“If God made me perfect, I might as well show it — you know what I mean?”
A wealthy pre-teen (Sarah Boyd) and a sexy working class teen (Rainbow Harvest) form a tentative cross-class friendship in New York City.
Written and directed by Marisa Silver (daughter of writer/director Joan Micklin Silver), this modest coming-of-age tale reveals a keen sense of authenticity for the intensity of adolescent female friendships, and benefits from a refreshingly natural performance by Boyd, who never hits a false note in her portrayal of a sheltered pre-teen longing to learn more about life outside of her privileged social circle. Harvest — who looks distractingly like Winona Ryder — is nicely cast as the lower-class girl Boyd is smitten with, though her performance eventually becomes a tad too predictably sullen; much less successful is Neill Barry in a key supporting role as Harvest’s rugged older brother, whose actions and attitudes throughout feel scripted rather than authentic. Meanwhile, Silver’s rambling script is better at establishing a mood than providing an interesting storyline for the characters. We’re eventually drawn into a subplot involving Harvest’s father (Danny Aiello) and the sexy new tenant (Roxanne Hart) he may or may not be having an affair with, but this simply feels like a distraction from the central tale of Boyd and Harvest’s evolving friendship, which never quite resolves in a satisfying fashion.
Redeeming Qualities and Moments:
- Natural performances by Boyd and Harvest
No; you don’t need to bother seeking this one out — though it’s worth a look if you enjoy coming-of-age flicks and/or have nostalgic memories of the era it represents (the early ’80s).
Posted on January 9th, 2013 by admin
Filed under: Original Reviews