“You can kick me out of here, but I ain’t quittin’.”
Genres, Themes, Actors, and Directors:
Response to Peary’s Review:
Winger plays an appealingly independent-minded character, yet she’s reduced — like all the working-class women in her town, apparently — to waiting for a man to rescue her from her situation, whether it’s for a temporary month-long fling, or a longer commitment. We’re meant to tsk at the tactics employed by Winger’s best friend Lynette (Lisa Blount) when trying to snag a cadet of her own (David Keith), but Winger isn’t necessarily a much better role model. Meanwhile, petite Lisa Eilbacher is cast in a gratuitous role as a female trainee struggling to make her way through candidacy, who breaks down into tears every time she tries to progress through a particularly challenging component of the obstacle course — and, naturally, she’s helped by a man in the end. The famous final factory scene between Gere and Winger is perhaps most egregious of all, though I won’t spoil the film by saying too much more. Ultimately, this erstwhile hit remains erotic eye candy at best, with the added bonus of seeing Winger in one of her too-few leading roles before she left Hollywood semi-permanently in the mid-1990s.
Redeeming Qualities and Moments: