“The nerve of her, coming here with your face!”
Response to Peary’s Review:
There’s no disputing the cult status of this beloved film, the “second [Hollywood] adaptation of Erich Kastner’s  novel Lisa and Lottie.” The first version, Twice Upon a Time (1953), was directed by none other than Emeric Pressburger, but remains oddly elusive; I’ve never seen it, and have no idea how to go about finding a copy. Meanwhile, two other previous non-Hollywood versions were made as well (one in Germany, and one in Japan), and in addition to later being adapted quite a few more times internationally, it was remade by Hollywood in 1998 with Lindsay Lohan in Mills’ roles. Clearly, the ludicrous storyline — Kastner was purportedly inspired by the similar plot device in Three Smart Girls (1936) — resonates with young viewers, who love to imagine that all their divorced parents need is simply a strong nudge towards reintroduction in order to happily reunite. Meanwhile, Kastner added the universally appealing notion that we may have an identical doppelganger out in the world, someone we know nothing about, but who we may run into by chance, and who will quickly become our closest confidante and companion. What’s not to love about this fantasy scenario?
Adult viewers, however, will likely have a terrible time accepting the notion that O’Hara and Keith split up their twin daughters at an early age and failed to tell either one about the other; it not only strains credibility, but leaves a decidedly sour taste in one’s mouth about their parenting decisions. Regardless, O’Hara and Keith do indeed make for an appealing would-be couple, especially when contrasted with the cartoonishly evil gold-digger played by Barnes (whose frosted hair and matronly hairdo make her appear much older than her actual 27 years of age). And Mills’ performances — helped tremendously by fantastic double-exposure special effects — make the film easy to sit through, even when all its other elements fail to inspire.
Redeeming Qualities and Moments: