King in New York, A (1957)
“I’d sooner be thought a successful crook than a destitute monarch.”
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Review: Redeeming Qualities and Moments: Must See? Links: |
“I’d sooner be thought a successful crook than a destitute monarch.”
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Genres, Themes, Actors, and Directors:
Review: Redeeming Qualities and Moments: Must See? Links: |
“Lots of things happen where all you can do is stand by and watch.”
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Review: Along the way, we’re asked to question — primarily through the character of Heflin’s spitfire teenage son, who’s eminently scornful of his “wimpy” dad: — what it means to “be a man” and stand up for one’s self. Heflin is appropriately complex and troubled in the lead role: … but it’s Glenn Ford’s turn as Ben Wade which most impresses — his intense performance never misses a beat. Unfortunately, 3:10‘s ending takes an unexpected turn which beggars belief and goes far beyond reasonable expectations — but it’s difficult to fault the script (based on an Elmore Leonard short story) too harshly, given the fine ride until then. Note: 3:10 has achieved renewed interest given the compelling 2007 remake by James Mangold, starring Christian Bale and Russell Crowe. Interestingly, the new film — fine in nearly every respect — sports an equally unsatisfying ending. Redeeming Qualities and Moments:
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“I don’t want to revenge myself on you — I want to give you something.”
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Review: Redeeming Qualities and Moments: Must See? Categories
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“One cell, one microscopic speck left on a space suit, and it would absorb all the energy it could find!”
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Review: (Indeed, given recent threats of airborne pathogens and unknown substances beyond our control, the notion of killer slime isn’t really all that far-fetched.) Unfortunately, however, once the slime auto-magically morphs into humanoid creatures (likened by one reviewer to Sigmund the Sea Monster), all credibility is thrown out the window, and Camp becomes the operative word. Making matters much worse is the insipid love triangle between Horton, Jaeckel, and the super-sexy (naturally) female doctor on board the ship (Luciana Palazzi, Fiona Volpe in 1965’s Thunderball). This truly inane subplot distracts us from the real emergency on hand, instead shifting the central narrative thrust towards which commander can prove his “manly” worth in front of Palazzi, and thus win her hand. Who cares? To their credit, Jaeckel and Horton take their roles extremely seriously, never breaking concentration despite the fact that they’re basically doing battle with walking Halloween costumes — but even their best efforts can’t save this bomb from sinking. Skip this one unless you’re a true fan of the genre. Redeeming Qualities and Moments:
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“We know you are a real sophisticated audience — and what you are about to see is a real mature story.”
“You must realize that today in Germany, anything can happen, even the improbable — and it’s just the beginning.”
[Note: The following review is of a non-Guide for the Film Fanatic title; click here to read more.]
“My cow wouldn’t run away, Eslam… My cow wouldn’t do that.”
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Review: Redeeming Qualities and Moments:
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(Listed in 1001 Movies You Must See Before You Die) Links: |
“This gift, which I never asked for and don’t understand, has brought me only unhappiness!”
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Review: Redeeming Qualities and Moments: Must See? Categories
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“As Dad always said, ‘A man who can’t be bribed can’t be trusted.'”
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The film’s unrealistic denouement — with events wrapping up far too neatly — detracts somewhat from the story’s overall integrity, but Lover Come Back offers enough enjoyment to recommend for one-time viewing. Note: The third and final Day/Hudson romantic comedy — Send Me No Flowers (1964) — isn’t listed in Peary’s book, though I’ve reviewed it as a “Missing Title”. Redeeming Qualities and Moments:
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“Our folks have got enough worry, without us bringin’ ’em more.”