“Stay away from the locals, kiddo. You’re the boss now — don’t forget that.”
The manager (Elvis Presley) of a travelling Chautauqua show during the 1920s flirts with girls, sings a few songs, and manages various day-to-day concerns while helping to solve the mysterious murder of a local druggist (Dabney Coleman).
Elvis Presley’s next-to-last film was, as Stuart Galbraith writes in his DVD Talk review, “not so much an Elvis movie as a movie with Elvis in it”. He accurately notes that the script is Altman-esque in its meandering focus on various subplots and quirky characters — such as a union-supporting children’s performer (Marlyn Mason) distressed about being asked to cast the mayor’s untalented child instead of the gifted daughter (Anissa Jones) and young friend (Pepe Brown) of a single mom (Sheree North) who’s been carrying on a troubled affair with a slimy pharmacist (Dabney Coleman). Speaking of ‘trouble’, the film’s title (huh?!) makes no sense other than as a false lure for Presley’s fans. North gives a memorable, sympathetic performance as a woman desperate for comfort and relief, but her dramatic role in the film’s final third is ultimately humiliating, and it’s hard to know what to make of the storyline overall.
Note: Watch for (underutilized) cameos by Vincent Price, John Carradine, and ringleted Susan Olson of “The Brady Bunch” fame.
Redeeming Qualities and Moments:
- Colorful historic sets
- Jacques Marquette’s cinematography
No; feel free to skip this one unless you’re a Presley completist.