“I saw it today, Pat. Even without your badge, you were the lawman. You took over.”
Genres, Themes, Actors, and Directors:
Ultimately, Badman’s Country come across like a B-level variation on High Noon, with Garrett calling upon a reluctant band of citizens to help him fight the corruption encroaching on their town. In this case, however, he also happens to have the the handy assistance of two other big name allies — Bat Masterson (Gregory Walcott) and Wyatt Earp (Buster Crabbe) — as well as moral support from Buffalo Bill Cody (Malcolm Atterbury), who conveniently (ahem) happens to be in town. Naturally, it’s fairly predictable how everything will turn out, but director Sears generates a fair amount of tension throughout, and keeps things moving at a fast clip (the film is only 68 minutes long, and ends with a nicely handled shootout). My favorite line (spoken by Atterbury as Cody, during the final shootout): “I sure wish they were buffalo; can’t make a rug out of an outlaw!”
Regarding the cast and crew, I feel guilty admitting that I found Karin Booth (a fairly unimpressive actress) a tad too old in appearance to be playing the female love interest for Montgomery (in real life, they were both 42; goes to show what years of unrealistic cinematic influence have done to me). Meanwhile, Ukranian-American former heavyweight boxer Montgomery is appropriately stalwart and handsome in the lead role (check out Trivia on IMDb for some fascinating tidbits about his life), and Neville Brand — who played Butch Cassidy in a different western, The Three Outlaws, just two years earlier — reprises that role here (though weirdly enough, he doesn’t make much of an impression; he only manages to squeeze in one of his characteristic sneers). Perhaps most jarring is seeing Russell Johnson — forever branded in audiences’ minds as The Professor from “Gilligan’s Island” — in an uncharacteristically baddie role as Sundance (!). Sadly, director Sears died young (at the age of 44), but helmed no less than 52 features in a variety of genres for Columbia Pictures; his best known picture was Earth vs. the Flying Saucers (1956).
Redeeming Qualities and Moments: