“They’re afraid of love, because love makes a world they can’t control– And it’s a world worth taking risks for, isn’t it?”
In a totalitarian future, government employee Winston Smith (Edmond O’Brien) challenges “Big Brother” by taking on a secret lover (Jan Sterling).
This unfairly maligned early cinematic version of George Orwell’s classic novel has much to offer — including atmospheric black-and-white cinematography, effectively oppressive set designs, and an overall tone of gloom and despair which aptly suits Orwell’s intent. It’s difficult not to get caught up in Smith’s paranoia as he struggles to maintain a modicum of independence and authenticity under the watchful gaze of Big Brother — and by the final scenes, we find ourselves despairing on behalf of his seemingly hopeless situation. Unfortunately, as noted by many, both O’Brien and Sterling seem a bit “long in the tooth” for their roles, playing characters who most readers imagine as much younger; their clandestine romance is the weakest part of the film, and is portrayed much more effectively in the 1984 version (starring John Hurt and Suzanna Hamilton).
P.S. As pointed out in Shane Burridge’s review (see link below), the fact that this film is currently only available as a bootleg — passed along from person to person — simply seems to add to the authenticity of the viewing experience.
Redeeming Qualities and Moments:
- Effectively “Big Brother”-ish set designs
- Atmospheric black-and-white cinematography
- Donald Pleasence as O’Brien’s pro – “Big Brother” neighbor
Yes. While die-hard fans of the book will inevitably be disappointed by minor discrepancies, this film remains a powerful first-stab at adapting the most famous dystopic novel ever written.