Manhunter (1986)

“It’s just you and me now, sport — and I’m going to find you, goddamn it!”

Synopsis:
When semi-retired FBI agent Will Graham (William Petersen) is hired to track down a serial killer nicknamed “The Tooth Fairy” (Tom Noonan), he seeks advice from notorious psychopath Dr. Hannibal Lecktor (Brian Cox).

Genres:

Review:
Five years before Jonathan Demme directed Silence of the Lambs (1991), Michael Mann released this highly stylized, under-the-radar version of Thomas Harris’s novel Red Dragon. While both films remain taut, well-acted thrillers, I’ll admit I prefer this earlier one — and its cult following reveals that I’m not the only one who feels this way. The performances in Manhunter are uniformly excellent. Unlike Ted Levine’s freakish “Buffalo Bill” in SOTL, Tom Noonan manages to portray “the Tooth Fairy” as a psychotic soul who is haunted by the desire for normalcy. Brian Cox’s performance as Hannibal Lecktor is a masterpiece of understated acting — the scene in which he coolly makes a call from his cell to find out Graham’s home address is one of the most chilling in cinematic history. And while Jodie Foster deserved her Oscar for playing Clarice Starling in SOTL, William Peterson’s approach here is equally viable.

In addition to fine performances, Manhunter is a visual masterpiece, with highly stylized camera angles, sparse geometric sets, and gorgeous, hue-drenched cinematography. Michael Rubini’s memorable, heavily synthesized score — while clearly marking Manhunter as a product of the ’80s — adds to the overall stylized effect, relentlessly propelling this race-again-time thriller to its effective climax.

Redeeming Qualities and Moments:

  • William Petersen as the driven FBI agent
    Peterson
  • Tom Noonan’s sympathetic performance as the deranged serial killer
    Noonan
  • Joan Allen as Reba, Lecktor’s blind co-worker
    Joan Allen
  • Brian Cox as the “original” Hannibal Lecktor
    Cox
  • Effective use of stylized sets, camera angles, mirrors, and shadows
    Set
  • Evocative, hue-drenched cinematography by Dante Spinotti
    Cinematography
  • Michael Rubini’s synthesized score

Must See?
Yes. This film — which has developed an underground cult following over the years — is a satisfying, well-made adaption of Thomas Harris’s Red Dragon, and should be seen by all film fanatics.

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(Listed in 1001 Movies You Must See Before You Die)

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One Response to “Manhunter (1986)”

  1. A must. While I ultimately prefer ‘Silence of the Lambs’, it’s certainly a dead heat. I think what tips it for me is that I find the conclusion of ‘Manhunter’ – the last 15 min. – something of a letdown. Not that it’s bad, just not as effective as ‘Silence’. The material asks for the constant overdrive that ‘Silence’ affords.

    That said, I’m in complete agreement re: Petersen’s performance, as well as Cox’s – and Cox’s phone call to get Graham’s home address (chilling).

    BTW: my favorite image in the film is blind Joan Allen hugging a sedated tiger. Overall, Allen gives a much more detailed performance than is called for – you want her part to be larger.

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