“Corie, if it’s a good marriage, it’ll last until 5:30.”
(Many actresses were apparently considered for the role of “Corie”, yet she’s so poorly written that it’s actually difficult to imagine anyone having better success with her than Fonda.) We’re presumably meant to sympathize with poor Redford’s character (a stand-in for Simon himself) — an every-man who simply wants to go to work and earn a living; but he’s so dull and under-written that we don’t care much for him, either. Another critical concern is that we aren’t given sufficient motivation to care about the ultimate survival of this couple’s sexually charged yet perilously unstable marriage, which suffers from seemingly irreconcilable personality differences (she’s free-spirited and likes to walk “barefoot in the park”, while he’s more conservative). Meanwhile, a critical subplot involving Fonda’s attempt to set up her single mother (Mildred Natwick) with an enigmatic foodie neighbor (Charles Boyer) is simply tiresome — as are the running “gags” about how tiny and elevated the couple’s new apartment is.
Note: Simon would rework the basic concept of conflicting personality types attempting (unsuccessfully) to live together in his infinitely more clever and enjoyable comedy The Odd Couple (1968).
Redeeming Qualities and Moments: