“You don’t seem to realize what this girl means to me. Why, I’d sacrifice anything in the world for her!”
A covetous plantation owner (Robert Frazer) in Haiti seeks the help of a voodoo practitioner (Bela Lugosi) in wooing the newlywed bride (Madge Bellamy) of his friend (John Harron) into his clutches.
Response to Peary’s Review:
Peary accurately notes that this “impressive early sound shocker” has “marvelous visuals, some that are extremely poetic” — much “like something from a classic silent horror film”. Indeed, director Victor Halperin employs an astonishing array of creative visual techniques in his telling of this spooky “fairytale”, which possesses thematic parallels with “Snow White”: just as “Snow White tasted the poisoned apple, Bellamy falls victim to a poisoned rose”, and must be “roused” awake by her lover. There are many “lengthy non-verbal passages in which the emphasis is on character movement, set design, creating atmosphere through light and shadow, and music (there’s a fine, varied score)”; in general, if there’s a way to frame a scene creatively, Halperin does so. Lugosi — with truly wicked eyebrows and goatee — is note perfect in the lead role as evil Murder Legendre (that name!); watching him carve voodoo dolls of his victims out of candles is truly chilling. As Peary notes, while “some scenes are static, [and] others silly”, this “‘sleeper’ is guaranteed to please the true-blue horror fan” — and, I would argue, most all-purpose film fanatics as well.
P.S. A number of classic horror fans have pointed out this film’s historical relevance as the first appearance of zombies on film — and it’s certainly an atmospheric precursor to Val Lewton’s RKO horror classics as well.
Redeeming Qualities and Moments:
- Bela Lugosi as Murder Legendre
- Truly atmospheric sets, cinematography, special effects, and framing
Yes, as an historically relevant and most enjoyable early horror film.
Posted on September 16th, 2010 by admin
Filed under: Response Reviews