{"id":84429,"date":"2022-05-28T16:58:16","date_gmt":"2022-05-28T23:58:16","guid":{"rendered":"http:\/\/filmfanatic.org\/?page_id=84429"},"modified":"2022-05-28T16:58:16","modified_gmt":"2022-05-28T23:58:16","slug":"chronological-listing-of-pearys-titles-1912-1939","status":"publish","type":"page","link":"https:\/\/filmfanatic.org\/?page_id=84429","title":{"rendered":"Chronological Listing of Peary’s Titles: 1912-1939"},"content":{"rendered":"

Here are ALL of Peary\u2019s recommended \u201cmust-see\u201d titles from 1912-1939 \u2014 combined from the front and back of his book \u2014 in chronological order, with my \u201cYES\u201d (MUST SEE) or \u201cNO\u201d (NOT MUST SEE) vote provided afterwards.<\/p>\n\n\n\n\n\n\n\n\n\n
\n

\n1910s<\/strong>
\n\"\"<\/a>Quo Vadis? (1912)<\/a> – YES<\/a><\/span>
\nStudent of Prague, The (1913)<\/a> – NO<\/strong>
\nTillie\u2019s Punctured Romance (1914)<\/a> – YES<\/a><\/span>
\nBirth of a Nation, The (1915)<\/a> – YES<\/a><\/span>
\nIntolerance (1916)<\/a> – YES<\/a><\/span>
\nStraight Shooting (1917)<\/a> – NO<\/strong>
\nHearts of the World (1918)<\/a> – NO<\/strong>
\nBroken Blossoms (The Yellow Man and the White Girl) (1919)<\/a> – YES<\/a><\/span>
\nCabinet of Dr. Caligari, The (1919)<\/a> – YES<\/a><\/span>
\nJ\u2019Accuse (1919)<\/a> – NO<\/strong>
\nMale and Female (1919)<\/a> – NO<\/strong>
\nTrue Heart Susie (1919)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1920<\/strong>
\n\"\"<\/a>Dr. Jekyll and Mr. Hyde (1920)<\/a> – YES<\/a><\/span>
\nErotikon (1920)<\/a> – NO<\/strong>
\nMark of Zorro (1920)<\/a> – YES<\/a><\/span>
\nWay Down East (1920)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1921<\/strong>
\n\"\"<\/a>Four Horsemen of the Apocalypse, The (1921)<\/a> – YES<\/a><\/span>
\nKid, The (1921)<\/a> – YES<\/a><\/span>
\nOrphans of the Storm (1921)<\/a> – YES<\/a><\/span>
\nPhantom Carriage, The (1921)<\/a> – YES<\/a><\/span>
\nSheik, The (1921)<\/a> – NO<\/strong>
\nTol\u2019able David (1921)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1922<\/strong>
\n\"\"<\/a>Blood and Sand (1922)<\/a> – NO<\/strong>
\nDr. Mabuse, The Gambler \/ Dr. Mabuse, Der Spieler (1922)<\/a> – YES<\/a><\/span>
\nFoolish Wives (1922)<\/a> – NO<\/strong>
\nGrandma\u2019s Boy (1922)<\/a>– NO<\/strong>
\nNanook of the North (1922)<\/a> – YES<\/a><\/span>
\nNosferatu (1922)<\/a> – YES<\/a><\/span>
\nWitchcraft Through the Ages \/ Haxan (1922)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1923<\/strong>
\n\"\"<\/a>Covered Wagon, The (1923)<\/a> – YES<\/a><\/span>
\nHunchback of Notre Dame, The (1923)<\/a> – NO<\/strong>
\nOur Hospitality (1923)<\/a> – YES<\/a><\/span>
\nSafety Last (1923)<\/a> – YES<\/a><\/span>
\nThree Ages, The (1923)<\/a> – NO<\/strong>
\nWhy Worry? (1923)<\/a> – NO<\/strong>
\nWoman of Paris, A (1923)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1924<\/strong>
\n\"\"<\/a>Gosta Berling’s Saga \/ Story of Gosta Berling, The \/ Legend of Gosta Berling, The \/ Atonement of Gosta Berling, The (1924)<\/a> – NO<\/strong>
\nGreed (1924)<\/a> – YES<\/a><\/span>
\nIron Horse, The (1924)<\/a> – NO<\/strong>
\nKriemhild’s Revenge \/ Kriemhild’s Rache \/ She-Devil, The (1924)<\/a> – YES<\/a><\/span>
\nLast Laugh, The (1924)<\/a> – YES<\/a><\/span>
\nMarriage Circle, The (1924)<\/a> – NO<\/strong>
\nNavigator, The (1924)<\/a> – YES<\/a><\/span>
\nSherlock Junior (1924)<\/a> – YES<\/a><\/span>
\nSiegfried \/ Siegfrieds Tod (1924)<\/a> – YES<\/a><\/span>
\nWaxworks (1924)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1925<\/strong>
\n\"\"<\/a>Big Parade, The (1925)<\/a> – YES<\/a><\/span>
\nEagle, The (1925)<\/a> – NO<\/strong>
\nFreshman, The (1925)<\/a> – YES<\/a><\/span>
\nGo West (1925)<\/a> – NO<\/strong>
\nGold Rush, The (1925)<\/a> – YES<\/a><\/span>
\nJoyless Street, The (1925)<\/a> – NO<\/strong>
\nLady Windermere\u2019s Fan (1925)<\/a> – NO<\/strong>
\nLost World, The (1925) – YES<\/a><\/span>
\nMerry Widow, The (1925)<\/a> – YES<\/a><\/span>
\nPhantom of the Opera, The (1925)<\/a> – YES<\/a><\/span>
\nPleasure Garden (1925)<\/a> – NO<\/strong>
\nPotemkin \/ Battleship Potemkin, The (1925)<\/a> – YES<\/a><\/span>
\nRiders of the Purple Sage (1925)<\/a> – YES<\/a><\/span>
\nSally of the Sawdust (1925)<\/a> – NO<\/strong>
\nSeven Chances (1925)<\/a> – NO<\/strong>
\nStrike (1925)<\/a> – YES<\/a><\/span>
\nTumbleweeds (1925)<\/a> – YES<\/a><\/span>
\nUnholy Three, The (1925)<\/a> – YES<\/a><\/span>
\nVariety (1925)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1926<\/strong>
\n\"\"<\/a>Battling Butler (1926)<\/a> – NO<\/strong>
\nBen-Hur (1926)<\/a> – NO<\/strong>
\nBlack Pirate, The (1926)<\/a> – NO<\/strong>
\nFaust (1926)<\/a> – YES<\/a><\/span>
\nFlesh and the Devil (1926)<\/a> – NO<\/strong>
\nFor Heaven\u2019s Sake (1926)<\/a> – NO<\/strong>
\nGeneral, The (1926)<\/a> – YES<\/a><\/span>
\nMoana (1926)<\/a> – NO<\/strong>
\nMother (1926)<\/a> – NO<\/strong>
\nOld Ironsides (1926)<\/a> – NO<\/strong>
\nScarlet Letter, The (1926)<\/a> – YES<\/a><\/span>
\nSon of the Sheik, The (1926)<\/a> – YES<\/a><\/span>
\nSparrows (1926)<\/a> – YES<\/a><\/span>
\nStrong Man, The (1926)<\/a> – YES<\/a><\/span>
\nThree Bad Men (1926)<\/a> – NO<\/strong>
\nTramp, Tramp, Tramp (1926)<\/a> – NO<\/strong>
\nWhat Price Glory? (1926)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

1927<\/strong>
\n\"\"<\/a>Cat and the Canary, The (1927)<\/a> – YES<\/a><\/span>
\nChang (1927)<\/a> – YES<\/a><\/span>
\nCollege (1927)<\/a> – NO<\/strong>
\nEnd of St. Petersburg, The (1927)<\/a> – NO<\/strong>
\nIt (1927)<\/a> – YES<\/a><\/span>
\nJazz Singer, The (1927)<\/a> – YES<\/a><\/span>
\nKing of Kings, The (1927)<\/a> – YES<\/a><\/span>
\nLodger, The (1927)<\/a> – YES<\/a><\/span>
\nLong Pants (1927)<\/a> – NO<\/strong>
\nLove (1927)<\/a> – NO<\/strong>
\nLove of Jeanne Ney, The (1927)<\/a> – NO<\/strong>
\nMetropolis (1927)<\/a> – YES<\/a><\/span>
\nMy Best Girl (1927)<\/a> – YES<\/a><\/span>
\nNapol\u00e9on \/ Napol\u00e9on Vu Par Abel Gance (1927)<\/a> – YES<\/a><\/span>
\nOctober \/ Ten Days That Shook the World (1927)<\/a> – NO<\/strong>
\nSeventh Heaven (1927)<\/a> – NO<\/strong>
\nSunrise (1927)<\/a> – YES<\/a><\/span>
\nSurrender (1927)<\/a> – NO<\/strong>
\nUnderworld (1927)<\/a> – NO<\/strong>
\nWings (1927)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1928<\/strong>
\n\"\"<\/a>Beggars of Life (1928)<\/a> – YES<\/a><\/span>
\nCameraman, The (1928)<\/a> – YES<\/a><\/span>
\nCircus, The (1928)<\/a> – YES<\/a><\/span>
\nCrowd, The (1928)<\/a> – YES<\/a><\/span>
\nDocks of New York, The (1928)<\/a> – YES<\/a><\/span>
\nGirl in Every Port, A (1928)<\/a> – YES<\/a><\/span>
\nItalian Straw Hat, The (1928)<\/a> – YES<\/a><\/span>
\nLast Command, The (1928)<\/a> – NO<\/strong>
\nMan Who Laughs, The (1928)<\/a> – YES<\/a><\/span>
\nNoah\u2019s Ark (1928)<\/a> – NO<\/strong>
\nOur Dancing Daughters (1928)<\/a> – YES<\/a><\/span>
\nPassion de Jeanne D\u2019Arc, Le \/ Passion of Joan of Arc, The (1928)<\/a> – YES<\/a><\/span>
\nRacket, The (1928)<\/a> – NO<\/strong>
\nSpeedy (1928)<\/a> – NO<\/strong>
\nSpies \/ Spione (1928)<\/a> – NO<\/strong>
\nSteamboat Bill, Jr. (1928)<\/a> – YES<\/a><\/span>
\nStorm Over Asia \/ Heir of Genghis Khan, The (1928)<\/a> – NO<\/strong>
\nWedding March, The (1928)<\/a> – NO<\/strong>
\nWest of Zanzibar (1928)<\/a> – YES<\/a><\/span>
\nWind, The (1928)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

1929<\/strong>
\n\"\"<\/a>Applause (1929)<\/a> – NO<\/strong>
\nArsenal (1929)<\/a> – NO<\/strong>
\nBlackmail (1929)<\/a> – YES<\/a><\/span>
\nBroadway Melody, The (1929)<\/a> – YES<\/a><\/span>
\nCanary Murder Case (1929)<\/a> – NO<\/strong>
\nCocoanuts, The (1929)<\/a> – NO<\/strong>
\nDiary of a Lost Girl (1929)<\/a> – NO<\/strong>
\nDisraeli (1929)<\/a> – NO<\/strong>
\nDrifters (1929)<\/a> – NO<\/strong>
\nGlorifying the American Girl (1929)<\/a> – NO<\/strong>
\nGreat Gabbo, The (1929)<\/a> – NO<\/strong>
\nHallelujah! (1929)<\/a> – YES<\/a><\/span>
\nLove Parade, The (1929)<\/a> – YES<\/a><\/span>
\nMan With a Movie Camera, The (1929)<\/a> – YES<\/a><\/span>
\nPandora\u2019s Box\/Lulu (1929)<\/a> – YES<\/a><\/span>
\nQueen Kelly (1929)<\/a> – YES<\/a><\/span>
\nSpite Marriage (1929)<\/a> – NO<\/strong>
\nVirginian, The (1929)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1930<\/strong>
\n\"\"<\/a>Abraham Lincoln (1930)<\/a> – NO<\/strong>
\nAge D\u2019Or, L\u2019 (1930)<\/a> – YES<\/a><\/span>
\nAll Quiet on the Western Front (1930)<\/a> – YES<\/a><\/span>
\nAnimal Crackers (1930)<\/a> – YES<\/a><\/span>
\nAnna Christie (1930)<\/a> – NO<\/strong>
\nBig House, The (1930)<\/a> – YES<\/a><\/span>
\nBig Trail, The (1930)<\/a> – NO<\/strong>
\nBlood of a Poet, The \/ Sang D\u2019Un Po\u00e9te, Le (1930)<\/a> – NO<\/strong>
\nBlue Angel, The (1930)<\/a> – YES<\/a><\/span>
\nDawn Patrol, The (1930)<\/a> – YES<\/a><\/span>
\nEarth\/Soil (1930)<\/a> – YES<\/a><\/span>
\nFloradora Girl, The (1930)<\/a> – YES<\/a><\/span>
\nHell\u2019s Angels (1930)<\/a> – NO<\/strong>
\nJourney\u2019s End (1930)<\/a> – NO<\/strong>
\nJust Imagine (1930)<\/a> – YES<\/a><\/span>
\nKing of Jazz, The (1930)<\/a> – NO<\/strong>
\nLadies of Leisure (1930)<\/a> – NO<\/strong>
\nLaughter (1930)<\/a> – YES<\/a><\/span>
\nMorocco (1930)<\/a> – NO<\/strong>
\nMurder! (1930)<\/a> – YES<\/a><\/span>
\nOur Daily Bread \/ City Girl (1930)<\/a> – NO<\/strong>
\nUnholy Three, The (1930)<\/a> – NO<\/strong>
\nUp the River (1930)<\/a> – NO<\/strong>
\nWhoopee (1930)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1931<\/strong>
\n\"\"<\/a>A Nous la Libert\u00e9 (1931)<\/a> – YES<\/a><\/span>
\nAmerican Tragedy, An (1931)<\/a> – NO<\/strong>
\nArrowsmith (1931)<\/a> – NO<\/strong>
\nChamp, The (1931)<\/a> – NO<\/strong>
\nChienne, La (1931)<\/a> – YES<\/a><\/span>
\nCimarron (1931)<\/a> – YES<\/a><\/span>
\nCity Lights (1931)<\/a> – YES<\/a><\/span>
\nCity Streets (1931)<\/a> – YES<\/a><\/span>
\nCriminal Code, The (1931)<\/a> – NO<\/strong>
\nDance, Fools, Dance (1931)<\/a> – YES<\/a><\/span>
\nDishonored (1931)<\/a> – YES<\/a><\/span>
\nDr. Jekyll and Mr. Hyde (1931)<\/a> – YES<\/a><\/span>
\nDracula (1931)<\/a> – YES<\/a><\/span>
\nFive Star Final (1931)<\/a> – NO<\/strong>
\nFrankenstein (1931)<\/a> – YES<\/a><\/span>
\nFront Page, The (1931)<\/a> – YES<\/a><\/span>
\nGuardsman, The (1931)<\/a> – NO<\/strong>
\nKameradschaft (1931)<\/a> – YES<\/a><\/span>
\nLittle Caesar (1931)<\/a> – YES<\/a><\/span>
\nM (1931)<\/a> – YES<\/a><\/span>
\nMad Genius, The (1931)<\/a> – NO<\/strong>
\nMadchen in Uniform (1931)<\/a> – YES<\/a><\/span>
\nMaltese Falcon, The (1931)<\/a> – YES<\/a><\/span>
\nMarius (1931)<\/a> – YES<\/a><\/span>
\nMillion, Le (1931)<\/a> – YES<\/a><\/span>
\nMiracle Woman, The (1931)<\/a> – NO<\/strong>
\nMonkey Business (1931)<\/a> – YES<\/a><\/span>
\nNight Nurse (1931)<\/a> – YES<\/a><\/span>
\nPlatinum Blonde (1931)<\/a> – NO<\/strong>
\nPublic Enemy, The (1931)<\/a> – YES<\/a><\/span>
\nQuick Millions (1931)<\/a> – NO<\/strong>
\nRich and Strange \/ East of Shanghai (1931)<\/a> – NO<\/strong>
\nSecret Six, The (1931)<\/a> – NO<\/strong>
\nSkippy (1931)<\/a> – YES<\/a><\/span>
\nStreet Scene (1931)<\/a> – YES<\/a><\/span>
\nSvengali (1931)<\/a> – NO<\/strong>
\nTabu (1931)<\/a> – YES<\/a><\/span>
\nThreepenny Opera, The (1931)<\/a> – YES<\/a><\/span>
\nTrader Horn (1931)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1932<\/strong>
\n\"\"<\/a>American Madness (1932)<\/a> – YES<\/a><\/span>
\nBack Street (1932)<\/a> – YES<\/a><\/span>
\nBlue Light, The (1932)<\/a> – NO<\/strong>
\nBeast of the City (1932)<\/a> – YES<\/a><\/span>
\nBill of Divorcement, A (1932)<\/a> – NO<\/strong>
\nBird of Paradise (1932)<\/a> – NO<\/strong>
\nBlonde Venus, The (1932)<\/a> – YES<\/a><\/span>
\nBoudu Saved From Drowning (1932)<\/a> – NO<\/strong>
\nCabin in the Cotton (1932)<\/a> – NO<\/strong>
\nCrowd Roars, The (1932)<\/a> – NO<\/strong>
\nDoctor X (1932)<\/a> – NO<\/strong>
\nFanny (1932)<\/a> – YES<\/a><\/span>
\nFarewell to Arms, A (1932)<\/a> – NO<\/strong>
\nFreaks (1932)<\/a> – YES<\/a><\/span>
\nGrand Hotel (1932)<\/a> – YES<\/a><\/span>
\nGreeks Had a Word for Them, The \/ Three Broadway Girls (1932)<\/a> – NO<\/strong>
\nHorse Feathers (1932)<\/a> – YES<\/a><\/span>
\nI Am a Fugitive From a Chain Gang (1932)<\/a> – NO<\/strong>
\nIf I Had a Million (1932)<\/a> – NO<\/strong>
\nKid from Spain, The (1932)<\/a> – NO<\/strong>
\nKongo (1932)<\/a> – YES<\/a><\/span>
\nLaw and Order (1932)<\/a> – NO<\/strong>
\nLove Me Tonight (1932)<\/a> – YES<\/a><\/span>
\nMask of Fu Manchu, The (1932)<\/a> – NO<\/strong>
\nMerrily We Go to Hell (1932)<\/a> – NO<\/strong>
\nMillion Dollar Legs (1932)<\/a> – NO<\/strong>
\nMost Dangerous Game, The (1932)<\/a> – NO<\/strong>
\nMovie Crazy (1932)<\/a> – NO<\/strong>
\nMummy, The (1932)<\/a> – YES<\/a><\/span>
\nMurders in the Rue Morgue (1932)<\/a> – NO<\/strong>
\nNumber Seventeen (1932)<\/a> – NO<\/strong>
\nOld Dark House, The (1932)<\/a> – YES<\/a><\/span>
\nOne Hour With You (1932)<\/a> – NO<\/strong>
\nOne Way Passage (1932)<\/a> – YES<\/a><\/span>
\nRain (1932)<\/a> – YES<\/a><\/span>
\nRasputin and the Empress (1932)<\/a> – NO<\/strong>
\nRed Dust (1932)<\/a> – YES<\/a><\/span>
\nScarface, The Shame of the Nation (1932)<\/a> – YES<\/a><\/span>
\nShanghai Express (1932)<\/a> – YES<\/a><\/span>
\nShe Done Him Wrong (1932)<\/a> – YES<\/a><\/span>
\nSherlock Holmes (1932)<\/a> – NO<\/strong>
\nTarzan, the Ape Man (1932)<\/a> – YES<\/a><\/span>
\nThree on a Match (1932)<\/a> – NO<\/strong>
\nTiger Shark (1932)<\/a> – NO<\/strong>
\nTrouble in Paradise (1932)<\/a> – YES<\/a><\/span>
\nVampyr \/ Castle of Doom (1932)<\/a> – NO<\/strong>
\nWet Parade, The (1932)<\/a> – YES<\/a><\/span>
\nWhat Price Hollywood? (1932)<\/a> – NO<\/strong>
\nWhite Zombie (1932)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1933<\/strong>
\n\"\"<\/a>Bitter Tea of General Yen, The (1933)<\/a> – YES<\/a><\/span>
\nBlonde Bombshell \/ Bombshell (1933)<\/a> – YES<\/a><\/span>
\nBlood Money (1933)<\/a> – YES<\/a><\/span>
\nBowery, The (1933)<\/a> – NO<\/strong>
\nChristopher Strong (1933)<\/a> – NO<\/strong>
\nDancing Lady (1933)<\/a> – NO<\/strong>
\nDesign for Living (1933)<\/a> – NO<\/strong>
\nDinner at Eight (1933)<\/a> – YES<\/a><\/span>
\nDr. Bull (1933)<\/a> – NO<\/strong>
\nDuck Soup (1933)<\/a> – YES<\/a><\/span>
\nEagle and the Hawk, The (1933)<\/a> – YES<\/a><\/span>
\nEcstasy (1933)<\/a> – NO<\/strong>
\nEmperor Jones, The (1933)<\/a> – YES<\/a><\/span>
\nFlying Down to Rio (1933)<\/a> – NO<\/strong>
\nFootlight Parade (1933)<\/a> – YES<\/a><\/span>
\n42nd Street (1933)<\/a> – YES<\/a><\/span>
\nGabriel Over the White House (1933)<\/a> – YES<\/a><\/span>
\nGhoul, The (1933)<\/a> – NO<\/strong>
\nGold Diggers of 1933 (1933)<\/a> – YES<\/a><\/span>
\nHallelujah, I\u2019m a Bum (1933)<\/a> – YES<\/a><\/span>
\nHeroes for Sale (1933)<\/a> – NO<\/strong>
\nHold Your Man (1933)<\/a> – NO<\/strong>
\nI\u2019m No Angel (1933)<\/a> – NO<\/strong>
\nInvisible Man, The (1933)<\/a> – YES<\/a><\/span>
\nInternational House (1933)<\/a> – NO<\/strong>
\nIsland of Lost Souls (1933)<\/a> – YES<\/a><\/span>
\nKennel Murder Case, The (1933)<\/a> – NO<\/strong>
\nKing Kong (1933)<\/a> – YES<\/a><\/span>
\nKiss Before the Mirror, The (1933)<\/a> – YES<\/a><\/span>
\nLady for a Day (1933)<\/a> – YES<\/a><\/span>
\nLittle Giant, The (1933)<\/a> – YES<\/a><\/span>
\nLittle Women (1933)<\/a> – YES<\/a><\/span>
\nMorning Glory (1933)<\/a> – NO<\/strong>
\nMurders in the Zoo (1933)<\/a> – NO<\/strong>
\nMystery of the Wax Museum (1933)<\/a> – YES<\/a><\/span>
\nPenthouse (1933)<\/a> – NO<\/strong>
\nPilgrimage (1933)<\/a> – NO<\/strong>
\nPower and the Glory, The (1933)<\/a> – YES<\/a><\/span>
\nPrivate Life of Henry VIII, The (1933)<\/a> – YES<\/a><\/span>
\nPrizefighter and the Lady, The (1933)<\/a> – NO<\/strong>
\nRoman Scandals (1933)<\/a> – YES<\/a><\/span>
\nSon of Kong, The (1933)<\/a> – NO<\/strong>
\nSong of Songs (1933)<\/a> – NO<\/strong>
\nSons of the Desert (1933)<\/a> – YES<\/a><\/span>
\nTarzan the Fearless (1933)<\/a> – NO<\/strong>
\nTestament of Dr. Mabuse, The \/ Crimes of Dr. Mabuse, The \/ Last Will of Dr. Mabuse, The (1933)<\/a> – NO<\/strong>
\nTillie and Gus (1933)<\/a> – NO<\/strong>
\nWild Boys of the Road (1933)<\/a> – YES<\/a><\/span>
\nZ\u00e9ro de Conduite \/ Zero for Conduct (1933)<\/a> – YES<\/a><\/span>
\nZoo in Budapest (1933)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1934<\/strong>
\n\"\"<\/a>Atalante, L\u2019 (1934)<\/a> – YES<\/a><\/span>
\nBabes in Toyland \/ March of the Wooden Soldiers \/ Revenge is Sweet (1934)<\/a> – YES<\/a><\/span>
\nBarretts of Wimpole Street, The (1934)<\/a> – YES<\/a><\/span>
\nBelle of the Nineties (1934)<\/a> – NO<\/strong>
\nBlack Cat, The (1934)<\/a> – YES<\/a><\/span>
\nCleopatra (1934)<\/a> – YES<\/a><\/span>
\nCount of Monte Cristo, The (1934)<\/a> – NO<\/strong>
\nCrime Without Passion (1934)<\/a> – YES<\/a><\/span>
\nDames (1934)<\/a> – NO<\/strong>
\nDeath Takes a Holiday (1934)<\/a> – NO<\/strong>
\nEvergreen (1934)<\/a> – NO<\/strong>
\nFinishing School (1934)<\/a> – YES<\/a><\/span>
\nFlirtation Walk (1934)<\/a> – NO<\/strong>
\nGay Divorcee, The (1934)<\/a> – YES<\/a><\/span>
\nGirl from Missouri, The (1934)<\/a> – YES<\/a><\/span>
\nImitation of Life (1934)<\/a> – YES<\/a><\/span>
\nIt Happened One Night (1934)<\/a> – YES<\/a><\/span>
\nIt\u2019s a Gift (1934)<\/a> – YES<\/a><\/span>
\nJudge Priest (1934)<\/a> – YES<\/a><\/span>
\nKid Millions (1934)<\/a> – NO<\/strong>
\nLittle Man, What Now? (1934)<\/a> – YES<\/a><\/span>
\nLittle Miss Marker (1934)<\/a> – YES<\/a><\/span>
\nLost Patrol, The (1934)<\/a> – YES<\/a><\/span>
\nMadame Bovary (1934)<\/a> – NO<\/strong>
\nMan of Aran (1934)<\/a> – NO<\/strong>
\nMan Who Reclaimed His Head, The (1934)<\/a> – NO<\/strong>
\nMan Who Knew Too Much, The (1934)<\/a> – YES<\/a><\/span>
\nManhattan Melodrama (1934)<\/a> – NO<\/strong>
\nManiac (1934)<\/a> – NO<\/strong>
\nMassacre (1934)<\/a> – YES<\/a><\/span>
\nMerry Widow, The (1934)<\/a> – NO<\/strong>
\nMrs. Wiggs of the Cabbage Patch (1934)<\/a> – NO<\/strong>
\nNana (1934)<\/a> – NO<\/strong>
\nNell Gwyn (1934)<\/a> – NO<\/strong>
\nOf Human Bondage (1934)<\/a> – YES<\/a><\/span>
\nOld Fashioned Way, The (1934)<\/a> – NO<\/strong>
\nOne Night of Love (1934)<\/a> – NO<\/strong>
\nOur Daily Bread (1934)<\/a> – YES<\/a><\/span>
\nQueen Christina (1934)<\/a> – YES<\/a><\/span>
\nScarlet Empress, The (1934)<\/a> – YES<\/a><\/span>
\nScarlet Pimpernel, The (1934)<\/a> – YES<\/a><\/span>
\nSix of a Kind (1934)<\/a> – NO<\/strong>
\nTarzan and His Mate (1934)<\/a> – YES<\/a><\/span>
\nThin Man, The (1934)<\/a> – YES<\/a><\/span>
\nTreasure Island (1934)<\/a> – NO<\/strong>
\nTwentieth Century (1934)<\/a> – YES<\/a><\/span>
\nViva Villa! (1934)<\/a> – NO<\/strong>
\nYou\u2019re Telling Me! (1934)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1935<\/strong>
\n\"\"<\/a>Alice Adams (1935)<\/a> – YES<\/a><\/span>
\nAnna Karenina (1935)<\/a> – YES<\/a><\/span>
\nAnnie Oakley (1935)<\/a> – NO<\/strong>
\nBarbary Coast (1935)<\/a> – NO<\/strong>
\nBecky Sharp (1935)<\/a> – NO<\/strong>
\nBlack Fury (1935)<\/a> – NO<\/strong>
\nBlack Room, The (1935)<\/a> – YES<\/a><\/span>
\nBride of Frankenstein (1935)<\/a> – YES<\/a><\/span>
\nCall of the Wild (1935)<\/a> – NO<\/strong>
\nCaptain Blood (1935)<\/a> – YES<\/a><\/span>
\nCarnival in Flanders (1935)<\/a> – NO<\/strong>
\nCrime and Punishment (1935)<\/a> – NO<\/strong>
\nCrime de Monsieur Lange, Le \/ Crime of Monsieur Lange, The (1935)<\/a> – YES<\/a><\/span>
\nDangerous (1935)<\/a> – NO<\/strong>
\nDante\u2019s Inferno (1935)<\/a> – NO<\/strong>
\nDavid Copperfield (1935)<\/a> – YES<\/a><\/span>
\nGirl From Chicago, The (1935)<\/a> – YES<\/a><\/span>
\nGlass Key, The (1935)<\/a> – NO<\/strong>
\nGold Diggers of 1935 (1935)<\/a> – NO<\/strong>
\nGood Fairy, The (1935)<\/a> – YES<\/a><\/span>
\nInformer, The (1935)<\/a> – YES<\/a><\/span>
\nLast Days of Pompeii, The (1935)<\/a> – NO<\/strong>
\nLittle Colonel, The (1935)<\/a> – NO<\/strong>
\nLittlest Rebel, The (1935)<\/a> – YES<\/a><\/span>
\nLives of a Bengal Lancer, The (1935)<\/a> – NO<\/strong>
\nMad Love (1935)<\/a> – YES<\/a><\/span>
\nMagnificent Obsession (1935)<\/a> – NO<\/strong>
\nMan on the Flying Trapeze (1935)<\/a> – YES<\/a><\/span>
\nMark of the Vampire (1935)<\/a> – NO<\/strong>
\nMidsummer\u2019s Night Dream, A (1935)<\/a> – YES<\/a><\/span>
\nMiserables, Les (1935)<\/a> – NO<\/strong>
\nMississippi (1935)<\/a> – NO<\/strong>
\nMutiny on the Bounty (1935)<\/a> – YES<\/a><\/span>
\nMystery of Edwin Drood (1935)<\/a> – NO<\/strong>
\nNaughty Marietta (1935)<\/a> – YES<\/a><\/span>
\nNight at the Opera, A (1935)<\/a> – YES<\/a><\/span>
\nRadio Ranch (1935)<\/a> – YES<\/a><\/span>
\nRaven, The (1935)<\/a> – YES<\/a><\/span>
\nRoberta (1935)<\/a> – NO<\/strong>
\nRuggles of Red Gap (1935)<\/a> – YES<\/a><\/span>
\nSanders of the River (1935)<\/a> – NO<\/strong>
\nScoundrel, The \/ Miracle on 49th Street (1935)<\/a> – YES<\/a><\/span>
\nShe Married Her Boss (1935)<\/a> – NO<\/strong>
\nSteamboat\u2019 Round the Bend (1935)<\/a> – NO<\/strong>
\nTale of Two Cities, A (1935)<\/a> – NO<\/strong>
\n39 Steps, The (1935)<\/a> – YES<\/a><\/span>
\nToni (1935)<\/a> – NO<\/strong>
\nTop Hat (1935)<\/a> – YES<\/a><\/span>
\nTransatlantic Tunnel \/ Tunnel, The (1935)<\/a> – NO<\/strong>
\nTriumph of the Will (1935)<\/a> – YES<\/a><\/span>
\nWerewolf of London, The (1935)<\/a> – YES<\/a><\/span>
\nWhole Town\u2019s Talking, The (1935)<\/a> – YES<\/a><\/span>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1936<\/strong>
\n\"\"<\/a>Bohemian Girl, The (1936)<\/a> – NO<\/strong>
\nBorn to Dance (1936)<\/a> – NO<\/strong>
\nCamille (1936)<\/a> – YES<\/a><\/span>
\nCeiling Zero (1936)<\/a> – YES<\/a><\/span>
\nC\u00e9sar (1936)<\/a> – NO<\/strong>
\nCharge of the Light Brigade, The (1936)<\/a> – NO<\/strong>
\nCharlie Chan at the Opera (1936)<\/a> – YES<\/a><\/span>
\nCocaine Fiends, The (1936)<\/a> – NO<\/strong>
\nCome and Get It \/ Roaring Timber (1936)<\/a> – YES<\/a><\/span>
\nCraig\u2019s Wife (1936)<\/a> – NO<\/strong>
\nDay in the Country, A \/ Partie de Campagne (1936)<\/a> – YES<\/a><\/span>
\nDesire (1936)<\/a> – NO<\/strong>
\nDevil Doll, The (1936)<\/a> – YES<\/a><\/span>
\nDevil is a Woman, The (1935)<\/a> – NO<\/strong>
\nDodsworth (1936)<\/a> – YES<\/a><\/span>
\nDracula\u2019s Daughter (1936)<\/a> – YES<\/a><\/span>
\nFollow the Fleet (1936)<\/a> – NO<\/strong>
\nFury (1936)<\/a> – YES<\/a><\/span>
\nGeneral Died at Dawn, The (1936)<\/a> – YES<\/a><\/span>
\nGhost Goes West, The (1936)<\/a> – NO<\/strong>
\nGold Diggers of (1937) (1936)<\/a> – NO<\/strong>
\nGreat Ziegfeld, The (1936)<\/a> – NO<\/strong>
\nGreen Pastures, The (1936)<\/a> – YES<\/a><\/span>
\nIntermezzo (1936)<\/a> – NO<\/strong>
\nInvisible Ray, The (1936)<\/a> – NO<\/strong>
\nJungle Princess, The (1936)<\/a> – NO<\/strong>
\nKing Steps Out, The (1936)<\/a> – NO<\/strong>
\nKlondike Annie (1936)<\/a> – NO<\/strong>
\nLast of the Mohicans, The (1936)<\/a> – NO<\/strong>
\nLibeled Lady (1936)<\/a> – YES<\/a><\/span>
\nLittle Lord Fauntleroy (1936)<\/a> – NO<\/strong>
\nLower Depths, The \/ Bas-Fonds, Les (1936)<\/a> – NO<\/strong>
\nMan Who Could Work Miracles, The (1936)<\/a> – YES<\/a><\/span>
\nMayerling (1936)<\/a> – NO<\/strong>
\nMilky Way, The (1936)<\/a> – NO<\/strong>
\nMr. Deeds Goes to Town (1936)<\/a> – YES<\/a><\/span>
\nModern Times (1936)<\/a> – YES<\/a><\/span>
\nMy Man Godfrey (1936)<\/a> – YES<\/a><\/span>
\nOlympiad, The \/ Olympia (1936)<\/a> – YES<\/a><\/span>
\nOur Relations (1936)<\/a> – NO<\/strong>
\nPetrified Forest, The (1936)<\/a> – YES<\/a><\/span>
\nPlainsman, The (1936)<\/a> – NO<\/strong>
\nPoor Little Rich Girl (1936)<\/a> – NO<\/strong>
\nPoppy (1936)<\/a> – NO<\/strong>
\nPrisoner of Shark Island, The (1936)<\/a> – NO<\/strong>
\nReefer Madness \/ Tell Your Children \/ Burning Question, The \/ Dope Addict \/ Doped Youth \/ Love Madness (1936)<\/a> – YES<\/a><\/span>
\nRembrandt (1936)<\/a> – YES<\/a><\/span>
\nRoad to Glory, The (1936)<\/a> – NO<\/strong>
\nRomeo and Juliet (1936)<\/a> – NO<\/strong>
\nRose-Marie (1936)<\/a> – NO<\/strong>
\nSabotage (1936)<\/a> – YES<\/a><\/span>
\nSan Francisco (1936)<\/a> – NO<\/strong>
\nSatan Met a Lady (1936)<\/a> – NO<\/strong>
\nSecret Agent (1936)<\/a> – NO<\/strong>
\nShe (1935)<\/a> – NO<\/strong>
\nShow Boat (1936)<\/a> – NO<\/strong>
\nStory of Louis Pasteur, The (1936)<\/a> – NO<\/strong>
\nStrike Me Pink (1936)<\/a> – NO<\/strong>
\nSwing Time (1936)<\/a> – YES<\/a><\/span>
\nSylvia Scarlett (1936) – YES<\/a><\/span><\/a>
\nTarzan Escapes (1936)<\/a> – NO<\/strong>
\nTheodora Goes Wild (1936)<\/a> – NO<\/strong>
\nThese Three (1936)<\/a> – YES<\/a><\/span>
\nThings to Come (1936)<\/a> – YES<\/a><\/span>
\nUnder Two Flags (1936)<\/a> – NO<\/strong>
\nWalking Dead, The (1936)<\/a> – NO<\/strong>
\nWoman Rebels, A (1936)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1937<\/strong>
\n\"\"<\/a>Awful Truth, The (1937)<\/a> – YES<\/a><\/span>
\nBizarre, Bizarre (1937)<\/a> – NO<\/strong>
\nBlack Legion (1937)<\/a> – NO<\/strong>
\nCaptains Courageous (1937)<\/a> – NO<\/strong>
\nConquest (1937)<\/a> – NO<\/strong>
\nDark Journey (1937)<\/a> – NO<\/strong>
\nDay at the Races, A (1937)<\/a> – NO<\/strong>
\nDead End (1937)<\/a> – YES<\/a><\/span>
\nEasy Living (1937)<\/a> – NO<\/strong>
\nElephant Boy (1937)<\/a> – NO<\/strong>
\nFire Over England (1937)<\/a> – NO<\/strong>
\nGood Earth, The (1937)<\/a> – YES<\/a><\/span>
\nGrand Illusion \/ Grande Illusion, La (1937)<\/a> – YES<\/a><\/span>
\nHistory is Made at Night (1937)<\/a> – NO<\/strong>
\nHurricane, The (1937)<\/a> – YES<\/a><\/span>
\nKid Galahad \/ Battling Bellhop (1937)<\/a> – NO<\/strong>
\nKing Solomon\u2019s Mines (1937)<\/a> – NO<\/strong>
\nLast Gangster, The (1937)<\/a> – NO<\/strong>
\nLife of Emile Zola, The (1937)<\/a> – NO<\/strong>
\nLost Horizon (1937)<\/a> – NO<\/strong>
\nMake Way for Tomorrow (1937)<\/a> – YES<\/a><\/span>
\nMannequin (1937)<\/a> – YES<\/a><\/span>
\nMarked Woman (1937)<\/a> – NO<\/strong>
\nNight Must Fall (1937)<\/a> – YES<\/a><\/span>
\nNon-Stop New York (1937)<\/a> – NO<\/strong>
\nNothing Sacred (1937)<\/a> – YES<\/a><\/span>
\nOne Hundred Men and a Girl (1937)<\/a> – NO<\/strong>
\nPep\u00e9 Le Moko (1937)<\/a> – YES<\/a><\/span>
\nPrisoner of Zenda, The (1937)<\/a> – YES<\/a><\/span>
\nQuality Street (1937)<\/a> – NO<\/strong>
\nSaratoga (1937)<\/a> – NO<\/strong>
\nShall We Dance (1937)<\/a> – NO<\/strong>
\nStage Door (1937)<\/a> – YES<\/a><\/span>
\nStar is Born, A (1937)<\/a> – YES<\/a><\/span>
\nStella Dallas (1937)<\/a> – YES<\/a><\/span>
\nThree Smart Girls (1937)<\/a> – YES<\/a><\/span>
\nTopper (1937)<\/a> – NO<\/strong>
\nWay Out West (1937)<\/a> – YES<\/a><\/span>
\nWee Willie Winkie (1937)<\/a> – NO<\/strong>
\nWells Fargo (1937)<\/a> – NO<\/strong>
\nYou Only Live Once (1937)<\/a> – NO<\/strong>
\nYoung and Innocent \/ Girl Was Young, The (1937)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1938<\/strong>
\n\"\"<\/a>Adventures of Robin Hood, The (1938)<\/a> – YES<\/a><\/span>
\nAlexander Nevsky (1938)<\/a> – YES<\/a><\/span>
\nAlgiers (1938)<\/a> – NO<\/strong>
\nAmazing Doctor Clitterhouse, The (1938)<\/a> – NO<\/strong>
\nAngels With Dirty Faces (1938)<\/a> – YES<\/a><\/span>
\nBaker\u2019s Wife, The (1938)<\/a> – YES<\/a><\/span>
\nBeachcomber, The \/ Vessel of Wrath (1938)<\/a> – NO<\/strong>
\nB\u00e9te Humaine, La (1938)<\/a> – YES<\/a><\/span>
\nBig Broadcast of 1938, The (1938)<\/a> – NO<\/strong>
\nBlock-Heads (1938)<\/a> – YES<\/a><\/span>
\nBluebeard\u2019s Eighth Wife (1938)<\/a> – NO<\/strong>
\nBoys Town (1938)<\/a> – NO<\/strong>
\nBringing Up Baby (1938)<\/a> – YES<\/a><\/span>
\nCarefree (1938)<\/a> – NO<\/strong>
\nChild Bride \/ Child Bride of the Ozarks (1938)<\/a> – YES<\/a><\/span>
\nCitadel, The (1938)<\/a> – YES<\/a><\/span>
\nDawn Patrol, The (1938)<\/a> – NO<\/strong>
\nDrums (1938)<\/a> – NO<\/strong>
\nFour Daughters (1938)<\/a> – NO<\/strong>
\nFour Men and a Prayer (1938)<\/a> – NO<\/strong>
\nHoliday (1938)<\/a> – YES<\/a><\/span>
\nIf I Were King (1938)<\/a> – NO<\/strong>
\nJ\u2019Accuse (1938)<\/a> – NO<\/strong>
\nJezebel (1938)<\/a> – YES<\/a><\/span>
\nLady Vanishes, The (1938)<\/a> – YES<\/a><\/span>
\nLove Finds Andy Hardy (1938)<\/a> – YES<\/a><\/span>
\nMarseillaise, La (1938)<\/a> – NO<\/strong>
\nPygmalion (1938)<\/a> – YES<\/a><\/span>
\nRoom Service (1938)<\/a> – NO<\/strong>
\nSt. Martin\u2019s Lane \/ Sidewalks of London (1938)<\/a> – NO<\/strong>
\nSlight Case of Murder, A (1938)<\/a> – YES<\/a><\/span>
\nSnow White and the Seven Dwarfs (1938)<\/a> – YES<\/a><\/span>
\nSwiss Miss (1938)<\/a> – NO<\/strong>
\nTerror of Tiny Town, The (1938)<\/a> – YES<\/a><\/span>
\nThree Comrades (1938)<\/a> – NO<\/strong>
\nVivacious Lady (1938)<\/a> – NO<\/strong>
\nYou Can\u2019t Take it With You (1938)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n

\n

\n1939<\/strong>
\n\"\"<\/a>Adventures of Sherlock Holmes, The (1939)<\/a> – NO<\/strong>
\nAnother Thin Man (1939)<\/a> – NO<\/strong>
\nAt the Circus (1939)<\/a> – NO<\/strong>
\nBabes in Arms (1939)<\/a> – YES<\/a><\/span>
\nBeau Geste (1939)<\/a> – NO<\/strong>
\nCat and the Canary, The (1939)<\/a> – NO<\/strong>
\nCharlie Chan at Treasure Island (1939)<\/a> – YES<\/a><\/span>
\nConfessions of a Nazi Spy (1939)<\/a> – YES<\/a><\/span>
\nDark Victory (1939)<\/a> – YES<\/a><\/span>
\nDestry Rides Again (1939)<\/a> – YES<\/a><\/span>
\nDodge City (1939)<\/a> – NO<\/strong>
\nDrums Along the Mohawk (1939)<\/a> – YES<\/a><\/span>
\nDust Be My Destiny (1939)<\/a> – NO<\/strong>
\nEach Dawn I Die (1939)<\/a> – NO<\/strong>
\nFive Came Back (1939)<\/a> – YES<\/a><\/span>
\nFlying Deuces, The (1939)<\/a> – NO<\/strong>
\nFour Feathers, The (1939)<\/a> – NO<\/strong>
\nGolden Boy (1939)<\/a> – NO<\/strong>
\nGone With the Wind (1939)<\/a> – YES<\/a><\/span>
\nGoodbye, Mr. Chips (1939)<\/a> – NO<\/strong>
\nGulliver\u2019s Travels (1939)<\/a> – YES<\/a><\/span>
\nGunga Din (1939)<\/a> – YES<\/a><\/span>
\nHound of the Baskervilles, The (1939)<\/a> – YES<\/a><\/span>
\nHunchback of Notre Dame, The (1939)<\/a> – NO<\/strong>
\nIn Name Only (1939)<\/a> – NO<\/strong>
\nIntermezzo (1939)<\/a> – NO<\/strong>
\nIt\u2019s a Wonderful World (1939)<\/a> – NO<\/strong>
\nJamaica Inn (1939)<\/a> – NO<\/strong>
\nJesse James (1939)<\/a> – NO<\/strong>
\nJour Se L\u00e9ve, Le (1939)<\/a> – YES<\/a><\/span>
\nJuarez (1939)<\/a> – YES<\/a><\/span>
\nLight That Failed, The (1939)<\/a> – NO<\/strong>
\nLittle Princess, The (1939)<\/a> – NO<\/strong>
\nLove Affair (1939)<\/a> – YES<\/a><\/span>
\nMade For Each Other (1939)<\/a> – NO<\/strong>
\nMaisie (1939)<\/a> – NO<\/strong>
\nMan in the Iron Mask, The (1939)<\/a> – YES<\/a><\/span>
\nMan They Could Not Hang, The (1939)<\/a> – NO<\/strong>
\nMidnight (1939)<\/a> – YES<\/a><\/span>
\nMr. Smith Goes to Washington (1939)<\/a> – YES<\/a><\/span>
\nNick Carter, Master Detective (1939)<\/a> – NO<\/strong>
\nNinotchka (1939)<\/a> – YES<\/a><\/span>
\nOf Mice and Men (1939)<\/a> – YES<\/a><\/span>
\nOklahoma Kid, The (1939)<\/a> – NO<\/strong>
\nOld Maid, The (1939)<\/a> – NO<\/strong>
\nOnly Angels Have Wings (1939)<\/a> – YES<\/a><\/span>
\nPrivate Lives of Elizabeth and Essex, The (1939)<\/a> – YES<\/a><\/span>
\nReturn of Dr. X, The (1939)<\/a> – YES<\/a><\/span>
\nRoaring Twenties, The (1939)<\/a> – YES<\/a><\/span>
\nRules of the Game, The \/ R\u00e9gle Du Jeu, La (1939)<\/a> – YES<\/a><\/span>
\nSon of Frankenstein (1939)<\/a> – YES<\/a><\/span>
\nStagecoach (1939)<\/a> – YES<\/a><\/span>
\nStory of Alexander Graham Bell, The (1939)<\/a> – NO<\/strong>
\nStory of Vernon and Irene Castle, The (1939)<\/a> – NO<\/strong>
\nSun Never Sets, The (1939)<\/a> – NO<\/strong>
\nTarzan Finds a Son! (1939)<\/a> – NO<\/strong>
\nThey Made Me a Criminal (1939)<\/a> – NO<\/strong>
\nThree Musketeers, The (1939)<\/a> – NO<\/strong>
\nTopper Takes a Trip (1939)<\/a> – NO<\/strong>
\nTower of London (1939)<\/a> – YES<\/a><\/span>
\nUnion Pacific (1939)<\/a> – NO<\/strong>
\nWe Are Not Alone (1939)<\/a> – YES<\/a><\/span>
\nWizard of Oz, The (1939)<\/a> – YES<\/a><\/span>
\nWomen, The (1939)<\/a> – YES<\/a><\/span>
\nWuthering Heights (1939)<\/a> – YES<\/a><\/span>
\nYou Can\u2019t Cheat an Honest Man (1939)<\/a> – NO<\/strong>
\nYoung Mr. Lincoln (1939)<\/a> – YES<\/a><\/span>
\nZenobia (1939)<\/a> – NO<\/strong>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Here are ALL of Peary\u2019s recommended \u201cmust-see\u201d titles from 1912-1939 \u2014 combined from the front and back of his book \u2014 in chronological order, with my \u201cYES\u201d (MUST SEE) or \u201cNO\u201d (NOT MUST SEE) vote provided afterwards. 1910s Quo Vadis? (1912) – YES Student of Prague, The (1913) – NO Tillie\u2019s Punctured Romance (1914) – YES Birth of a Nation, The (1915) – YES Intolerance (1916) – YES Straight Shooting (1917) – NO Hearts of the World (1918) – NO…<\/p>\n

Read More Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-84429","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/84429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=84429"}],"version-history":[{"count":11,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/84429\/revisions"}],"predecessor-version":[{"id":84440,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/84429\/revisions\/84440"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=84429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}