“This island has trouble enough of its own without you coming here and stirring up more!”
A scientist (Ian Bannen) with the British environmental watchdog group Doomwatch is concerned when he visits the island of Balfe and notices its residents acting both secretive and aggressive, with some appearing to suffer from acromegaly. With the help of a local schoolteacher (Judy Geeson) and his colleagues back in London (John Paul, Simon Oates, and Jean Trend), he investigates what might be happening to this tight-knit community — and why.
Genres, Themes, Actors, and Directors:
- Amateur Sleuths
- George Sanders Films
- Science Fiction
This follow-up to the similarly titled BBC TV series (1970-1972) is based on the intriguing premise of a (fictional) environmental protection agency discovering literally horrific after-effects of environmental catastrophes. Indeed, Doomwatch starts off very much like a horror film akin to The Wicker Man (1973), as an “outsider” visits a cloistered island where the residents refuse to share exactly what’s going on in their community. However, Bannen isn’t trapped on the island, and gets plenty of support from his colleagues back in London — so the feeling of anxiety and claustrophobia dissipates, turning the story into more of a procedural mystery: what in the world is impacting these people to the extent that they’re experiencing fear of their own loved ones? I’m not a fan of Bannen’s performance (he comes across as brash and smirky), and Geeson’s role is underdeveloped (how did she end up at the island in the first place?); however, the inherent tension in solving the mystery at least keeps one reasonably engaged throughout.
Note: George Sanders appears in a thankless supporting role, one of his last before dying at the age of 65.
Redeeming Qualities and Moments:
- Atmospheric cinematography
- Fine location shooting
No, though it’s worth a one-time look if you’re curious. Listed as a Sleeper in the back of Peary’s book.