{"id":49953,"date":"2020-08-12T23:39:04","date_gmt":"2020-08-13T06:39:04","guid":{"rendered":"http:\/\/filmfanatic.org\/?page_id=49953"},"modified":"2025-07-14T11:28:22","modified_gmt":"2025-07-14T18:28:22","slug":"directors-a-h","status":"publish","type":"page","link":"https:\/\/filmfanatic.org\/?page_id=49953","title":{"rendered":"Directors: A – I (First Names)"},"content":{"rendered":"\n\n
\n

<\/a>
\nAkira Kurosawa Films<\/strong>
\n\"Kurosawa\"Dersu Uzala (1975)<\/a>
\nDodesthi’ka-den (1970)
\nDrunken Angel (1948)<\/a>
\nHidden Fortress, The (1958)<\/a>
\nHigh and Low (1963)<\/a>
\nIdiot, The (1951)<\/a>
\nIkiru (1952)<\/a>
\nKagemusha (The Shadow Warrior) (1980)<\/a>
\nLower Depths, The (1957)<\/a>
\nRashomon (1950)<\/a>
\nRan (1985)
\nSanjuro (1962)<\/a>
\nSeven Samurai, The \/ Magnificent Seven, The (1954)<\/a>
\nStray Dog (1949)<\/a>
\nThrone of Blood (1957)<\/a>
\nYojimbo \/ Bodyguard, The (1961)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAlain Resnais Films<\/strong>
\n\"Resnais\"Far from Vietnam (1967)<\/a>
\nGuerre Est Finie, La (1966)<\/a>
\nHiroshima Mon Amour (1959)<\/a>
\nJe T’Aime, Je T’Aime (1968)<\/a>
\nLast Year at Marienbad (1961)<\/a>
\nLife is a Bed of Roses (1983)
\nMon Oncle D’Amerique \/ My Uncle From America \/ Somnambules, Les (1980)
\nMuriel (1963)<\/a>
\nProvidence (1977)
\nStavisky (1974)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAlain Tanner Films<\/strong>
\n\"\"<\/a>Charles, Dead or Alive (1969)<\/a>
\nIn the White City (1983)<\/a>
\nJonah Who Will Be 25 in the Year 2000 (1976)<\/a>
\nMiddle of the World, The (1974)
\nSalamandre, La (1971)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAlan J. Pakula Films<\/strong>
\n\"\"<\/a>All the President’s Men (1976)<\/a>
\nComes a Horseman (1978)<\/a>
\nKlute (1971)<\/a>
\nParallax View, The (1974)<\/a>
\nSophie’s Choice (1982)<\/a>
\nStarting Over (1979)<\/a>
\nSterile Cuckoo, The (1969)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAlan Parker Films<\/strong>
\nAngel Heart (1987)<\/a>
\nBirdy (1984)
\nBugsy Malone (1976)<\/a>
\nFame (1980)<\/a>
\nMidnight Express (1978)<\/a>
\nPink Floyd: The Wall \/ Wall, The (1982)<\/a>
\nShoot the Moon (1982)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\n Alan Rudolph Films<\/strong>
\n\"\"<\/a>Choose Me (1984)<\/a>
\nRemember My Name (1978)<\/a>
\nRoadie (1980)<\/a>
\nSongwriter (1984)<\/a>
\nTrouble in Mind (1985)
\nWelcome to L.A. (1977)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\n Albert Brooks Films<\/strong>
\n Lost in America (1985)<\/a>
\nModern Romance (1981)<\/a>
\n Private Benjamin (1980)<\/a> [actor]
\n Real Life (1979)<\/a>
\nTwilight Zone: The Movie (1983)<\/a> [actor]\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAlexander Mackendrick Films<\/strong>
\n\"\"<\/a>Boy Ten Feet Tall, A \/ Sammy Going South (1963)<\/a>
\nLadykillers, The (1955)<\/a>
\nMan in the White Suit, The (1951)<\/a>
\nSweet Smell of Success (1957)<\/a>
\nTight Little Island \/ Whisky Galore (1949)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAlfred Hitchcock Films<\/strong>
\n \"Hitchcock\"Birds, The (1963)<\/a>
\nBlackmail (1929)<\/a>
\nDial M For Murder (1954)<\/a>
\nFamily Plot (1976)<\/a>
\nForeign Correspondent (1940)<\/a>
\nFrenzy (1972)<\/a>
\nI Confess (1953)<\/a>
\nJamaica Inn (1939)<\/a>
\nLady Vanishes, The (1938)<\/a>
\nLifeboat (1944)<\/a>
\nLodger, The (1927)<\/a>
\nMan Who Knew Too Much, The (1934)<\/a>
\nMan Who Knew Too Much, The (1956)<\/a>
\nMarnie (1964)<\/a>
\nMr. and Mrs. Smith (1941)<\/a>
\nMurder! (1930)<\/a>
\nNorth by Northwest (1959)<\/a>
\nNotorious (1946)<\/a>
\nNumber Seventeen (1932)<\/a>
\nParadine Case, The (1947)<\/a>
\nPleasure Garden, The (1925)<\/a>
\nPsycho (1960)<\/a>
\nRear Window (1954)<\/a>
\nRebecca (1940)<\/a>
\nRich and Strange \/ East of Shanghai (1932)<\/a>
\nRope (1948)<\/a>
\nSabotage (1936)<\/a>
\nSaboteur (1942)<\/a>
\nSecret Agent (1936)<\/a>
\nShadow of a Doubt (1943)<\/a>
\nSpellbound (1945)<\/a>
\nStage Fright (1950)<\/a>
\nStrangers on a Train (1951)<\/a>
\nSuspicion (1941)<\/a>
\n39 Steps, The (1935)<\/a>
\nTo Catch a Thief (1955)<\/a>
\nTorn Curtain (1966)<\/a>
\nTrouble With Harry, The (1955)<\/a>
\nUnder Capricorn (1949)<\/a>
\nVertigo (1958)<\/a>
\nWrong Man, The (1956)<\/a>
\nYoung and Innocent \/ Girl Was Young, The (1937)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAllan Dwan Films<\/strong>
\n\"\"<\/a>Brewster’s Millions (1945)<\/a>
\nCattle Queen of Montana (1954)<\/a>
\nMost Dangerous Man Alive (1961)<\/a>
\nRestless Breed, The (1957)<\/a>
\nRiver’s Edge, The (1957)<\/a>
\nSands of Iwo Jima (1949)<\/a>
\nSilver Lode (1954)<\/a>
\nThree Musketeers, The (1939)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAnatole Litvak Films<\/strong>
\nAmazing Doctor Clitterhouse, The (1938)<\/a>
\nBlues in the Night (1941)<\/a>
\nCity for Conquest (1940)<\/a>
\nConfessions of a Nazi Spy (1939)<\/a>
\nMayerling (1936)<\/a>
\nSnake Pit, The (1948)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAndrei Tarkovsky Films<\/strong>
\n\"Tarkovsky\"Andrei Rublev (1966)<\/a>
\nNostalghia (1983)
\nSolaris (1972)<\/a>
\nStalker (1979)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nAnthony Mann Films<\/strong>
\n\"AnthonyBend of the River (1952)<\/a>
\nCimarron (1960)<\/a>
\nDevil’s Doorway (1950)<\/a>
\nEl Cid (1961)<\/a>
\nFall of the Roman Empire, The (1964)<\/a>
\nFar Country, The (1954)<\/a>
\nFuries, The (1950)<\/a>
\nGlenn Miller Story, The (1954)<\/a>
\nGod\u2019s Little Acre (1958)<\/a>
\nLast Frontier, The (1955)<\/a>
\nMan From Laramie, The (1955)<\/a>
\nMan of the West (1958)<\/a>
\nNaked Spur, The (1952)<\/a>
\nRaw Deal (1948)<\/a>
\nReign of Terror (1949)<\/a>
\nStrategic Air Command (1955)<\/a>
\nT-Men (1947)<\/a>
\nTall Target, The (1951)<\/a>
\nThunder Bay (1953)<\/a>
\nTin Star, The (1957)<\/a>
\nWinchester ’73 (1950)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nArch Oboler Films<\/strong>
\n\"Oboler\"Bwana Devil (1952)<\/a>
\nFantastic Invasion of Planet Earth, The \/ Bubble, The (1966)<\/a>
\nFive (1951)<\/a>
\nTwonky, The (1953)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nArthur Penn Films<\/strong>
\n\"Penn\"Alice’s Restaurant (1969)<\/a>
\nBonnie and Clyde (1967)<\/a>
\nFour Friends (1981)<\/a>
\nLeft-Handed Gun, The (1958)<\/a>
\nLittle Big Man (1970)<\/a>
\nMickey One (1965)<\/a>
\nMiracle Worker, The (1962)<\/a>
\nMissouri Breaks, The (1976)<\/a>
\nNight Moves (1975)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBarbet Schroeder Films<\/strong>
\n\"\"<\/a>Koko: A Talking Gorilla (1978)<\/a>
\nMaitress (1976)<\/a>
\nValley, The \/ Vall\u00e9e, La (1972)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBarry Levinson Films<\/strong>
\n\"\"<\/a>Diner (1982)<\/a>
\nNatural, The (1984)<\/a>
\nTin Men (1987)<\/a>
\nYoung Sherlock Holmes (1985)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBernardo Bertolucci Films<\/strong>
\n\"Bertolucci\"Before the Revolution (1964)<\/a>
\nConformist, The (1971)
\nLast Tango in Paris (1972)<\/a>
\nLuna (1979)<\/a>
\n1900 \/ Novecento (1976)
\nSpider’s Strategem, The (1970)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\n\tBertrand Blier Films<\/strong>
\n\t\"Blier\"Beau Pere (1981)<\/a>
\nFemmes Fatales (1976)<\/a>
\nGet Out Your Handkerchiefs (1978)<\/a>
\nGoing Places (1974)<\/a>
\n\tMenage (1986)<\/a>\n <\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a><\/p>\n

Billy Wilder Films<\/strong>
\n\"BillyApartment, The (1960)<\/a>
\nAvanti! (1972)<\/a>
\nBig Carnival, The\/Ace in the Hole (1951)<\/a>
\nDouble Indemnity (1944)<\/a>
\nFedora (1978)<\/a>
\nFive Graves to Cairo (1943)<\/a>
\nForeign Affair, A (1948)<\/a>
\nFortune Cookie, The (1966)<\/a>
\nIrma La Douce (1963)<\/a>
\nKiss Me, Stupid (1964)<\/a>
\nLost Weekend, The (1945)<\/a>
\nLove in the Afternoon (1957)<\/a>
\nMajor and the Minor, The (1942)<\/a>
\nOne, Two, Three (1961)<\/a>
\nPrivate Life of Sherlock Holmes, The (1970)<\/a>
\nSabrina (1954)<\/a>
\nSeven Year Itch, The (1955)<\/a>
\nSome Like it Hot (1959)<\/a>
\nSpirit of St. Louis, The (1957)<\/a>
\nStalag 17 (1953)<\/a>
\nSunset Boulevard (1950)<\/a>
\nWitness for the Prosecution (1957)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBlake Edwards Films<\/strong>
\n\"BlakeBreakfast at Tiffany’s (1961)<\/a>
\nDarling Lili (1970)<\/a>
\nDays of Wine and Roses (1962)<\/a>
\nExperiment in Terror (1962)<\/a>
\nGunn (1967) <\/a>
\nMicki + Maude (1984)<\/a>
\nOperation Petticoat (1959)<\/a>
\nParty, The (1968)<\/a>
\nPink Panther, The (1964)<\/a>
\nShot in the Dark, A (1964)<\/a>
\nS.O.B. (1981)<\/a>
\nTamarind Seed, The (1974)<\/a>
\n“10” (1979)<\/a>
\nVictor \/ Victoria (1982)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\n Bob Fosse Films<\/strong>
\n All That Jazz (1979)<\/a>
\n Cabaret (1972)<\/a>
\n Lenny (1974)<\/a>
\nSweet Charity (1969)<\/a>\n <\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBob Rafelson Films<\/strong>
\n\"Rafelson\"Five Easy Pieces (1970)<\/a>
\nHead (1968)<\/a>
\nKing of Marvin Gardens, The (1972)<\/a>
\nPostman Always Rings Twice, The (1981)<\/a>
\nStay Hungry (1976)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBrian De Palma Films<\/strong>
\n\"DeBlow Out (1981)<\/a>
\nBody Double (1984)<\/a>
\nCarrie (1976)<\/a>
\nDressed to Kill (1980)<\/a>
\nFury, The (1978)<\/a>
\nGet to Know Your Rabbit (1973)<\/a>
\nGreetings (1968)<\/a>
\nHi, Mom! (1970)<\/a>
\nHome Movies (1980)<\/a>
\nObsession (1976)<\/a>
\nPhantom of the Paradise (1974)<\/a>
\nScarface (1983)<\/a>
\nSisters (1973)<\/a>
\nUntouchables, The (1987)
\nWedding Party, The (1969)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBryan Forbes Films<\/strong>
\n\"\"<\/a>King Rat (1965)<\/a>
\nL-Shaped Room, The (1962)<\/a>
\nSeance on a Wet Afternoon (1964)<\/a>
\nStepford Wives, The (1975)<\/a>
\nWhistle Down the Wind (1961)<\/a>
\nWrong Box, The (1966)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBudd Boetticher Films<\/strong>
\n\"BuddArruza (1972)<\/a>
\nBuchanan Rides Alone (1958)<\/a>
\nBullfighter and the Lady, The (1951)<\/a>
\nComanche Station (1960)<\/a>
\nDecision at Sundown (1957)<\/a>
\nMagnificent Matador, The (1955)<\/a>
\nMan from the Alamo, The (1953)<\/a>
\nRide Lonesome (1959)<\/a>
\nRise and Fall of Legs Diamond, The (1960)<\/a>
\nSeven Men From Now (1956)<\/a>
\nTall T, The (1957)<\/a>
\nTime for Dying, A (1969)<\/a>
\nWestbound (1959)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBusby Berkeley Films<\/strong>
\nBabes in Arms (1939)<\/a>
\nDames (1934)<\/a>
\nFootlight Parade (1933)<\/a>
\n42nd Street (1933)<\/a>
\nGang’s All Here, The (1943)<\/a>
\nGirl Crazy (1943)<\/a>
\nGold Diggers of 1933 (1933)<\/a>
\nGold Diggers of 1935 (1935)<\/a>
\nGold Diggers of 1937 (1937)<\/a>
\nKid from Spain, The (1932)<\/a>
\nRoman Scandals (1933)<\/a>
\nRomance on the High Seas (1948)<\/a>
\nTake Me Out to the Ball Game (1949)<\/a>
\nThey Made Me a Criminal (1939)<\/a>
\nWhoopee (1930)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nBuster Keaton Films<\/strong>
\n\"Keaton\"Battling Butler (1926)<\/a>
\nCameraman, The (1928)<\/a>
\nCollege (1927)<\/a>
\nForever and a Day (1943)<\/a>
\nFunny Thing Happened on the Way to the Forum, A (1966)<\/a>
\nGeneral, The (1926)<\/a>
\nGo West (1925)<\/a>
\nHow to Stuff a Wild Bikini (1965)<\/a>
\nNavigator, The (1924)<\/a>
\nOur Hospitality (1923)<\/a>
\nSeven Chances (1925)<\/a>
\nSherlock Jr. (1924)<\/a>
\nSpite Marriage (1929)<\/a>
\nSteamboat Bill, Jr. (1928)<\/a>
\nThree Ages (1923)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nCarl Reiner Films<\/strong>
\n\"\"<\/a>All of Me (1984)<\/a>
\nComic, The (1969)<\/a>
\nDead Men Don’t Wear Plaid (1982)<\/a>
\nEnter Laughing (1967)<\/a>
\nOh, God! (1977)<\/a>
\nTen From Your Show of Shows (1973)<\/a> (actor)
\nWhere’s Poppa? (1970)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nCarl Theodor Dreyer Films<\/strong>
\n\"Dreyer\"Day of Wrath \/ Vredens Dag (1943)<\/a>
\nGertrud (1964)<\/a>
\nOrdet\/Word, The (1955)<\/a>
\nPassion de Jeanne D’Arc, Le\/Passion of Joan of Arc, The (1928)<\/a>
\nVampyr \/ Castle of Doom (1932)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nCarol Reed Films<\/strong>
\n\"Reed\"Fallen Idol, The (1948)<\/a>
\nKid for Two Farthings, A (1955)<\/a>
\nKipps (1941)<\/a>
\nMan Between, The (1953)<\/a>
\nNight Train \/ Night Train to Munich (1940)<\/a>
\nOdd Man Out (1947)<\/a>
\nOliver! (1968)<\/a>
\nOur Man in Havana (1959)<\/a>
\nOutcast of the Islands (1951)<\/a>
\nStars Look Down, The (1940)<\/a>
\nThird Man, The (1949)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nCecil B. DeMille Films<\/strong>
\n\"DeCleopatra (1934)<\/a>
\nGreatest Show on Earth, The (1952)<\/a>
\nKing of Kings, The (1927)<\/a>
\nMale and Female (1919)<\/a>
\nNorthwest Mounted Police (1940)<\/a>
\nPlainsman, The (1936)<\/a>
\nSamson and Delilah (1949)<\/a>
\nTen Commandments, The (1956)<\/a>
\nUnconquered (1947)<\/a>
\nUnion Pacific (1939)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nCharlie Chaplin Films<\/strong>
\n\"Chaplin\"Circus, The (1928)<\/a>
\nCity Lights (1931)<\/a>
\nCountess from Hong Kong, A (1967)<\/a>
\nGold Rush, The (1925)<\/a>
\nGreat Dictator, The (1940)<\/a>
\nKid, The (1921)<\/a>
\nKing in New York, A (1957)<\/a>
\nLimelight (1952)<\/a>
\nModern Times (1936)<\/a>
\nMonsieur Verdoux (1947)<\/a>
\nTillie’s Punctured Romance (1914)<\/a>
\nWoman of Paris, A (1923)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nClarence Brown Films<\/strong>
\nAngels in the Outfield (1951)<\/a>
\nAnna Christie (1930)<\/a>
\nAnna Karenina (1935)<\/a>
\nConquest (1937)<\/a>
\nEagle, The (1925)<\/a>
\nFlesh and the Devil (1926)<\/a>
\nHuman Comedy, The (1943)<\/a>
\nIntruder in the Dust (1949)<\/a>
\nIt’s a Big Country (1951)<\/a>
\nNational Velvet (1944)<\/a>
\nYearling, The (1946)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nClaude Chabrol Films<\/strong>
\n\"Chabrol\"
\nBeau Serge, Le (1958)<\/a>
\nBiches, Les (1968)<\/a>
\nBluebeard (1963)<\/a>
\nChampagne Murders, The (1967)<\/a>
\nCousins, Les (1959)<\/a>
\nFemme Infid\u00e9le, La (1969)<\/a>
\nThis Man Must Die (1969)<\/a>
\nViolette (1978)
\nWedding in Blood (1973)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nCosta-Gavras Films<\/strong>
\n\"CostaGavras\"Confession, The (1970)<\/a>
\nMissing (1982)
\nSleeping Car Murders, The (1965)<\/a>
\nState of Siege (1972)
\nZ (1969)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nDario Argento Films<\/strong>
\n\"\"<\/a>Bird With the Crystal Plumage \/ Phantom of Terror, The (1970)<\/a><\/a>
\nCreepers (1985)<\/a>
\nDeep Red \/ Hatchet Murders, The (1975)<\/a>
\nInferno (1980)<\/a>
\nSuspiria (1977)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nDavid Cronenberg Films<\/strong>
\n\"Cronenberg\"Brood, The (1979)<\/a>
\nCrimes of the Future (1970)<\/a>
\nDead Zone, The (1983)<\/a>
\nFly, The (1986)
\nRabid \/ Rage (1977)<\/a>
\nScanners (1981)<\/a>
\nThey Came From Within \/ Shivers \/ Parasite Murders, The (1975)<\/a>
\nVideodrome (1983)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nDavid Lean Films<\/strong>
\n\"DavidBlithe Spirit (1945) <\/a>
\nBreaking the Sound Barrier (1952)<\/a>
\nBridge on the River Kwai, The (1957)<\/a>
\nBrief Encounter (1945)<\/a>
\nDoctor Zhivago (1965)<\/a>
\nGreat Expectations (1946)<\/a>
\nHobson’s Choice (1954)<\/a>
\nIn Which We Serve (1942)<\/a>
\nLawrence of Arabia (1962)<\/a>
\nOliver Twist (1948)<\/a>
\nPassage to India, A (1984)<\/a>
\nRyan’s Daughter (1970)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nDavid Lynch Films<\/strong>
\n\"\"<\/a>Blue Velvet (1986)<\/a>
\nDune (1984)
\nElephant Man, The (1980)<\/a>
\nEraserhead (1977)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nDelmer Daves Films<\/strong>
\n\"\"<\/a>Broken Arrow (1950)<\/a>
\nDark Passage (1947)<\/a>
\nDestination Tokyo (1943)<\/a>
\nHanging Tree, The (1959)<\/a>
\nPride of the Marines (1945)<\/a>
\nSummer Place, A (1959)<\/a>
\n3:10 to Yuma (1957)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nDon Siegel Films<\/strong>
\n\"DonBaby Face Nelson (1957)<\/a>
\nBeguiled, The (1971)<\/a>
\nBlack Windmill, The (1974)<\/a>
\nCharley Varrick (1973)<\/a>
\nCoogan’s Bluff (1968)<\/a>
\nCrime in the Streets (1956)<\/a>
\nDeath of a Gunfighter (1969)<\/a>
\nDirty Harry (1971)<\/a>
\nEdge of Eternity (1959)<\/a>
\nEscape from Alcatraz (1979)<\/a>
\nFlaming Star (1960)<\/a>
\nHell is for Heroes (1962)<\/a>
\nHound-Dog Man (1959)<\/a>
\nInvasion of the Body Snatchers (1956)<\/a>
\nKillers, The (1964)<\/a>
\nLineup, The (1958)<\/a>
\nMadigan (1968)<\/a>
\nPrivate Hell 36 (1954)<\/a>
\nRiot in Cell Block 11 (1954)<\/a>
\nShootist, The (1976)
\nTwo Mules for Sister Sara (1970) <\/a>
\nVerdict, The (1946)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nDorothy Arzner Films<\/strong>
\n\"Arzner\"Christopher Strong (1933)<\/a>
\nCraig’s Wife (1936)<\/a>
\nDance, Girl, Dance (1940)<\/a>
\nFirst Comes Courage (1943)<\/a>
\nMerrily We Go to Hell (1932)<\/a>
\nNana (1934)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nDouglas Sirk Films<\/strong>
\n\"DouglasAll That Heaven Allows (1955)<\/a>
\nBattle Hymn (1957)<\/a>
\nHas Anybody Seen My Gal? (1952)<\/a>
\nHitler’s Madman (1943)<\/a>
\nImitation of Life (1959)<\/a>
\nLured (1947)<\/a>
\nMagnificent Obsession (1954)<\/a>
\nScandal in Paris, A \/ Thieves\u2019 Holiday (1946)<\/a>
\nSummer Storm (1944)<\/a>
\nTarnished Angels, The (1957)<\/a>
\nTime to Love and a Time to Die, A (1958)<\/a>
\nWritten on the Wind (1956)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nD.W. Griffith Films<\/strong>
\n\"Griffith\"Abraham Lincoln (1930)<\/a>
\nBirth of a Nation, The (1915)<\/a>
\nBroken Blossoms (The Yellow Man and the White Girl) (1919)<\/a>
\nHearts of the World (1918)<\/a>
\nIntolerance (1916)<\/a>
\nOrphans of the Storm (1921)<\/a>
\nSally of the Sawdust (1925)<\/a>
\nTrue Heart Susie (1919)<\/a>
\nWay Down East (1920)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nEd Wood Films<\/strong>
\nBride of the Monster\/Bride of the Atom (1955)<\/a>
\nGlen or Glenda\/I Led Two Lives\/I Changed My Sex\/He or She (1953)<\/a>
\nJail Bait (1954)<\/a>
\nNight of the Ghouls\/Revenge of the Dead (1960)<\/a>
\nOrgy of the Dead (1965)<\/a>
\nPlan 9 From Outer Space\/Grave Robbers From Outer Space (1956)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nEdgar G. Ulmer Films<\/strong>
\n\"Ulmer\"Black Cat, The (1934)<\/a>
\nBluebeard (1944)<\/a>
\nDaughter of Dr. Jekyll (1958)<\/a>
\nDetour (1945)<\/a>
\nNaked Dawn, The (1955)<\/a>
\nRuthless (1948)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\n Edmund Goulding Films<\/strong>
\n Dark Victory (1939)<\/a>
\nDawn Patrol, The (1938)<\/a>
\nGrand Hotel (1932)<\/a>
\n Great Lie, The (1941)<\/a>
\n Nightmare Alley (1947)<\/a>
\n Old Maid, The (1939)<\/a>
\n Razor’s Edge, The (1946)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nEdward Dmytryk Films<\/strong>
\nCaine Mutiny, The (1954)<\/a>
\nCaptive Wild Woman (1943)<\/a>
\nCarpetbaggers, The (1964)<\/a>
\nCrossfire (1947)<\/a>
\nDevil Commands, The (1941)<\/a>
\nHitler’s Children (1943)<\/a>
\nMurder, My Sweet \/ Farewell, My Lovely (1944)<\/a>
\nRaintree County (1957)<\/a>
\nSniper, The (1952)<\/a>
\nWalk on the Wild Side (1962)<\/a>
\nYoung Lions, The (1958)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nElia Kazan Films<\/strong>
\n\"Kazan\"America, America (1963)
\nBaby Doll (1956)<\/a>
\nBoomerang! (1947)<\/a>
\nEast of Eden (1955)<\/a>
\nFace in the Crowd, A (1957)<\/a>
\nGentleman’s Agreement (1947)<\/a>
\nLast Tycoon, The (1976)
\nOn the Waterfront (1954)<\/a>
\nPanic in the Streets (1950)<\/a>
\nPinky (1949)<\/a>
\nSplendor in the Grass (1961)<\/a>
\nStreetcar Named Desire, A (1951)<\/a>
\nTree Grows in Brooklyn, A (1945)<\/a>
\nViva Zapata! (1952)<\/a>
\nWild River (1960)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nEmile de Antonio Films<\/strong>
\n\"\"<\/a>In the Year of the Pig (1968)<\/a>
\nMillhouse: A White Comedy (1967)<\/a>
\nPoint of Order (1964)<\/a>
\nRush to Judgment (1967)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nEric Rohmer Films<\/strong>
\n\"Rohmer\"Chloe in the Afternoon (1972)<\/a>
\nClaire’s Knee (1971)<\/a>
\nMarquise of O, The (1976)
\nMy Night at Maud\u2019s \/ Ma Nuit Chez Maud (1969)<\/a>
\nPauline at the Beach (1983)<\/a>
\nPerceval (1978)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nErich von Stroheim Films<\/strong>
\nDevil Doll, The (1936)<\/a>
\nFive Graves to Cairo (1943)<\/a>
\nFoolish Wives (1922)<\/a>
\nGrand Illusion \/ Grande Illusion, La (1937)<\/a>
\nGreat Gabbo, The (1929)<\/a>
\nGreed (1924)<\/a>
\nLady and the Monster, The (1944)<\/a>
\nMerry Widow, The (1925)<\/a>
\nNorth Star, The (1943)<\/a>
\nQueen Kelly (1929)<\/a>
\nSunset Boulevard (1950)<\/a>
\nWedding March, The (1928)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nErnst Lubitsch Films<\/strong>
\n\"Lubitsch\"Bluebeard’s Eighth Wife (1938)<\/a>
\nCluny Brown (1946)<\/a>
\nDesign for Living (1933)<\/a>
\nHeaven Can Wait (1943)<\/a>
\nIf I Had a Million (1932)<\/a>
\nLady Windermere’s Fan (1925)<\/a>
\nLove Parade, The (1929)<\/a>
\nMarriage Circle, The (1924)<\/a>
\nMerry Widow, The (1934)<\/a>
\nNinotchka (1939)<\/a>
\nOne Hour With You (1932)<\/a>
\nShop Around the Corner (1940)<\/a>
\nThat Lady in Ermine (1948)<\/a>
\nTo Be or Not to Be (1942)<\/a>
\nTrouble in Paradise (1932)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFassbinder Films<\/strong>
\n\"Fassbinder\"Ali: Fear Eats the Soul \/ Fear Eats the Soul (1974)<\/a>
\nBerlin Alexanderplatz (1980)<\/a>
\nBitter Tears of Petra Von Kant, The (1973)<\/a>
\nChinese Roulette (1976)
\nDespair (1979)
\nEffi Briest (1974)
\nFox and His Friends (1975)
\nIn a Year of Thirteen Moons (1978)
\nLili Marleen (1981)
\nLola (1981)
\nMarriage of Maria Braun, The (1978)
\nMother Kusters Goes to Heaven (1975)
\nQuerelle (1982)
\nStationmaster’s Wife, The \/ Bolweiser (1977)
\nThird Generation, The (1979)
\nVeronika Voss (1982)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFederico Fellini Films<\/strong>
\n\"Fellini\"Amarcord (1973)<\/a>
\nAnd the Ship Sails On (1984)
\nCity of Women (1981)
\nClowns, The (1971)<\/a>
\nDolce Vita, La (1960)<\/a>
\n8 1\/2 (1963)<\/a>
\nFellini Satyricon (1969)
\nFellini’s Casanova (1976)
\nFellini’s Roma (1972)
\nI Vitelloni (1953)<\/a>
\nJuliet of the Spirits (1965)<\/a>
\nMiracle, The (1948)<\/a> [actor and writer]
\nNights of Cabiria (1957)<\/a>
\nSpirits of the Dead (1968)<\/a>
\nStrada, La (1954)<\/a>
\nVariety Lights (1950)<\/a>
\nWhite Sheik, The (1952)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFrancis Ford Coppola Films<\/strong>
\n\"Coppola\"Apocalypse Now (1979)<\/a>
\nConversation, The (1974)<\/a>
\nCotton Club, The (1984)
\nDementia 13 \/ Haunted and the Hunted, The (1963)<\/a>
\nFinian’s Rainbow (1968)<\/a>
\nGodfather, The (1972)<\/a>
\nGodfather, Part II, The (1974)<\/a>
\nOne from the Heart (1982)<\/a>
\nOutsiders, The (1983)
\nPeggy Sue Got Married (1986)<\/a>
\nRain People, The (1969)<\/a>
\nRumble Fish (1983)<\/a>
\nYou’re a Big Boy Now (1966)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFranco Zeffirelli Films <\/strong>
\n\"\"<\/a>Endless Love (1981)
\nRomeo and Juliet (1968)<\/a> – NO<\/strong>
\nTraviata, La (1982)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFrancois Truffaut Films <\/strong>
\n\"Truffaut\"Bed and Board (1970)<\/a>
\nBride Wore Black, The (1968)<\/a>
\nClose Encounters of the Third Kind (1977\/1980)<\/a> [actor]
\nConfidentially Yours (1983)<\/a>
\nDay for Night\/Nuit Am\u00e9ricaine, Le (1973)<\/a>
\nFahrenheit 451 (1966)<\/a>
\n400 Blows, The (1959)<\/a>
\nGreen Room, The (1978)<\/a>
\nJules et Jim (1962)<\/a>
\nLast Metro, The (1980)<\/a>
\nLove at Twenty (1962)<\/a>
\nLove On the Run (1979)<\/a>
\nMan Who Loved Women, The (1977)<\/a>
\nMississippi Mermaid (1970)<\/a>
\nShoot the Piano Player\/Tirez Sur le Pianiste (1960)<\/a>
\nSmall Change \/ Argent de Poche, L’ (1976)<\/a>
\nSoft Skin, The (1964)<\/a>
\nStolen Kisses (1968)<\/a>
\nStory of Adele H, The\/Histoire de Adele H., L’ (1975)<\/a>
\nSuch a Gorgeous Kid Like Me (1973)<\/a>
\nTwo English Girls \/ Deux Anglaises et le Continent, Le (1971)<\/a>
\nWild Child, The (1970)<\/a>
\nWoman Next Door, The (1981)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFrank Borzage Films<\/strong>
\n\"Borzage\"Desire (1936)<\/a>
\nFarewell to Arms, A (1932)<\/a>
\nFlirtation Walk (1934)<\/a>
\nHistory is Made at Night (1937)<\/a>
\nLittle Man, What Now? (1934)<\/a>
\nMannequin (1937)<\/a>
\nMortal Storm (1940)<\/a>
\nSeventh Heaven (1927)<\/a>
\nStrange Cargo (1940)<\/a>
\nThree Comrades (1938)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFrank Capra Films<\/strong>
\n\"FrankAmerican Madness (1932)<\/a>
\nArsenic and Old Lace (1944)<\/a>
\nBitter Tea of General Yen, The (1933)<\/a>
\nIt Happened One Night (1934)<\/a>
\nIt’s a Wonderful Life (1946)<\/a>
\nLadies of Leisure (1930)<\/a>
\nLady for a Day (1933)<\/a>
\nLong Pants (1927)<\/a>
\nLost Horizon (1937)<\/a>
\nMeet John Doe (1941)<\/a>
\nMiracle Woman, The (1931)<\/a>
\nMr. Deeds Goes to Town (1936)<\/a>
\nMr. Smith Goes to Washington (1939)<\/a>
Platinum Blonde (1931)<\/a>
\nPocketful of Miracles (1961)<\/a>
\nPrelude to War (1942)<\/a>
\nState of the Union (1948)<\/a>
\nStrong Man, The (1926)<\/a>
\nYou Can’t Take it With You (1938)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFrank Perry Films<\/strong>
\n\"\"<\/a>David and Lisa (1962)<\/a>
\nDiary of a Mad Housewife (1970)<\/a>
\nDoc (1971)
\nLast Summer (1969)<\/a>
\nMommie Dearest (1981)<\/a>
\nPlay It As It Lays (1972)
\nRancho Deluxe (1976)<\/a>
\nSwimmer, The (1968)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFrank Tashlin Films<\/strong>
\nArtists and Models (1955)<\/a>
\nBachelor Flat (1962)<\/a>
\nDisorderly Orderly, The (1964)<\/a>
\nGirl Can’t Help It (1956)<\/a>
\nHollywood or Bust (1956)<\/a>
\nIt’$ Only Money (1962)<\/a>
\nSon of Paleface (1952)<\/a>
\nWill Success Spoil Rock Hunter? (1957)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFred Schepisi Films<\/strong>
\n\"\"<\/a>Barbarosa (1982)<\/a>
\nChant of Jimmie Blacksmith, The (1978)<\/a>
\nDevil’s Playground, The (1976)<\/a>
\nIceman (1984)\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFred Zinnemann Films<\/strong>
\n\"Zinneman\"Day of the Jackal, The (1973)
\nFrom Here to Eternity (1953)<\/a>
\nHatful of Rain, A (1957)<\/a>
\nHigh Noon (1952)<\/a>
\nJulia (1977)<\/a>
\nMan for All Seasons, A (1966)<\/a>
\nMember of the Wedding, The (1952)<\/a>
\nMen, The (1950)<\/a>
\nNun’s Story, The (1959)<\/a>
\nOklahoma! (1955)<\/a>
\nSearch, The (1948)<\/a>
\nSeventh Cross, The (1944)<\/a>
\nSundowners, The (1960)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nFritz Lang Films<\/strong>
\n\"FritzBeyond a Reasonable Doubt (1956)<\/a>
\nBig Heat, The (1953)<\/a>
\nBlue Gardenia, The (1953)<\/a>
\nClash By Night (1952)<\/a>
\nCloak and Dagger (1946)<\/a>
\nContempt \/ Mepris, Le (1963)<\/a>
\nDr. Mabuse, The Gambler \/ Dr. Mabuse, Der Spieler (1922)<\/a>
\nFury (1936)<\/a>
\nHangmen Also Die! (1943)<\/a>
\nHouse by the River, The (1950)<\/a>
\nHuman Desire (1954)<\/a>
\nKriemhild’s Revenge \/ Kriemhild’s Rache \/ She-Devil, The (1924)<\/a>
\nM (1931)<\/a>
\nMan Hunt (1941)<\/a>
\nMetropolis (1927)<\/a>
\nMinistry of Fear (1944)<\/a>
\n1,000 Eyes of Dr. Mabuse, The (1960)<\/a>
\nRancho Notorious (1952)<\/a>
\nReturn of Frank James, The (1940)<\/a>
\nScarlet Street (1945)<\/a>
\nSiegfried \/ Siegfried’s Tod (1924)<\/a>
\nSpies \/ Spione (1928)<\/a>
\nTestament of Dr. Mabuse, The \/ Crimes of Dr. Mabuse, The \/ Last Will of Dr. Mabuse, The (1933)<\/a>
\nWestern Union (1941)<\/a>
\nWhile the City Sleeps (1956)<\/a>
\nWoman in the Window, The (1944)<\/a>
\nYou Only Live Once (1937)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nF.W. Murnau Films<\/strong>
\n\"Murnau\"Faust (1926)<\/a>
\nLast Laugh, The (1924)<\/a>
\nNosferatu (1922)<\/a>
\nOur Daily Bread \/ City Girl (1930)<\/a>
\nSunrise (1927)<\/a>
\nTabu (1931)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nGeorge Cukor Films<\/strong>
\n\"Cukor\"Adam’s Rib (1949)<\/a>
\nBill of Divorcement, A (1932)<\/a>
\nBorn Yesterday (1950)<\/a>
\nCamille (1936)<\/a>
\nChapman Report, The (1962)<\/a>
\nDavid Copperfield (1935)<\/a>
\nDinner at Eight (1933)<\/a>
\nDouble Life, A (1947)<\/a>
\nEdward, My Son (1949)<\/a>
\nGaslight (1944)<\/a>
\nHoliday (1938)<\/a>
\nIt Should Happen to You (1954)<\/a>
\nKeeper of the Flame (1942)<\/a>
\nLet’s Make Love (1960)<\/a>
\nLittle Women (1933)<\/a>
\nMarrying Kind, The (1952)<\/a>
\nMy Fair Lady (1964)<\/a>
\nOne Hour With You (1932)<\/a>
\nPat and Mike (1952)<\/a>
\nPhiladelphia Story, The (1940)<\/a>
\nRomeo and Juliet (1936)<\/a>
\nStar is Born, A (1954)<\/a>
\nSusan and God (1940)<\/a>
\nSylvia Scarlett (1936)<\/a>
\nTwo-Faced Woman (1941)<\/a>
\nWhat Price Hollywood? (1932)<\/a>
\nWoman’s Face, A (1941)<\/a>
\nWomen, The (1939)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nGeorge Marshall Films<\/strong>
\nBlue Dahlia, The (1946)<\/a>
\nDestry Rides Again (1939)<\/a>
\nGhost Breakers, The (1940)<\/a>
\nHow the West Was Won (1962)<\/a>
\nMonsieur Beaucaire (1946)<\/a>
\nMurder, He Says (1944)<\/a>
\nSad Sack, The (1957)<\/a>
\nYou Can’t Cheat an Honest Man (1939)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nGeorge Pal Films<\/strong>
\n\"\"<\/a>Conquest of Space (1955)<\/a>
\nDoc Savage: The Man of Bronze (1975)<\/a>
\nNaked Jungle, The (1954)<\/a>
\nPower, The (1968)<\/a>
\nRocketship X-M (1950)<\/a>
\n7 Faces of Dr. Lao (1964)<\/a>
\nTime Machine, The (1960)<\/a>
\ntom thumb (1958)<\/a>
\nWar of the Worlds (1953)<\/a>
\nWhen Worlds Collide (1951)<\/a>
\nWonderful World of the Brothers Grimm, The (1962)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nGeorge Romero Films<\/strong>
\n\"Romero\"Crazies, The \/ Code Name: Trixie (1973)<\/a>
\nCreepshow (1982)<\/a>
\nDawn of the Dead (1978)<\/a>
\nJack’s Wife \/ Hungry Wives (1972)<\/a>
\nKnightriders (1981)
\nMartin (1977)<\/a>
\nNight of the Living Dead (1968)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nGeorge Roy Hill Films<\/strong>
\n\"GeorgeButch Cassidy and the Sundance Kid (1969)<\/a>
\nLittle Romance, A (1979)<\/a>
\nPeriod of Adjustment (1962)<\/a>
\nSlap Shot (1972)
\nSlaughterhouse-Five (1972)
\nSting, The (1973)<\/a>
\nWorld According to Garp, The (1982)<\/a>
\nWorld of Henry Orient, The (1964)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nGeorge Sidney Films<\/strong>
\n\"\"<\/a>Anchors Aweight (1945)<\/a>
\nHarvey Girls, The (1946)<\/a>
\nJeanne Eagels (1957)<\/a>
\nKiss Me Kate (1953)<\/a>
\nShow Boat (1951)<\/a>
\nThree Musketers, The (1948)<\/a>
\nViva Las Vegas (1964)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nGeorge Stevens Films<\/strong>
\n\"GeorgeAlice Adams (1935)<\/a>
\nAnnie Oakley (1935)<\/a>
\nDiary of Anne Frank, The (1959)<\/a>
\nGiant (1956)<\/a>
\nGreatest Story Ever Told, The (1965)<\/a>
\nGunga Din (1939)<\/a>
\nI Remember Mama (1948)<\/a>
\nMore the Merrier, The (1943)<\/a>
\nOnly Game in Town, The (1970)<\/a>
\nPenny Serenade (1941)<\/a>
\nPlace in the Sun, A (1951)<\/a>
\nQuality Street (1937)<\/a>
\nShane (1953)<\/a>
\nSwing Time (1936)<\/a>
\nTalk of the Town, The (1942)<\/a>
\nVigil in the Night (1940)<\/a>
\nVivacious Lady (1938)<\/a>
\nWoman of the Year (1942)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nGeorges Franju Films<\/strong>
\n\"Franju\"Eyes Without a Face, The \/ Yeux Sans Visage, Les (1960)<\/a>
\nJudex (1963)<\/a>
\nTh\u00e9r\u00e8se Desqueyroux (1962)<\/a>
\nThomas the Imposter (1964)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nG.W. Pabst Films<\/strong>
\nDiary of a Lost Girl (1929)<\/a>
\nJoyless Street, The (1925)<\/a>
\nKameradschaft (1931)<\/a>
Love of Jeanne Ney, The (1927)<\/a>
\nPandora’s Box \/ Lulu (1929)<\/a>
\nThreepenny Opera, The (1931)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nHal Ashby Films<\/strong>
\n\"ashby\"Being There (1979)<\/a>
\nBound for Glory (1976)
\nComing Home (1978)<\/a>
\nHarold and Maude (1971)<\/a>
\nLandlord, The (1970)<\/a>
\nLast Detail, The (1973)<\/a>
\nLet’s Spend the Night Together (1982)<\/a>
\nShampoo (1975)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nHenri-Georges Clouzot Films<\/strong>
\nCorbeau, Le \/ Crow, The \/ Raven, The \/ Little Town in France, A (1943)<\/a>
\nDiabolique\/Diaboliques, Les\/Fiends, The (1955)<\/a>
\nMystery of Picasso, The (1956)<\/a>
\nWages of Fear, The \/ Salaire de la Peur, La (1953)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\n Henry Hathaway Films<\/strong>
\n\"\"<\/a>Call Northside 777 (1948)<\/a>
\nHouse on 92nd Street, The (1945)<\/a>
\nHow the West Was Won (1962)<\/a>
\nLegend of the Lost (1957)<\/a>
\nLives of a Bengal Lancer, The (1935)<\/a>
\nNiagara (1953)<\/a>
\nTrue Grit (1969)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nHenry King Films<\/strong>
\nCarousel (1956)<\/a>
\nGunfighter, The (1950)<\/a>
\nJesse James (1939)<\/a>
\nSong of Bernadette, The (1943)<\/a>
\nSun Also Rises, The (1957)<\/a>
\nTwelve O\u2019Clock High (1949)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nHerbert Ross Films<\/strong>
\nFootloose (1984)
\nGoodbye Girl, The (1977)<\/a>
\nLast of Sheila, The (1973)<\/a>
\nOwl and the Pussycat, The (1970)<\/a>
\nPennies From Heaven (1981)<\/a>
\nPlay It Again, Sam (1972)<\/a>
\nSeven-Per-Cent Solution, The (1976)<\/a>
\nSunshine Boys, The (1975)<\/a>
\nT.R. Baskin (1971)<\/a>
\nTurning Point, The (1977)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nHerschell Gordon Lewis Films<\/strong>
\n\"GordonBlood Feast (1963)<\/a>
\nColor Me Blood Red (1965)<\/a>
\nGore Gore Girls, The (1972)<\/a>
\nGruesome Twosome, The (1967)<\/a>
\n2000 Maniacs (1964) <\/a>
\nWizard of Gore, The (1970)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nHoward Hawks Films<\/strong>
\n\"HowardAir Force (1943)<\/a>
\nBall of Fire (1941)<\/a>
\nBarbary Coast (1935)<\/a>
\nBig Sky, The (1952)<\/a>
\nBig Sleep, The (1946)<\/a>
\nBringing Up Baby (1938)<\/a>
\nCeiling Zero (1936)<\/a>
\nCome and Get It\/Roaring Timber (1936)<\/a>
\nCriminal Code, The (1931)<\/a>
\nCrowd Roars, The (1932)<\/a>
\nDawn Patrol, The (1930)<\/a>
\nEl Dorado (1966)<\/a>
\nGentlemen Prefer Blondes (1953)<\/a>
\nGirl in Every Port, A (1928)<\/a>
\nHatari! (1962)<\/a>
\nHis Girl Friday (1940)<\/a>
\nI Was a Male War Bride (1949)<\/a>
\nLand of the Pharaohs (1955)<\/a>
\nMan’s Favorite Sport? (1964)<\/a>
\nMonkey Business (1952)<\/a>
\nOnly Angels Have Wings (1939)<\/a>
\nRed Line 7000 (1965)<\/a>
\nRed River (1948)<\/a>
\nRio Bravo (1959)<\/a>
\nRio Lobo (1970)<\/a>
\nRoad to Glory (1936)<\/a>
\nScarface, The Shame of the Nation (1932)<\/a>
\nSergeant York (1941)<\/a>
\nSong is Born, A (1948)<\/a>
\nThing (From Another World), The (1951)<\/a>
\nTiger Shark (1932)<\/a>
\nTo Have and Have Not (1944)<\/a>
\nTwentieth Century<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nHugo Haas Films<\/strong>
\n\"HugoBait (1954)<\/a>
\nDays of Glory (1944)<\/a>
\nEdge of Hell (1956)<\/a>
\nHold Back Tomorrow (1955)<\/a>
\nLizzie (1957)<\/a>
\nParadise Alley \/ Stars in the Back Yard (1962)<\/a>
\nPickup (1951) <\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nIngmar Bergman Films<\/strong>
\nAutumn Sonata (1978)
\nCries and Whispers (1972)
\nFace to Face (1976)
\nFanny and Alexander (1982)
\nHour of the Wolf (1968)<\/a>
\nMagician, The (1959)<\/a>
\nNaked Night, The \/ Sawdust and Tinsel (1953)<\/a>
\nPassion of Anna, The (1969)<\/a>
\nPersona (1966)<\/a>
\nScenes From a Marriage (1973)
\nSeventh Seal, The (1956)<\/a>
\nShame (1968)<\/a>
\nSilence, The (1963)<\/a>
\nSmiles of a Summer Night (1955)<\/a>
\nThrough a Glass Darkly (1961)<\/a>
\nTorment (1944)<\/a> [screenwriter]
\nVirgin Spring, The (1960)<\/a>
\nWild Strawberries (1957)<\/a>
\nWinter Light (1963)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n\n\n
\n

<\/a>
\nIrving Rapper Films<\/strong>
\nCorn is Green, The (1945)<\/a>
\nNow, Voyager (1942)<\/a>
\nRhapsody in Blue (1945)<\/a>
\nShining Victory (1941)<\/a>\n<\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Akira Kurosawa Films Dersu Uzala (1975) Dodesthi’ka-den (1970) Drunken Angel (1948) Hidden Fortress, The (1958) High and Low (1963) Idiot, The (1951) Ikiru (1952) Kagemusha (The Shadow Warrior) (1980) Lower Depths, The (1957) Rashomon (1950) Ran (1985) Sanjuro (1962) Seven Samurai, The \/ Magnificent Seven, The (1954) Stray Dog (1949) Throne of Blood (1957) Yojimbo \/ Bodyguard, The (1961) Alain Resnais Films Far from Vietnam (1967) Guerre Est Finie, La (1966) Hiroshima Mon Amour (1959) Je T’Aime, Je T’Aime (1968)…<\/p>\n

Read More Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4278,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-49953","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/49953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49953"}],"version-history":[{"count":592,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/49953\/revisions"}],"predecessor-version":[{"id":50806,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/49953\/revisions\/50806"}],"up":[{"embeddable":true,"href":"https:\/\/filmfanatic.org\/index.php?rest_route=\/wp\/v2\/pages\/4278"}],"wp:attachment":[{"href":"https:\/\/filmfanatic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}