Muppets Take Manhattan, The (1984)

Muppets Take Manhattan, The (1984)

“I’m staying! You hear that, New York? THE FROG IS STAYING!”

Synopsis:
Kermit and his Muppet friends head to Broadway, where they struggle to get their musical — “Manhattan Melodies” — produced.

Genres, Themes, Actors, and Directors:

  • Amnesia
  • Let’s-Put-On-a-Show
  • Musicals
  • New York City
  • Puppets and Ventriloquism

Review:
The Muppets’ third big-screen adventure (directed by Frank Oz) will primarily appeal either to those who fondly remember watching it as a child, or, naturally, to hardcore Muppet fans. While it contains a few humorous moments, there are an equal number of embarrassments — including the insufferable “Muppet Babies” doo-wop number.

Juliana Donald as Kermit’s sympathetic new friend is instantly forgettable:

though it’s mildly amusing to watch Miss Piggy (with an ’80s perm!) fuming at her with jealous rage. Most entertaining are the scenes in which an amnesia-ridden Kermit — the indisputable star of the show — hangs out with his well-meaning, yet hopelessly square, new frog buddies: Bill, Gil, and Jill.

Redeeming Qualities and Moments:

  • Amnesiac Kermit — a.k.a. “Phil” — interacting with his new colleagues
  • Linda Lavin (as a doctor) testing Kermit’s “reflexes” after his accident
  • A truly campy moment as Miss Piggy roller skates through Central Park while trying to catch a purse snatcher

Must See?
No. This one is for Muppet fans only; it’s not clear why Peary listed it in the back of his book, other than perhaps its Oscar-nominated score by Jeff Moss.

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One thought on “Muppets Take Manhattan, The (1984)

  1. First viewing. Not must-see, though very young ffs are more than likely to give it a shot. Alas, this isn’t one of those kids’ films that’s also fun for adults. It tries its darnedest to be cheery – but it’s just trying too hard (without benefit of a better script).

    It’s almost shocking how bland this movie is, in all departments. And how the film’s score managed an Oscar nomination is a head-scratcher; it’s barely serviceable.

    As noted, one of the film’s few redeeming qualities is the appearance of Linda Lavin in a cameo as a doctor diagnosing Kermit’s amnesia. She’s very cute. But – as not noted – Lavin is upstaged by the film’s best (if brief) performance, given by James Coco, as a dog owner very much enamored of his little ‘Snookums’. His scene is such a plus that it almost seems ad-libbed.

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