> – NO<\/strong>
\nLured (1947)<\/a> – NO<\/strong>
\nMacomber Affair, The (1947)<\/a> – NO<\/strong>
\nMiracle on 34th Street (1947)<\/a> – YES<\/a><\/span>
\nMonsieur Verdoux (1947)<\/a> – YES<\/a><\/span>
\nMonsieur Vincent (1947)<\/a> – YES<\/a><\/span>
\nMother Wore Tights (1947)<\/a> – NO<\/strong>
\nMy Favorite Brunette (1947)<\/a> – YES<\/a><\/span>
\nNicholas Nickleby (1947)<\/a> – NO<\/strong>
\nNightmare Alley (1947)<\/a> – YES<\/a><\/span>
\nOctober Man, The (1947)<\/a> – NO<\/strong>
\nOdd Man Out (1947)<\/a> – YES<\/a><\/span>
\nOut of the Past (1947)<\/a> – YES<\/a><\/span>
\nParadine Case, The (1947)<\/a> – NO<\/strong>
\nPrivate Affairs of Bel Ami, The (1947)<\/a> – NO<\/strong>
\nPursued (1947)<\/a> – YES<\/a><\/span>
\nRamrod (1947)<\/a> – NO<\/strong>
\nRide the Pink Horse (1947)<\/a> – YES<\/a><\/span>
\nRoad to Rio (1947)<\/a> – NO<\/strong>
\nSecret Life of Walter Mitty, The (1947)<\/a> – YES<\/a><\/span>
\nSenator Was Indiscreet, The (1947)<\/a> – NO<\/strong>
\nSin of Harold Diddleback, The \/ Mad Wednesday (1947)<\/a> – YES<\/a><\/span>
\nT-Men (1947)<\/a> – NO<\/strong>
\nUnconquered (1947)<\/a> – NO<\/strong>
\nUnsuspected, The (1947)<\/a> – YES<\/a><\/span>
\nWoman on the Beach, The (1947)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1948<\/strong>
\n\"\"<\/a>Abbott and Costello Meet Frankenstein (1948)<\/a> – YES<\/a><\/span>
\nBerlin Express (1948)<\/a> – YES<\/a><\/span>
\nBig Clock, The (1948)<\/a> – YES<\/a><\/span>
\nBoy With Green Hair, The (1948)<\/a> – YES<\/a><\/span>
\nCall Northside 777 (1948)<\/a> – YES<\/a><\/span>
\nCreeper, The (1948)<\/a> – NO<\/strong>
\nCry of the City (1948)<\/a> – NO<\/strong>
\nDrunken Angel (1948)<\/a> – YES<\/a><\/span>
\nEaster Parade (1948)<\/a> – YES<\/a><\/span>
\nFallen Idol, The (1948)<\/a> – YES<\/a><\/span>
\nForce of Evil (1948)<\/a> – YES<\/a><\/span>
\nForeign Affair, A (1948)<\/a> – YES<\/a><\/span>
\nFort Apache (1948)<\/a> – YES<\/a><\/span>
\nHamlet (1948)<\/a> – YES<\/a><\/span>
\nI Remember Mama (1948)<\/a> – YES<\/a><\/span>
\nJohnny Belinda (1948)<\/a> – YES<\/a><\/span>
\nKey Largo (1948)<\/a> – YES<\/a><\/span>
\nLady From Shanghai, The (1948)<\/a> – YES<\/a><\/span>
\nLetter From an Unknown Woman (1948)<\/a> – YES<\/a><\/span>
\nLouisiana Story (1948)<\/a> – NO<\/strong>
\nMacbeth (1948)<\/a> – YES<\/a><\/span>
\nMiracle, The (1948)<\/a> – NO<\/strong>
\nMr. Blandings Builds His Dream House (1948)<\/a> – NO<\/strong>
\nMr. Peabody and the Mermaid (1948)<\/a> – NO<\/strong>
\nNaked City, The (1948)<\/a> – NO<\/strong>
\nNight Has a Thousand Eyes (1948)<\/a> – YES<\/a><\/span>
\nOliver Twist (1948)<\/a> – YES<\/a><\/span>
\nPaleface, The (1948)<\/a> – NO<\/strong>
\nParents Terribles, Les (1948)<\/a> – NO<\/strong>
\nPassport to Pimlico (1949)<\/a> – YES<\/a><\/span>
\nPearl, The (1948)<\/a> – NO<\/strong>
\nPirate, The (1948)<\/a> – YES<\/a><\/span>
\nPortrait of Jennie (1948)<\/a> – NO<\/strong>
\nQuartet (1948)<\/a> – YES<\/a><\/span>
\nRaw Deal (1948)<\/a> – YES<\/a><\/span>
\nRed River (1948)<\/a> – YES<\/a><\/span>
\nRed Shoes, The (1948)<\/a> – YES<\/a><\/span>
\nRomance on the High Seas (1948)<\/a> – YES<\/a><\/span>
\nRope (1948)<\/a> – YES<\/a><\/span>
\nRuthless (1948)<\/a> – NO<\/strong>
\nSaxon Charm, The (1948)<\/a> – NO<\/strong>
\nSearch, The (1948)<\/a> – YES<\/a><\/span>
\nSitting Pretty (1948)<\/a> – YES<\/a><\/span>
\nSnake Pit, The (1948)<\/a> – YES<\/a><\/span>
\nSong is Born, A (1948)<\/a> – NO<\/strong>
\nState of the Union (1948)<\/a> – NO<\/strong>
\nTerra Trema, La (1948)<\/a> – YES<\/a><\/span>
\nThat Lady in Ermine (1948)<\/a> – YES<\/a><\/span>
\nThree Godfathers (1948)<\/a> – YES<\/a><\/span>
\nThree Musketeers, The (1948)<\/a> – NO<\/strong>
\nTime of Your Life, The (1948)<\/a> – NO<\/strong>
\nTo the Ends of the Earth (1948)<\/a> – NO<\/strong>
\nTreasure of the Sierra Madre (1948)<\/a> – YES<\/a><\/span>
\nUnfaithfully Yours (1948)<\/a> – NO<\/strong>
\nWoman\u2019s Vengeance, A (1948)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1949<\/strong>
\n\"\"<\/a>Adam\u2019s Rib (1949)<\/a> – YES<\/a><\/span>
\nAll the King\u2019s Men (1949)<\/a> – YES<\/a><\/span>
\nBarkleys of Broadway, The (1949)<\/a> – NO<\/strong>
\nBattleground (1949)<\/a> – YES<\/a><\/span>
\nBeautiful Blonde from Bashful Bend, The (1949)<\/a> – NO<\/strong>
\nBeyond the Forest (1949)<\/a> – NO<\/strong>
\nBicycle Thief, The \/ Bicycle Thieves (1949)<\/a> – YES<\/a><\/span>
\nBlue Lagoon, The (1949)<\/a> – NO<\/strong>
\nCaught (1949)<\/a> – NO<\/strong>
\nChampion (1949)<\/a> – YES<\/a><\/span>
\nColorado Territory (1949)<\/a> – NO<\/strong>
\nConnecticut Yankee in King Arthur\u2019s Court, A (1949)<\/a> – NO<\/strong>
\nEdward, My Son (1949)<\/a> – NO<\/strong>
\nFlamingo Road (1949)<\/a> – YES<\/a><\/span>
\nFountainhead, The (1949)<\/a> – YES<\/a><\/span>
\nGreat Gatsby, The (1949)<\/a> – NO<\/strong>
\nHasty Heart, The (1949)<\/a> – NO<\/strong>
\nHeiress, The (1949)<\/a> – YES<\/a><\/span>
\nHome of the Brave (1949)<\/a> – YES<\/a><\/span>
\nHouse of Strangers (1949)<\/a> – NO<\/strong>
\nI Shot Jesse James (1949)<\/a> – NO<\/strong>
\nI Was a Male War Bride (1949)<\/a> – NO<\/strong>
\nInspector General, The (1949)<\/a> – NO<\/strong>
\nIntruder in the Dust (1949)<\/a> – YES<\/a><\/span>
\nIt Happens Every Spring (1949)<\/a> – NO<\/strong>
\nJour de Fete (1949)<\/a> – NO<\/strong>
\nKid from Cleveland (1949)<\/a> – NO<\/strong>
\nKind Hearts and Coronets (1949)<\/a> – YES<\/a><\/span>
\nKnock on Any Door (1949)<\/a> – NO<\/strong>
\nLate Spring (1949)<\/a> – YES<\/a><\/span>
\nLetter to Three Wives, A (1949)<\/a> – YES<\/a><\/span>
\nLove Happy (1949)<\/a> – NO<\/strong>
\nMadame Bovary (1949)<\/a> – NO<\/strong>
\nMighty Joe Young (1949)<\/a> – YES<\/a><\/span>
\nMy Foolish Heart (1949)<\/a> – NO<\/strong>
\nOn the Town (1949)<\/a> – YES<\/a><\/span>
\nPinky (1949)<\/a> – YES<\/a><\/span>
\nReckless Moment, The (1949)<\/a> – NO<\/strong>
\nRed Pony, The (1949)<\/a> – YES<\/a><\/span>
\nReign of Terror (1949)<\/a> – NO<\/strong>
\nSamson and Delilah (1949)<\/a> – NO<\/strong>
\nSands of Iwo Jima (1949)<\/a> – YES<\/a><\/span>
\nSet-Up, The (1949)<\/a> – YES<\/a><\/span>
\nShe Wore a Yellow Ribbon (1949)<\/a> – YES<\/a><\/span>
\nStratton Story, The (1949)<\/a> – NO<\/strong>
\nStray Dog (1949)<\/a> – YES<\/a><\/span>
\nStromboli (1949)<\/a> – YES<\/a><\/span>
\nTake Me Out to the Ball Game (1949)<\/a> – NO<\/strong>
\nThey Live By Night (1949)<\/a> – YES<\/a><\/span>
\nThieves Highway (1949)<\/a> – YES<\/a><\/span>
\nThird Man, The (1949)<\/a> – YES<\/a><\/span>
\nTight Little Island \/ Whisky Galore (1949)<\/a> – NO<\/strong>
\nTwelve O\u2019Clock High (1949)<\/a> – YES<\/a><\/span>
\nUnder Capricorn (1949)<\/a> – NO<\/strong>
\nUndercover Man, The (1949)<\/a> – NO<\/strong>
\nWhirlpool (1949)<\/a> – NO<\/strong>
\nWhite Heat (1949)<\/a> – YES<\/a><\/span>
\nWindow, The (1949)<\/a> – YES<\/a><\/span>
\nWoman’s Secret, A (1949)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1950<\/strong>
\n\"\"<\/a>All About Eve (1950)<\/a> – YES<\/a><\/span>
\nAsphalt Jungle, The (1950)<\/a> – YES<\/a><\/span>
\nAt War with the Army (1950)<\/a> – NO<\/strong>
\nBaron of Arizona, The (1950)<\/a> – YES<\/a><\/span>
\nBorn Yesterday (1950)<\/a> – YES<\/a><\/span>
\nBreaking Point, The (1950)<\/a> – YES<\/a><\/span>
\nBroken Arrow (1950)<\/a> – YES<\/a><\/span>
\nCaged (1950)<\/a> – YES<\/a><\/span>
\nChained for Life (1950)<\/a> – NO<\/strong>
\nCheaper by the Dozen (1950)<\/a> – NO<\/strong>
\nCinderella (1950)<\/a> – YES<\/a><\/span>
\nD.O.A. (1950)<\/a> – YES<\/a><\/span>
\nDestination Moon (1950)<\/a> – YES<\/a><\/span>
\nDevil\u2019s Doorway (1950)<\/a> – YES<\/a><\/span>
\nDiary of a Country Priest (1950)<\/a> – YES<\/a><\/span>
\nEnfants Terribles, Les (1950)<\/a> – NO<\/strong>
\nFather of the Bride (1950)<\/a> – YES<\/a><\/span>
\nFile on Thelma Jordon, The (1950)<\/a> – NO<\/strong>
\nFlame and the Arrow, The (1950)<\/a> – NO<\/strong>
\nFuries, The (1950)<\/a> – YES<\/a><\/span>
\nGun Crazy \/ Deadly is the Female (1950)<\/a> – YES<\/a><\/span>
\nGunfighter, The (1950)<\/a> – YES<\/a><\/span>
\nHarriet Craig (1950)<\/a> – NO<\/strong>
\nHarvey (1950)<\/a> – YES<\/a><\/span>
\nHouse by the River, The (1950)<\/a> – NO<\/strong>
\nIn a Lonely Place (1950)<\/a> – YES<\/a><\/span>
\nJackie Robinson Story, The (1950)<\/a> – YES<\/a><\/span>
\nKon-Tiki (1950)<\/a> – YES<\/a><\/span>
\nLast Holiday (1950)<\/a> – YES<\/a><\/span>
\nLavender Hill Mob, The (1950)<\/a> – YES<\/a><\/span>
\nMen, The (1950)<\/a> – NO<\/strong>
\nNext Voice You Hear, The (1950)<\/a> – YES<\/a><\/span>
\nNight and the City (1950)<\/a> – YES<\/a><\/span>
\nNo Sad Songs For Me (1950)<\/a> – NO<\/strong>
\nNo Way Out (1950)<\/a> – YES<\/a><\/span>
\nOdette (1950)<\/a> – NO<\/strong>
\nOlvidados, Los \/ Young and the Damned, The (1950)<\/a> – YES<\/a><\/span>
\nOrpheus \/ Orph\u00e9e (1950)<\/a> – YES<\/a><\/span>
\nPanic in the Streets (1950)<\/a> – YES<\/a><\/span>
\nRashomon (1950)<\/a> – YES<\/a><\/span>
\nRio Grande (1950)<\/a> – NO<\/strong>
\nRocketship X-M (1950)<\/a> – NO<\/strong>
\nRonde, La (1950)<\/a> – YES<\/a><\/span>
\nSeven Days to Noon (1950)<\/a> – YES<\/a><\/span>
\nSo Long at the Fair (1950)<\/a> – YES<\/a><\/span>
\nStage Fright (1950)<\/a> – NO<\/strong>
\nStars in My Crown (1950)<\/a> – YES<\/a><\/span>
\nSummer Stock (1950)<\/a> – NO<\/strong>
\nSunset Boulevard (1950)<\/a> – YES<\/a><\/span>
\nTreasure Island (1950)<\/a> – YES<\/a><\/span>
\nVariety Lights (1950)<\/a> – NO<\/strong>
\nWagonmaster (1950)<\/a> – NO<\/strong>
\nWhere the Sidewalk Ends (1950)<\/a> – YES<\/a><\/span>
\nWinchester \u201873 (1950)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1951<\/strong>
\n\"\"<\/a>African Queen, The (1951)<\/a> – YES<\/a><\/span>
\nAmerican in Paris, An (1951)<\/a> – YES<\/a><\/span>
\nAngels in the Outfield (1951)<\/a> – NO<\/strong>
\nBedtime for Bonzo (1951)<\/a> – NO<\/strong>
\nBig Carnival, The \/ Ace in the Hole (1951)<\/a> – YES<\/a><\/span>
\nBride of the Gorilla (1951)<\/a> – NO<\/strong>
\nBullfighter and the Lady, The (1951)<\/a> – YES<\/a><\/span>
\nCaptain Horatio Hornblower (1951)<\/a> – NO<\/strong>
\nChristmas Carol, A (1951)<\/a> – YES<\/a><\/span>
\nCry, the Beloved Country (1951)<\/a> – YES<\/a><\/span>
\nDay the Earth Stood Still, The (1951)<\/a> – YES<\/a><\/span>
\nDeath of a Salesman (1951)<\/a> – YES<\/a><\/span>
\nDetective Story (1951)<\/a> – YES<\/a><\/span>
\nEarly Summer (1951)<\/a> – YES<\/a><\/span>
\nFat Man, The (1951)<\/a> – NO<\/strong>
\nFive (1951)<\/a> – YES<\/a><\/span>
\nFixed Bayonets! (1951)<\/a> – YES<\/a><\/span>
\nFlying Leathernecks (1951)<\/a> – NO<\/strong>
\nForbidden Games (1951)<\/a> – YES<\/a><\/span>
\nHalls of Montezuma (1951)<\/a> – NO<\/strong>
\nHe Ran All the Way (1951)<\/a> – YES<\/a><\/span>
\nI Want You (1951)<\/a> – NO<\/strong>
\nIdiot, The (1951)<\/a> – NO<\/strong>
\nIt\u2019s a Big Country (1951)<\/a> – NO<\/strong>
\nJim Thorpe — All American (1951)<\/a> – YES<\/a><\/span>
\nLittle Big Horn (1951)<\/a> – NO<\/strong>
\nLost One, The \/ Der Verlorene (1951)<\/a> – YES<\/a><\/span>
\nMagic Box, The (1951)<\/a> – NO<\/strong>
\nMan in the White Suit, The (1951)<\/a> – YES<\/a><\/span>
\nMiracle in Milan (1951)<\/a> – YES<\/a><\/span>
\nMiss Julie (1951)<\/a> – NO<\/strong>
\nMy Favorite Spy (1951)<\/a> – NO<\/strong>
\nNo Highway in the Sky (1951)<\/a> – YES<\/a><\/span>
\nOthello (1951)<\/a> – YES<\/a><\/span>
\nOutcast of the Islands (1951)<\/a> – NO<\/strong>
\nPandora and the Flying Dutchman (1951)<\/a> – NO<\/strong>
\nPeople Will Talk (1951)<\/a> – NO<\/strong>
\nPickup (1951)<\/a> – YES<\/a><\/span>
\nPlace in the Sun, A (1951)<\/a> – YES<\/a><\/span>
\nProwler, The (1951)<\/a> – YES<\/a><\/span>
\nQuo Vadis? (1951)<\/a> – NO<\/strong>
\nRed Badge of Courage, The (1951)<\/a> – YES<\/a><\/span>
\nRiver, The (1951)<\/a> – NO<\/strong>
\nRoyal Wedding (1951)<\/a> – NO<\/strong>
\nShow Boat (1951)<\/a> – NO<\/strong>
\nSteel Helmet, The (1951)<\/a> – YES<\/a><\/span>
\nStorm Warning (1951)<\/a> – NO<\/strong>
\nStrangers on a Train (1951)<\/a> – YES<\/a><\/span>
\nStreetcar Named Desire (1951)<\/a> – YES<\/a><\/span>
\nTales of Hoffmann, The (1951)<\/a> – NO<\/strong>
\nTall Target, The (1951)<\/a> – YES<\/a><\/span>
\nThing (From Another World), The (1951)<\/a> – YES<\/a><\/span>
\nTom Brown\u2019s School Days (1951)<\/a> – NO<\/strong>
\nTry and Get Me \/ Sound of Fury, The (1951)<\/a> – YES<\/a><\/span>
\nWestward the Women (1951)<\/a> – YES<\/a><\/span>
\nWhen Worlds Collide (1951)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1952<\/strong>
\n\"\"<\/a>Adventures of Robinson Crusoe \/ Robinson Crusoe (1952)<\/a> – NO<\/strong>
\nBad and the Beautiful, The (1952)<\/a> – NO<\/strong>
\nBela Lugosi Meets the Brooklyn Gorilla (1952)<\/a> – NO<\/strong>
\nBend of the River, The (1952)<\/a> – YES<\/a><\/span>
\nBig Sky, The (1952)<\/a> – YES<\/a><\/span>
\nBreaking the Sound Barrier (1952)<\/a> – NO<\/strong>
\nBwana Devil (1952)<\/a> – NO<\/strong>
\nCarrie (1952)<\/a> – NO<\/strong>
\nCasque d\u2019Or (1952)<\/a> – YES<\/a><\/span>
\nClash By Night (1952)<\/a> – NO<\/strong>
\nCome Back, Little Sheba (1952)<\/a> – YES<\/a><\/span>
\nCrimson Pirate, The (1952)<\/a> – YES<\/a><\/span>
\nDon\u2019t Bother to Knock (1952)<\/a> – NO<\/strong>
\n5 Fingers (1952)<\/a> – YES<\/a><\/span>
\nGolden Coach, The (1952)<\/a> – NO<\/strong>
\nGreatest Show on Earth, The (1952)<\/a> – YES<\/a><\/span>
\nHans Christian Anderson (1952)<\/a> – NO<\/strong>
\nHas Anybody Seen My Gal? (1952)<\/a> – NO<\/strong>
\nHigh Noon (1952)<\/a> – YES<\/a><\/span>
\nIkiru (1952)<\/a> – YES<\/a><\/span>
\nImportance of Being Earnest, The (1952)<\/a> – YES<\/a><\/span>
\nIvanhoe (1952)<\/a> – NO<\/strong>
\nKansas City Confidential (1952)<\/a> – YES<\/a><\/span>
\nLawless Breed, The (1952)<\/a> – NO<\/strong>
\nLife of Oharu, The \/ Life of a Woman By Saikaku, The (1952)<\/a> – YES<\/a><\/span>
\nLimelight (1952)<\/a> – NO<\/strong>
\nLion and the Horse, The (1952)<\/a> – NO<\/strong>
\nLusty Men, The (1952)<\/a> – NO<\/strong>
\nMacao (1952)<\/a> – NO<\/strong>
\nMarrying Kind, The (1952)<\/a> – YES<\/a><\/span>
\nMember of the Wedding, The (1952)<\/a> – YES<\/a><\/span>
\nMonkey Business (1952)<\/a> – NO<\/strong>
\nMoulin Rouge (1952)<\/a> – NO<\/strong>
\nMy Cousin Rachel (1952)<\/a> – NO<\/strong>
\nMy Son John (1952)<\/a> – NO<\/strong>
\nNarrow Margin, The (1952)<\/a> – YES<\/a><\/span>
\nOn Dangerous Ground (1952)<\/a> – YES<\/a><\/span>
\nPark Row (1952)<\/a> – NO<\/strong>
\nPat and Mike (1952)<\/a> – YES<\/a><\/span>
\nPlaisir, Le \/ House of Pleasure (1952)<\/a> – YES<\/a><\/span>
\nPride of St. Louis, The (1952)<\/a> – NO<\/strong>
\nQuiet Man, The (1952)<\/a> – YES<\/a><\/span>
\nRancho Notorious (1952)<\/a> – NO<\/strong>
\nRed Planet Mars (1952)<\/a> – NO<\/strong>
\nRoom for One More (1952)<\/a> – NO<\/strong>
\nRuby Gentry (1952)<\/a> – NO<\/strong>
\nScandal Sheet (1952)<\/a> – NO<\/strong>
\nSingin\u2019 In the Rain (1952)<\/a> – YES<\/a><\/span>
\nSniper, The (1952)<\/a> – NO<\/strong>
\nSon of Paleface (1952)<\/a> – NO<\/strong>
\nStar, The (1952)<\/a> – NO<\/strong>
\nViva Zapata! (1952)<\/a> – NO<\/strong>
\nWait \u2018Til the Sun Shines, Nellie (1952)<\/a> – NO<\/strong>
\nWe Are All Murderers (1952)<\/a> – YES<\/a><\/span>
\nWhat Price Glory (1952)<\/a> – NO<\/strong>
\nWhere\u2019s Charley? (1952)<\/a> – NO<\/strong>
\nWhite Sheik, The (1952)<\/a> – YES<\/a><\/span>
\nWinning Team, The (1952)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1953<\/strong>
\n\"\"<\/a>Anatahan (1953)<\/a> – YES<\/a><\/span>
\nAngel Face (1953)<\/a> – YES<\/a><\/span>
\nBand Wagon, The (1953)<\/a> – YES<\/a><\/span>
\nBeast From 20,000 Fathoms, The (1953)<\/a> – YES<\/a><\/span>
\nBig Heat, The (1953)<\/a> – YES<\/a><\/span>
\nBigamist, The (1953)<\/a> – NO<\/strong>
\nBlue Gardenia, The (1953)<\/a> – NO<\/strong>
\nCat Women of the Moon (1953)<\/a> – YES<\/a><\/span>
\nCrazylegs \/ Zero Hour (1953)<\/a> – NO<\/strong>
\nCry of the Hunted (1953)<\/a> – NO<\/strong>
\nEarrings of Madame De… The \/ Madame De… \/ Diamond Earrings (1953)<\/a> – YES<\/a><\/span>
\n5000 Fingers of Dr. T, The (1953)<\/a> – YES<\/a><\/span>
\nFrom Here to Eternity (1953)<\/a> – YES<\/a><\/span>
\nGeisha, A (1953)<\/a> – YES<\/a><\/span>
\nGenevieve (1953)<\/a> – YES<\/a><\/span>
\nGentlemen Prefer Blondes (1953)<\/a> – YES<\/a><\/span>
\nGlen or Glenda \/ I Led Two Lives \/ I Changed My Sex\/He or She (1953)<\/a> – YES<\/a><\/span>
\nHitch-Hiker, The (1953)<\/a> – YES<\/a><\/span>
\nHondo (1953)<\/a> – YES<\/a><\/span>
\nHouse of Wax (1953)<\/a> – YES<\/a><\/span>
\nHow to Marry a Millionaire (1953)<\/a> – YES<\/a><\/span>
\nI Confess (1953)<\/a> – NO<\/strong>
\nI Vitelloni (1953)<\/a> – YES<\/a><\/span>
\nIndiscretion of an American Wife (1953)<\/a> – NO<\/strong>
\nInvaders From Mars (1953)<\/a> – YES<\/a><\/span>
\nIt Came from Outer Space (1953)<\/a> – YES<\/a><\/span>
\nJulius Caesar (1953)<\/a> – NO<\/strong>
\nKiss Me Kate (1953)<\/a> – YES<\/a><\/span>
\nLili (1953)<\/a> – YES<\/a><\/span>
\nLion Is in the Streets, A (1953)<\/a> – NO<\/strong>
\nLittle Kidnappers, The (1953)<\/a> – NO<\/strong>
\nLiving Desert, The (1953)<\/a> – NO<\/strong>
\nMan Between, The (1953)<\/a> – YES<\/a><\/span>
\nMan from the Alamo, The<\/a> (1953) – NO<\/strong>
\nMaze, The (1953)<\/a> – NO<\/strong>
\nMogambo (1953)<\/a> – NO<\/strong>
\nMoon is Blue, The (1953)<\/a> – NO<\/strong>
\nMr. Hulot\u2019s Holiday (1953)<\/a> – YES<\/a><\/span>
\nNaked Jungle, The (1953)<\/a> – NO<\/strong>
\nNaked Night, The \/ Sawdust and Tinsel (1953)<\/a> – YES<\/a><\/span>
\nNaked Spur, The (1953)<\/a> – YES<\/a><\/span>
\nNiagara (1953)<\/a> – YES<\/a><\/span>
\nPeter Pan (1953)<\/a> – NO<\/strong>
\nPickup on South Street (1953)<\/a> – YES<\/a><\/span>
\nRobe, The (1953)<\/a> – NO<\/strong>
\nRobot Monster \/ Monsters From the Moon (1953)<\/a> – YES<\/a><\/span>
\nRoman Holiday (1953)<\/a> – YES<\/a><\/span>
\nScared Stiff (1953)<\/a> – NO<\/strong>
\nShane (1953)<\/a> – YES<\/a><\/span>
\nStalag 17 (1953)<\/a> – YES<\/a><\/span>
\nSun Shines Bright, The (1953)<\/a> – NO<\/strong>
\nThunder Bay (1953)<\/a> – NO<\/strong>
\nTitanic (1953)<\/a> – YES<\/a><\/span>
\nTokyo Story (1953)<\/a> – YES<\/a><\/span>
\nTwonky, The (1953)<\/a> – YES<\/a><\/span>
\nUgetsu \/ Ugetsu Monogatari (1953)<\/a> – YES<\/a><\/span>
\nWages of Fear, The \/ Salaire de la Peur, La (1953)<\/a> – YES<\/a><\/span>
\nWar of the Worlds, The (1953)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1954<\/strong>
\n\"\"<\/a>Animal Farm (1954)<\/a> – YES<\/a><\/span>
\nBad Day at Black Rock (1954)<\/a> – YES<\/a><\/span>
\nBait (1954)<\/a> – NO<\/strong>
\nBarefoot Contessa, The (1954)<\/a> – NO<\/strong>
\nBeat the Devil (1953)<\/a> – YES<\/a><\/span>
\nCaine Mutiny, The (1954)<\/a> – YES<\/a><\/span>
\nCarmen Jones (1954)<\/a> – YES<\/a><\/span>
\nCattle Queen of Montana (1954)<\/a> – NO<\/strong>
\nCommand, The (1954)<\/a> – NO<\/strong>
\nCountry Girl, The (1954)<\/a> – NO<\/strong>
\nCreature From the Black Lagoon (1954)<\/a> – YES<\/a><\/span>
\nDesiree (1954)<\/a> – NO<\/strong>
\nDetective, The \/ Father Brown (1954)<\/a> – NO<\/strong>
\nDial M For Murder (1954)<\/a> – NO<\/strong>
\nDoctor in the House (1954)<\/a> – NO<\/strong>
\nDragnet (1954)<\/a> – NO<\/strong>
\nFar Country, The (1954)<\/a> – NO<\/strong>
\nGate of Hell (1954)<\/a> – YES<\/a><\/span>
\nGlenn Miller Story, The (1954)<\/a> – NO<\/strong>
\nGo, Man, Go (1954)<\/a> – YES<\/a><\/span>
\nGorilla at Large (1954)<\/a> – NO<\/strong>
\nHell and High Water (1954)<\/a> – NO<\/strong>
\nHigh and the Mighty, The (1954)<\/a> – NO<\/strong>
\nHobson\u2019s Choice (1954)<\/a> – YES<\/a><\/span>
\nHuman Desire (1954)<\/a> – YES<\/a><\/span>
\nIt Should Happen to You (1954)<\/a> – YES<\/a><\/span>
\nJail Bait (1954)<\/a> – NO<\/strong>
\nJohnny Guitar (1954)<\/a> – YES<\/a><\/span>
\nKnock on Wood (1954)<\/a> – NO<\/strong>
\nLate Chrysanthemums (1954)<\/a> – NO<\/strong>
\nLong, Long Trailer, The (1954)<\/a> – YES<\/a><\/span>
\nMagnificent Obsession (1954)<\/a> – NO<\/strong>
\nOn the Waterfront (1954)<\/a> – YES<\/a><\/span>
\nPhantom of the Rue Morgue (1954)<\/a> – NO<\/strong>
\nPhffft (1954)<\/a> – NO<\/strong>
\nPrivate Hell 36 (1954)<\/a> – NO<\/strong>
\nPurple Plain, The (1954)<\/a> – NO<\/strong>
\nRear Window (1954)<\/a> – YES<\/a><\/span>
\nRed and the Black, The (1954)<\/a> – NO<\/strong>
\nRiot in Cell Block 11 (1954)<\/a> – YES<\/a><\/span>
\nRiver of No Return (1954)<\/a> – NO<\/strong>
\nSabrina (1954)<\/a> – NO<\/strong>
\nSalt of the Earth (1954)<\/a> – YES<\/a><\/span>
\nSansho, The Bailiff \/ Bailiff, The (1954)<\/a> – YES<\/a><\/span>
\nSenso (1954)<\/a> – YES<\/a><\/span>
\nSeven Brides for Seven Brothers (1954)<\/a> – YES<\/a><\/span>
\nSeven Samurai, The \/ Magnificent Seven, The (1954)<\/a> – YES<\/a><\/span>
\nSilver Chalice, The (1954)<\/a> – NO<\/strong>
\nSilver Lode (1954)<\/a> – YES<\/a><\/span>
\nStar is Born, A (1954)<\/a> – YES<\/a><\/span>
\nStrada, La (1954)<\/a> – YES<\/a><\/span>
\nSuddenly (1954)<\/a> – YES<\/a><\/span>
\nThem! (1954)<\/a> – YES<\/a><\/span>
\nThere\u2019s No Business Like Show Business (1954)<\/a> – NO<\/strong>
\nThis Island Earth (1954)<\/a> – YES<\/a><\/span>
\n20,000 Leagues Under the Sea (1954)<\/a> – NO<\/strong>
\nUlysses (1954)<\/a> – NO<\/strong>
\nVera Cruz (1954)<\/a> – YES<\/a><\/span>
\nVoyage to Italy (1954)<\/a> – YES<\/a><\/span>
\nWhite Christmas (1954)<\/a> – YES<\/a><\/span>
\nWild One, The (1954)<\/a> – NO<\/strong>
\nWuthering Heights (1954)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1955<\/strong>
\n\"\"<\/a>All That Heaven Allows (1955)<\/a> – YES<\/a><\/span>
\nArtists and Models (1955)<\/a> – YES<\/a><\/span>
\nBattle Cry (1955)<\/a> – NO<\/strong>
\nBelles of St. Trinian\u2019s (1955)<\/a> – NO<\/strong>
\nBig Combo, The (1955)<\/a> – YES<\/a><\/span>
\nBig Knife, The (1955)<\/a> – YES<\/a><\/span>
\nBlackboard Jungle, The (1955)<\/a> – YES<\/a><\/span>
\nCobweb, The (1955)<\/a> – NO<\/strong>
\nConquest of Space (1955)<\/a> – NO<\/strong>
\nCourt Jester, The (1955)<\/a> – YES<\/a><\/span>
\nDaddy Long Legs (1955)<\/a> – NO<\/strong>
\nDavy Crockett, King of the Wild Frontier (1955)<\/a> – NO<\/strong>
\nDeath of a Cyclist \/ Age of Infidelity (1955)<\/a> – YES<\/a><\/span>
\nDesperate Hours, The (1955)<\/a> – NO<\/strong>
\nDiabolique \/ Diaboliques, Les\/Fiends, The (1955)<\/a> – YES<\/a><\/span>
\nEast of Eden (1955)<\/a> – NO<\/strong>
\nFemale Jungle \/ Hangover (1955)<\/a> – NO<\/strong>
\nFive Against the House (1955)<\/a> – NO<\/strong>
\nFloating Clouds (1955)<\/a> – YES<\/a><\/span>
\nFootsteps in the Fog (1955)<\/a> – NO<\/strong>
\nFrench Cancan (1955)<\/a> – NO<\/strong>
\nGuys and Dolls (1955)<\/a> – YES<\/a><\/span>
\nHold Back Tomorrow (1955)<\/a> – NO<\/strong>
\nHouse of Bamboo (1955)<\/a> – YES<\/a><\/span>
\nI Am a Camera (1955)<\/a> – NO<\/strong>
\nIt Came from Beneath the Sea (1955)<\/a> – YES<\/a><\/span>
\nIt\u2019s Always Fair Weather (1955)<\/a> – NO<\/strong>
\nKid for Two Farthings, A (1955)<\/a> – NO<\/strong>
\nKiller\u2019s Kiss (1955)<\/a> – NO<\/strong>
\nKiss Me Deadly (1955)<\/a> – YES<\/a><\/span>
\nLady and the Tramp (1955)<\/a> – NO<\/strong>
\nLadykillers, The (1955)<\/a> – YES<\/a><\/span>
\nLand of the Pharaohs (1955)<\/a> – YES<\/a><\/span>
\nLast Frontier, The (1955)<\/a> – NO<\/strong>
\nLola Mont\u00e9s \/ Sins of Lola Mont\u00e9s, The (1955)<\/a> – YES<\/a><\/span>
\nLong Gray Line, The (1955)<\/a> – NO<\/strong>
\nLove Me or Leave Me (1955)<\/a> – YES<\/a><\/span>
\nMagnificent Matador, The (1955)<\/a> – NO<\/strong>
\nMan From Laramie, The (1955)<\/a> – NO<\/strong>
\nMan With the Golden Arm, The (1955)<\/a> – YES<\/a><\/span>
\nMarty (1955)<\/a> – YES<\/a><\/span>
\nMister Roberts (1955)<\/a> – NO<\/strong>
\nMr. Arkadin \/ Confidential Report (1955)<\/a> – NO<\/strong>
\nMy Sister Eileen (1955)<\/a> – YES<\/a><\/span>
\nNaked Dawn, The (1955)<\/a> – YES<\/a><\/span>
\nNight of the Hunter, The (1955)<\/a> – YES<\/a><\/span>
\nOklahoma! (1955)<\/a> – NO<\/strong>
\nOrdet \/ Word, The (1955)<\/a> – YES<\/a><\/span>
\nPather Panchali (1955)<\/a> – YES<\/a><\/span>
\nPete Kelly\u2019s Blues (1955)<\/a> – NO<\/strong>
\nPhenix City Story, The (1955)<\/a> – YES<\/a><\/span>
\nPicnic (1955)<\/a> – NO<\/strong>
\nPrincess Yang Kwei Fei \/ Yang Kwei Fei\/Princess Yang, The (1955)<\/a> – YES<\/a><\/span>
\nRebel Without a Cause (1955)<\/a> – YES<\/a><\/span>
\nRevenge of the Creature (1955)<\/a> – NO<\/strong>
\nRififi (1955)<\/a> – YES<\/a><\/span>
\nRose Tattoo, The (1955)<\/a> – YES<\/a><\/span>
\nRun for Cover (1955)<\/a> – NO<\/strong>
\nSeven Little Foys, The (1955)<\/a> – NO<\/strong>
\nSeven Year Itch, The (1955)<\/a> – YES<\/a><\/span>
\nShack Out on 101 (1955)<\/a> – YES<\/a><\/span>
\nSilent World, The (1955)<\/a> – YES<\/a><\/span>
\nSmiles of a Summer Night (1955)<\/a> – YES<\/a><\/span>
\nStranger on Horseback (1955)<\/a> – YES<\/a><\/span>
\nStrategic Air Command (1955)<\/a> – NO<\/strong>
\nStreet of Shame (1955)<\/a> – YES<\/a><\/span>
\nSwamp Women (1955)<\/a> – NO<\/strong>
\nTarantula (1955)<\/a> – YES<\/a><\/span>
\nTight Spot (1955)<\/a> – NO<\/strong>
\nTo Catch a Thief (1955)<\/a> – NO<\/strong>
\nTo Hell and Back (1955)<\/a> – NO<\/strong>
\nTrouble With Harry, The (1955)<\/a> – YES<\/a><\/span>
\nUmberto D. (1952)<\/a> – YES<\/a><\/span>
\nWichita (1955)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1956<\/strong>
\n\"\"<\/a>Aparajito (1956)<\/a> – YES<\/a><\/span>
\nAround the World in Eighty Days (1956)<\/a> – YES<\/a><\/span>
\nAttack! (1956)<\/a> – YES<\/a><\/span>
\nBaby Doll (1956)<\/a> – YES<\/a><\/span>
\nBad Girl (1956)<\/a> – NO<\/strong>
\nBad Seed, The (1956)<\/a> – YES<\/a><\/span>
\nBetween Heaven and Hell (1956)<\/a> – NO<\/strong>
\nBeyond a Reasonable Doubt (1956)<\/a> – NO<\/strong>
\nBigger Than Life (1956)<\/a> – YES<\/a><\/span>
\nBob le Flambeur (1956)<\/a> – YES<\/a><\/span>
\nBride of the Monster \/ Bride of the Atom (1956)<\/a> – NO<\/strong>
\nBus Stop \/ Wrong Kind of Girl, The (1956)<\/a> – NO<\/strong>
\nCarousel (1956)<\/a> – NO<\/strong>
\nConqueror, The (1956)<\/a> – YES<\/a><\/span>
\nCreeping Unknown, The \/ Quatermass Experiment, The (1956)<\/a> – YES<\/a><\/span>
\nCrime in the Streets (1956)<\/a> – NO<\/strong>
\nDay the World Ended (1956)<\/a> – NO<\/strong>
\nEarth Vs. the Flying Saucers (1956)<\/a> – YES<\/a><\/span>
\nEdge of Hell (1956)<\/a> – NO<\/strong>
\nForbidden Planet (1956)<\/a> – YES<\/a><\/span>
\nFriendly Persuasion (1956)<\/a> – YES<\/a><\/span>
\nGervaise (1956)<\/a> – NO<\/strong>
\nGiant (1956)<\/a> – YES<\/a><\/span>
\nGirl Can\u2019t Help It, The (1956)<\/a> – YES<\/a><\/span>
\nGodzilla, King of the Monsters (1956)<\/a> – YES<\/a><\/span>
\nGreat Day in the Morning (1956)<\/a> – NO<\/strong>
\nGreat Locomotive Chase, The (1956)<\/a> – NO<\/strong>
\nGreen Man, The (1956)<\/a> – NO<\/strong>
\nGunslinger (1956)<\/a> – NO<\/strong>
\nHarder They Fall, The (1956)<\/a> – YES<\/a><\/span>
\nHarp of Burma (1956)<\/a> – YES<\/a><\/span>
\nHigh Society (1956)<\/a> – NO<\/strong>
\nHollywood or Bust (1956)<\/a> – NO<\/strong>
\nInvasion of the Body Snatchers (1956)<\/a> – YES<\/a><\/span>
\nIt Conquered the World (1956)<\/a> – YES<\/a><\/span>
\nKilling, The (1956)<\/a> – YES<\/a><\/span>
\nKing and I, The (1956)<\/a> – YES<\/a><\/span>
\nKiss Before Dying, A (1956)<\/a> – NO<\/strong>
\nLove Me Tender (1956)<\/a> – NO<\/strong>
\nLust for Life (1956)<\/a> – YES<\/a><\/span>
\nMan Who Knew Too Much, The (1956)<\/a> – YES<\/a><\/span>
\nMoby Dick (1956)<\/a> – YES<\/a><\/span>
\nMystery of Picasso, The (1956)<\/a> – YES<\/a><\/span>
\n1984 (1956)<\/a> – YES<\/a><\/span>
\nPardners (1956)<\/a> – NO<\/strong>
\nPlan 9 From Outer Space \/ Grave Robbers From Outer Space (1956)<\/a> – YES<\/a><\/span>
\nRainmaker, The (1956)<\/a> – NO<\/strong>
\nRichard III (1956)<\/a> – YES<\/a><\/span>
\nRock Around the Clock (1956)<\/a> – YES<\/a><\/span>
\nRock, Rock, Rock! (1956)<\/a> – NO<\/strong>
\nSearch for Bridey Murphy, The (1956)<\/a> – NO<\/strong>
\nSearchers, The (1956)<\/a> – YES<\/a><\/span>
\nSeven Men From Now (1956)<\/a> – YES<\/a><\/span>
\nSeventh Seal, The (1956)<\/a> – YES<\/a><\/span>
\nSolid Gold Cadillac, The (1956)<\/a> – NO<\/strong>
\nSomebody Up There Likes Me (1956)<\/a> – NO<\/strong>
\nTeahouse of the August Moon, The (1956)<\/a> – NO<\/strong>
\nTen Commandments, The (1956)<\/a> – YES<\/a><\/span>
\nWar and Peace (1956)<\/a> – NO<\/strong>
\nWee Geordie (1956)<\/a> – NO<\/strong>
\nWhile the City Sleeps (1956)<\/a> – NO<\/strong>
\nWritten on the Wind (1956)<\/a> – YES<\/a><\/span>
\nWrong Man, The (1956)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1957<\/strong>
\n\"\"<\/a>Affair to Remember, An (1957)<\/a> – YES<\/a><\/span>
\nAmazing Colossal Man, The (1957)<\/a> – NO<\/strong>
\n\u2026 And God Created Woman\/And Woman\u2026 Was Created (1957)<\/a> – YES<\/a><\/span>
\nAttack of the Crab Monsters (1957)<\/a> – NO<\/strong>
\nBaby Face Nelson (1957)<\/a> – NO<\/strong>
\nBattle Hymn (1957)<\/a> – NO<\/strong>
\nBeau James: The Life and Times of Jimmy Walker (1957)<\/a> – NO<\/strong>
\nBeginning of the End (1957)<\/a> – NO<\/strong>
\nBitter Victory (1957)<\/a> – NO<\/strong>
\nBrain from Planet Arous, The (1957)<\/a> – NO<\/strong>
\nBridge on the River Kwai, The (1957)<\/a> – YES<\/a><\/span>
\nBrothers Rico, The (1957)<\/a> – YES<\/a><\/span>
\nBurglar, The (1957)<\/a> – NO<\/strong>
\nChina Gate (1957)<\/a> – NO<\/strong>
\nCranes Are Flying, The (1957)<\/a> – YES<\/a><\/span>
\nCurse of Frankenstein, The (1957)<\/a> – NO<\/strong>
\nDaughter of Dr. Jekyll (1957)<\/a> – NO<\/strong>
\nDecision at Sundown (1957)<\/a> – YES<\/a><\/span>
\nDelinquents, The (1957)<\/a> – NO<\/strong>
\nDesigning Woman (1957)<\/a> – NO<\/strong>
\nDesk Set (1957)<\/a> – NO<\/strong>
\nD.I., The (1957)<\/a> – YES<\/a><\/span>
\nDon\u2019t Knock the Rock (1957)<\/a> – NO<\/strong>
\nEdge of the City (1957)<\/a> – YES<\/a><\/span>
\nFace in the Crowd, A (1957)<\/a> – YES<\/a><\/span>
\nFear Strikes Out (1957)<\/a> – YES<\/a><\/span>
\nForty Guns (1957)<\/a> – NO<\/strong>
\nFunny Face (1957)<\/a> – YES<\/a><\/span>
\nGunfight at the O.K. Corral (1957)<\/a> – NO<\/strong>
\nHatful of Rain, A (1957)<\/a> – NO<\/strong>
\nHe Who Must Die (1957)<\/a> – NO<\/strong>
\nHeaven Knows, Mr. Allison (1957)<\/a> – YES<\/a><\/span>
\nHelen Morgan Story, The (1957)<\/a> – NO<\/strong>
\nHellcats of the Navy (1957)<\/a> – NO<\/strong>
\nI Was a Teenage Werewolf (1957)<\/a> – NO<\/strong>
\nIncredible Shrinking Man, The (1957)<\/a> – YES<\/a><\/span>
\nInvisible Boy, The (1957)<\/a> – YES<\/a><\/span>
\nInvitation to the Dance (1957)<\/a> – YES<\/a><\/span>
\nJailhouse Rock (1957)<\/a> – NO<\/strong>
\nJames Dean Story, The (1957)<\/a> – YES<\/a><\/span>
\nJeanne Eagels (1957)<\/a> – NO<\/strong>
\nJet Pilot (1957)<\/a> – NO<\/strong>
\nKanal (1957)<\/a> – YES<\/a><\/span>
\nKing in New York, A (1957)<\/a> – NO<\/strong>
\nKronos (1957)<\/a> – NO<\/strong>
\nLegend of the Lost (1957)<\/a> – NO<\/strong>
\nLizzie (1957)<\/a> – YES<\/a><\/span>
\nLove in the Afternoon (1957)<\/a> – NO<\/strong>
\nLoving You (1957)<\/a> – NO<\/strong>
\nLower Depths, The (1957)<\/a> – NO<\/strong>
\nMan of a Thousand Faces (1957)<\/a> – YES<\/a><\/span>
\nMister Rock and Roll (1957)<\/a> – NO<\/strong>
\nNight of the Demon \/ Curse of the Demon (1957)<\/a> – YES<\/a><\/span>
\nNight Passage (1957)<\/a> – NO<\/strong>
\nNightfall (1957)<\/a> – NO<\/strong>
\nNights of Cabiria (1957)<\/a> – YES<\/a><\/span>
\nNot of This Earth (1957)<\/a> – YES<\/a><\/span>
\nOld Yeller (1957)<\/a> – YES<\/a><\/span>
\nPajama Game, The (1957)<\/a> – YES<\/a><\/span>
\nPaths of Glory (1957)<\/a> – YES<\/a><\/span>
\nPeyton Place (1957)<\/a> – NO<\/strong>
\nPrince and the Showgirl, The (1957)<\/a> – NO<\/strong>
\nRaintree County (1957)<\/a> – NO<\/strong>
\nRestless Breed, The (1957)<\/a> – NO<\/strong>
\nRiver\u2019s Edge, The (1957)<\/a> – NO<\/strong>
\nRodan \/ Rodan, The Flying Reptile (1957)<\/a> – NO<\/strong>
\nRun of the Arrow (1957)<\/a> – YES<\/a><\/span>
\nSad Sack, The (1957)<\/a> – NO<\/strong>
\nSaint Joan (1957)<\/a> – NO<\/strong>
\nSayonara (1957)<\/a> – NO<\/strong>
\nSea Wife (1957)<\/a> – NO<\/strong>
\nSilk Stockings (1957)<\/a> – NO<\/strong>
\nSmallest Show on Earth, The (1957)<\/a> – NO<\/strong>
\nSpirit of St. Louis, The (1957)<\/a> – NO<\/strong>
\nStory of Mankind, The (1957)<\/a> – YES<\/a><\/span>
\nStrange One, The (1957)<\/a> – YES<\/a><\/span>
\nSun Also Rises, The (1957)<\/a> – NO<\/strong>
\nSweet Smell of Success (1957)<\/a> – YES<\/a><\/span>
\nTall T, The (1957)<\/a> – YES<\/a><\/span>
\nTattered Dress, The (1957)<\/a> – NO<\/strong>
\nThree Faces of Eve, The (1957)<\/a> – YES<\/a><\/span>
\n3:10 to Yuma (1957)<\/a> – YES<\/a><\/span>
\nThrone of Blood (1957)<\/a> – YES<\/a><\/span>
\nTin Star, The (1957)<\/a> – NO<\/strong>
\nTrue Story of Jesse James, The (1957)<\/a> – NO<\/strong>
\n12 Angry Men (1957)<\/a> – YES<\/a><\/span>
\n20 Million Miles to Earth (1957)<\/a> – NO<\/strong>
\n27th Day, The (1957)<\/a> – YES<\/a><\/span>
\nUndead, The (1957)<\/a> – NO<\/strong>
\nUntamed Youth (1957)<\/a> – NO<\/strong>
\nWayward Bus, The (1957)<\/a> – NO<\/strong>
\nWild Strawberries (1957)<\/a> – YES<\/a><\/span>
\nWill Success Spoil Rock Hunter? (1957)<\/a> – YES<\/a><\/span>
\nWings of Eagles, The (1957)<\/a> – NO<\/strong>
\nWitness for the Prosecution (1957)<\/a> – YES<\/a><\/span>
\nYour Past is Showing (1957)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1958<\/strong>
\n\"\"<\/a>Ashes and Diamonds (1958)<\/a> – YES<\/a><\/span>
\nAttack of the 50 Ft. Woman (1958)<\/a> – YES<\/a><\/span>
\nBadman\u2019s Country (1958)<\/a> – NO<\/strong>
\nBeau Serge, Le (1958)<\/a> – YES<\/a><\/span>
\nBell, Book and Candle (1958)<\/a> – NO<\/strong>
\nBig Beat, The (1958)<\/a> – NO<\/strong>
\nBig Country, The (1958)<\/a> – NO<\/strong>
\nBig Deal on Madonna Street (1958)<\/a> – NO<\/strong>
\nBlob, The (1958)<\/a> – YES<\/a><\/span>
\nBonjour Tristesse (1958)<\/a> – NO<\/strong>
\nBonnie Parker Story, The (1958)<\/a> – YES<\/a><\/span>
\nBuchanan Rides Alone (1958)<\/a> – NO<\/strong>
\nCase Against Brooklyn, The (1958)<\/a> – NO<\/strong>
\nCat on a Hot Tin Roof (1958)<\/a> – NO<\/strong>
\nColossus of New York, The (1958)<\/a> – NO<\/strong>
\nCool and the Crazy, The (1958)<\/a> – NO<\/strong>
\nCry Terror! (1958)<\/a> – NO<\/strong>
\nDefiant Ones, The (1958)<\/a> – YES<\/a><\/span>
\nFabulous World of Jules Verne, The (1958)<\/a> – YES<\/a><\/span>
\nFiend Without a Face (1958)<\/a> – NO<\/strong>
\nFly, The (1958)<\/a> – YES<\/a><\/span>
\nFrom the Earth to the Moon (1958)<\/a> – NO<\/strong>
\nGigi (1958)<\/a> – YES<\/a><\/span>
\nGoddess, The (1958)<\/a> – YES<\/a><\/span>
\nGod\u2019s Little Acre (1958)<\/a> – NO<\/strong>
\nGunman\u2019s Walk (1958)<\/a> – YES<\/a><\/span>
\nHercules (1958)<\/a> – YES<\/a><\/span>
\nHidden Fortress, The \/ Three Bad Men in a Hidden Fortress (1958)<\/a> – YES<\/a><\/span>
\nHigh School Confidential (1958)<\/a> – YES<\/a><\/span>
\nHorror of Dracula \/ Dracula (1958)<\/a> – NO<\/strong>
\nHorse\u2019s Mouth, The (1958)<\/a> – YES<\/a><\/span>
\nHouse on Haunted Hill (1958)<\/a> – YES<\/a><\/span>
\nI Bury the Living (1958)<\/a> – YES<\/a><\/span>
\nI Married a Monster From Outer Space (1958)<\/a> – YES<\/a><\/span>
\nI Want to Live (1958)<\/a> – YES<\/a><\/span>
\nIndiscreet (1958)<\/a> – NO<\/strong>
\nInn of the Sixth Happiness, The (1958)<\/a> – NO<\/strong>
\nIt! The Terror from Beyond Space (1958)<\/a> – YES<\/a><\/span>
\nIvan the Terrible, Part II (The Boyars\u2019 Plot) (1958)<\/a> – YES<\/a><\/span><\/a>
\nKing Creole (1958)<\/a> – YES<\/a><\/span>
\nLast Hurrah, The (1958)<\/a> – NO<\/strong>
\nLeft-Handed Gun, The (1958)<\/a> – NO<\/strong>
\nLineup, The (1958)<\/a> – NO<\/strong>
\nLong, Hot Summer, The (1958)<\/a> – NO<\/strong>
\nLovers, The (1958)<\/a> – YES<\/a><\/span>
\nMacabre (1958)<\/a> – NO<\/strong>
\nMachine Gun Kelly (1958)<\/a> – NO<\/strong>
\nMagician, The (1958)<\/a> – YES<\/a><\/span>
\nMan of the West (1958)<\/a> – YES<\/a><\/span>
\nMe and the Colonel (1958)<\/a> – NO<\/strong>
\nMon Oncle (1958)<\/a> – NO<\/strong>
\nMonster on the Campus (1958)<\/a> – NO<\/strong>
\nMurder by Contract (1958)<\/a> – YES<\/a><\/span>
\nMusic Room, The (1958)<\/a> – NO<\/strong>
\nNaked and the Dead, The (1958)<\/a> – NO<\/strong>
\nNight to Remember, A (1958)<\/a> – YES<\/a><\/span>
\nOld Man and the Sea, The (1958)<\/a> – NO<\/strong>
\nParty Girl (1958)<\/a> – NO<\/strong>
\nQueen of Outer Space (1958)<\/a> – YES<\/a><\/span>
\nQuiet American, The (1958)<\/a> – NO<\/strong>
\nSt. Louis Blues (1958)<\/a> – NO<\/strong>
\nScreaming Mimi (1958)<\/a> – YES<\/a><\/span>
\nSeparate Tables (1958)<\/a> – NO<\/strong>
\n7th Voyage of Sinbad, The (1958)<\/a> – YES<\/a><\/span>
\nSome Came Running (1958)<\/a> – NO<\/strong>
\nSouth Pacific (1958)<\/a> – NO<\/strong>
\nTamango (1958)<\/a> – YES<\/a><\/span>
\nTarnished Angels, The (1958)<\/a> – NO<\/strong>
\nTerror in a Texas Town (1958)<\/a> – NO<\/strong>
\nThunder Road (1958)<\/a> – YES<\/a><\/span>
\nTime to Love and a Time to Die, A (1958)<\/a> – NO<\/strong>
\nTom Thumb (1958)<\/a> – NO<\/strong>
\nTouch of Evil (1958)<\/a> – YES<\/a><\/span>
\nVertigo (1958)<\/a> – YES<\/a><\/span>
\nVikings, The (1958)<\/a> – NO<\/strong>
\nWild Women of Wongo (1958)<\/a> – NO<\/strong>
\nWind Across the Everglades (1958)<\/a> – NO<\/strong>
\nYoung Lions, The (1958)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1959<\/strong>
\n\"\"<\/a>Anatomy of a Murder (1959)<\/a> – YES<\/a><\/span>
\nAttack of the Giant Leeches (1959)<\/a> – YES<\/a><\/span>
\nBallad of a Soldier (1959)<\/a> – YES<\/a><\/span>
\nBeat Generation, The (1959)<\/a> – NO<\/strong>
\nBen-Hur (1959)<\/a> – YES<\/a><\/span>
\nBlack Orpheus (1959)<\/a> – YES<\/a><\/span>
\nBridge, The (1959)<\/a> – YES<\/a><\/span>
\nBucket of Blood, A (1959)<\/a> – YES<\/a><\/span>
\nCaltiki, the Immortal Monster (1959)<\/a> – NO<\/strong>
\nCome Back, Africa (1959)<\/a> – YES<\/a><\/span>
\nCompulsion (1959)<\/a> – YES<\/a><\/span>
\nCousins, Les (1959)<\/a> – YES<\/a><\/span>
\nCrimson Kimono, The (1959)<\/a> – YES<\/a><\/span>
\nCry Tough (1959)<\/a> – NO<\/strong>
\nCuban Rebel Girls (1959)<\/a> – NO<\/strong>
\nDarby O\u2019Gill and the Little People (1959)<\/a> – YES<\/a><\/span>
\nDevil\u2019s Disciple (1959)<\/a> – NO<\/strong>
\nDiary of Anne Frank, The (1959)<\/a> – NO<\/strong>
\nEdge of Eternity (1959)<\/a> – NO<\/strong>
\nEyes Without a Face \/ Horror Chamber of Dr. Faustus, The \/ Yeux San Visage, Les (1959)<\/a> – YES<\/a><\/span>
\nFace of Fire (1959)<\/a> – NO<\/strong>
\nFires on the Plain (1959)<\/a> – YES<\/a><\/span>
\nFloating Weeds \/ Drifting Weeds (1959)<\/a> – NO<\/strong>
\n4D Man (1959)<\/a> – NO<\/strong>
\n400 Blows, The (1959)<\/a> – YES<\/a><\/span>
\nFrankenstein\u2019s Daughter (1959)<\/a> – NO<\/strong>
\nGiant Behemoth, The (1959)<\/a> – NO<\/strong>
\nGidget (1959)<\/a> – NO<\/strong>
\nGirls Town \/ Innocent and the Damned (1959)<\/a> – YES<\/a><\/span>
\nGo, Johnny, Go! (1959)<\/a> – NO<\/strong>
\nHanging Tree, The (1959)<\/a> – YES<\/a><\/span>
\nHideous Sun Demon, The (1959)<\/a> – NO<\/strong>
\nHiroshima Mon Amour (1959)<\/a> – YES<\/a><\/span>
\nHorse Soldiers, The (1959)<\/a> – NO<\/strong>
\nHound-Dog Man (1959)<\/a> – NO<\/strong>
\nHound of the Baskervilles, The (1959)<\/a> – NO<\/strong>
\nI\u2019m All Right, Jack (1959)<\/a> – NO<\/strong>
\nImitation of Life (1959)<\/a> – YES<\/a><\/span>
\nImmoral Mr. Teas, The (1959)<\/a> – NO<\/strong>
\nInvisible Invaders (1959)<\/a> – NO<\/strong>
\nJazz on a Summer\u2019s Day (1959)<\/a> – YES<\/a><\/span>
\nJourney to the Center of the Earth (1959)<\/a> – NO<\/strong>
\nKey, The \/ Kagi (1959)<\/a> – YES<\/a><\/span>
\nKiller Shrews, The (1959)<\/a> – YES<\/a><\/span>
\nLast Angry Man, The (1959)<\/a> – YES<\/a><\/span>
\nLiaisons Dangereuses, Les (1959)<\/a> – NO<\/strong>
\nLook Back in Anger (1959)<\/a> – NO<\/strong>
\nMouse That Roared, The (1959)<\/a> – YES<\/a><\/span>
\nNazarin (1959)<\/a> – NO<\/strong>
\nNorth by Northwest (1959)<\/a> – YES<\/a><\/span>
\nNun\u2019s Story, The (1959)<\/a> – YES<\/a><\/span>
\nOn the Beach (1959)<\/a> – NO<\/strong>
\nOperation Petticoat (1959)<\/a> – NO<\/strong>
\nOur Man in Havana (1959)<\/a> – NO<\/strong>
\nPickpocket (1959)<\/a> – YES<\/a><\/span>
\nPicnic on the Grass (1959)<\/a> – NO<\/strong>
\nPillow Talk (1959)<\/a> – YES<\/a><\/span>
\nPorgy and Bess (1959)<\/a> – NO<\/strong>
\nPork Chop Hill (1959)<\/a> – NO<\/strong>
\nRide Lonesome (1959)<\/a> – YES<\/a><\/span>
\nRio Bravo (1959)<\/a> – YES<\/a><\/span>
\nRoom at the Top (1959)<\/a> – YES<\/a><\/span>
\nSavage Innocents, The (1959)<\/a> – NO<\/strong>
\nShadows (1959)<\/a> – YES<\/a><\/span>
\nShaggy Dog, The (1959)<\/a> – NO<\/strong>
\nShake Hands with the Devil (1959)<\/a> – NO<\/strong>
\nSky Above, the Mud Below, The (1959)<\/a> – YES<\/a><\/span>
\nSleeping Beauty (1959)<\/a> – YES<\/a><\/span>
\nSome Like it Hot (1959)<\/a> – YES<\/a><\/span>
\nStranglers of Bombay, The (1959)<\/a> – NO<\/strong>
\nSuddenly, Last Summer (1959)<\/a> – YES<\/a><\/span>
\nSummer Place, A (1959)<\/a> – YES<\/a><\/span>
\nTarzan\u2019s Greatest Adventure (1959)<\/a> – YES<\/a><\/span>
\nTiger Bay (1959)<\/a> – YES<\/a><\/span>
\nTingler, The (1959)<\/a> – YES<\/a><\/span>
\nVerboten! (1959)<\/a> – NO<\/strong>
\nWestbound (1959)<\/a> – NO<\/strong>
\nWorld of Apu, The (1959)<\/a> – YES<\/a><\/span>
\nWorld, the Flesh, and the Devil, The (1959)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Here are ALL of Peary\u2019s recommended \u201cmust-see\u201d titles from 1940-1959 \u2014 combined from the front and back of his book \u2014 in chronological order, with my \u201cYES\u201d (MUST SEE) or \u201cNO\u201d (NOT MUST SEE) vote provided afterwards. 1940 Angels Over Broadway (1940) – YES Bank Dick, The (1940) – YES Before I Hang (1940) – NO Black Friday (1940) – NO Boom Town (1940) – NO Brother Orchid (1940) – NO Christmas in July (1940) – YES City for Conquest…<\/p>\n

Read More Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-84441","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/84441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=84441"}],"version-history":[{"count":5,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/84441\/revisions"}],"predecessor-version":[{"id":98605,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/84441\/revisions\/98605"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=84441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}