“What do you know about anything? You probably had your bread buttered on both sides since the day you were born.”
With help from his lovestruck moll (Claire Trevor), a convict (Dennis O’Keefe) escapes from prison and kidnaps a soft-hearted social worker (Marsha Hunt) while fleeing from both the police and his deceitful crime boss (Raymond Burr).
Anthony Mann and DP John Alton collaborated on several Peary-listed titles, including T-Men (1947), Reign of Terror (1949), Devil’s Doorway (1950), and this gritty escape drama about a convict caught between his growing love for a “good” woman (Hunt) and loyalty for his girlfriend (Trevor). The three key characters in the film are indeed given a “raw deal”: O’Keefe took the rap on behalf of his corrupt boss (Burr), who not-so-secretly hopes O’Keefe will be killed during his escape; Trevor is desperately in love with O’Keefe, but recognizes Hunt as a legitimate threat to her status; and do-gooder Hunt simply wants to help O’Keefe, but ends up kidnapped and endangered as a result. The performances (including supporting roles by Burr, John Ireland, and others) are all excellent, and the storyline is reliably tense — but it’s Mann and Alton’s visual work that really ties this piece together as a stylistic gem of the genre (see stills below).
Redeeming Qualities and Moments:
- Dennis O’Keefe as Joe Sullivan
- Claire Trevor as Pat
- John Alton’s highly atmospheric cinematography
- Anthony Mann’s consistently inventive direction
Yes, as a nifty little noir flick.
Posted on March 7th, 2017 by admin
Filed under: Original Reviews