Response to Peary’s Review:
Peary writes that it’s “hard to believe the same Bob Clark who gave us Porky’s produced, directed, and co-wrote this charming little film”, based “on radio humorist Jean Shepherd‘s witty nostalgia novel, In God We Trust, All Other Pay Cash.” He notes that the “film is full of delightful, recognizable episodes”, which he spends the bulk of his review outlining: “Billingsley’s best friend gets his tongue stuck to a pole after being ‘double-dog dared’ to put it there; Billingsley decodes his secret message from radio’s Little Orphan Annie only to have it be a commercial for Ovaltine; Billingsley lets slip the ‘F’ word in front of [his] father and has his mouth washed out with soap…; Dillon coaxes his little brother (Ian Petrella) into downing dinner by getting him to imitate a pig’s disgusting habits; Billingsley and his pals repeatedly flee the red-haired school bully until one day Billingsley is so depressed for getting a C+ on his paper about his desire for a BB gun (the teacher wrote he’d get his eye shot out) that he gives the boy a whipping; McGavin wins a hideous lamp that has a plastic female leg for a base — he loves it, Dillon is aghast; and Billingsley and his brother are terrified by a kid-hating department-store Santa and his mean helpers — a scene that really hits home.” He further writes that “you’ll be touched by the warmth the members of Billingsley’s family feel for one another, and amused by their various idiosyncracies”, and he praises the “truly believable” characters and “consistently funny” script.
Peary’s review is spot on: despite being written just three years after the film’s release, he accurately predicts its cult-potential, noting “there’s no reason this unique film should play only in December” — though of course, that’s exactly when most people watch it, again and again and again, as it plays in marathon mode on television throughout Christmas Eve and Christmas Day. Its cult status is somewhat legendary, with numerous websites devoted to it — including one by road-tripper fans determined to visit every site in the movie, an online merchandise store, and a non-profit foundation dedicated to preserving the neighborhood and houses where the film was shot. Clearly, this film hits a nerve for many — perhaps because of how many potent childhood milestones and concerns it covers: menacing bullies, dangerous dares, strict but loving parents, and a lack of agency over gaining one’s most coveted wish. Billingsley is perfectly cast in the lead role: he’s nerdy but no pushover, and, as the oldest child, capable of showing maturity most of the time (unlike his younger brother). This film is a treat, and I can’t imagine any film fanatic not enjoying it at least once (if not many more times).
Note: In 2012, A Christmas Story was selected by the Library of Congress for preservation in the National Film Registry for being “culturally, historically, or aesthetically significant”.
Redeeming Qualities and Moments:
- Peter Billingsley as Ralphie
- Melinda Dillon and Darren McGavin as Ralphie’s stern but loving parents
- Many humorous, memorable sequences
Yes, as an enjoyable cult favorite.