Big Red One, The (1980)

“We don’t murder; we kill.”

Synopsis:
Veteran sergeant Lee Marvin leads four soldiers (Robert Carradine, Mark Hamill, Bobbi Di Ciccio, and Kelly Ward) through the European theatre of WWII, while death and chaos surround them.

Genres:

Response to Peary’s Review:
As noted by Peary and many other reviewers (see links below), the salient theme of Sam Fuller’s dream film — a “hard-hitting yet extremely poetic, impressionistic recollection of his WWII experiences” — seems to be that “surviving is the only glory in war”. The movie’s many “memorable, moving scenes” include Marvin caring for an orphaned girl who weaves flowers into his helmet, and a Belgian woman giving birth on the floor of a tank. More a series of nightmarish moments than a coherent story, the film truly emphasizes the surreality and randomness of war — as well as the fact that “normal” life goes on in the midst of it all.

Redeeming Qualities:

  • An intimate look at infantry survival and camaraderie during wartime
    Soldiers

Must See?
Yes. While not quite the masterpiece Fuller intended, this is still indispensable viewing for any film fanatic.

Categories

(Listed in 1001 Movies You Must See Before You Die)

Links:

One Response to “Big Red One, The (1980)”

  1. First viewing (of the reconstructed version). A once-must – it’s among Fuller’s best work and it’s a damn fine war picture.

    I’d seen the cut version many years ago – and I recall liking it…and feeling it lacked something. Turns out it lacked another 40 minutes. Seeing it all-of-a-piece really makes a difference.

    What I like most is the look and feel in terms of authenticity. Nothing here seems much like a Hollywood take on a war story – it just feels natural. There’s an air of urgency, even in what might be seen as some of the more mundane sequences. It’s all episodic but nothing feels out-of-place or tacked-on.

    Throughout, the film is bolstered considerably by way of the score by Dana Kaproff and the remarkable work by DP Adam Greenberg and editors Bryan McKenzie and Morton Tubor.

    Lee Marvin turns in a very solid performance as the sergeant. His supporting cast may not be the very best of young male actors but Fuller gets what he needed from them; they generally have the believable quality that’s called for, if nothing else.

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